Part 11 (1/2)

39 ”his eyes glittering” and ”It was the dream of my life”: Albert Speer, Inside the Third Reich (London: Weidenfeld & Nicolson, 1970).

40 ”Jewish-owned works of degenerate art”: Nicholas, Rape of Europa.

40 Jeu du Paume: Hector Feliciano, The Lost Museum: The n.a.z.i Conspiracy to Steal the World's Greatest Works of Art (New York: Basic Books, 1997).

41 Aktion-M: Chesnoff, Pack of Thieves.

41 ”Soviet Union lost 1.148 million artworks”: See footnotes of en.wikipedia.org/wiki/n.a.z.i_plunder.

41 ”cultural center of the Thousand-Year Reich”: Mazower, Hitler's Empire.

42 ”Bormann knew the location”: Whetton, Hitler's Fortune.

42 ”bogus art dealers.h.i.+ps in Latin American locations”: Stanley G. Payne, Franco and Hitler: Spain, Germany and World War II (New Haven: Yale University Press, 2008).

42 ”flow of confiscated art”: Nicholas, Rape of Europa.

43 ”involving 137 freight cars”: Shoah Resource Center, piled by the Central Criminal Office of the Czechoslovak Ministry of the Interior.

56 Project Eagle Flight: Manning, Martin Bormann.

57 ”heavy water”: Chesnoff, Pack of Thieves.

57 ”create some 980 front companies”: Yeadon and Hawkins, n.a.z.i Hydra in America.

58 ”every known device”: Manning, Martin Bormann.

58 ”Bury your treasure deep”: Ibid.

59 ”self-contained refuge for Hitler”: Jim Marrs, The Rise of the Fourth Reich (New York: William Morrow, 2008).

Chapter 7: RED INDIANS AND PRIVATE ARMIES.

63 ”Naval Intelligence Commando Unit”: The National Archives, Kew, London; Enclosure 1 to File ADM 223/500.

63 ”Abwehrkommando”: Steven Kippax, ”Hitler's Special Forces,” Military Ill.u.s.trated 155 (2001).

64 ”Fleming's 'Red Indians'”: This section is drawn from The History of 30 a.s.sault Unit 19421946 (London: King's College Library Military Archives, Ref GB99). Lt. Cdr. Fleming's room number was 39; Admiral G.o.dfrey, in Room 38, was the role model for ”M” in the James Bond novels. See also parable artistic tragedy.

69 ”Tutti questi vaffunculi quadri!”: David Tutaev, The Consul of Florence (London: Secker & Warburg, 1966).

69 ”immense h.o.a.rd of artistic plunder”: Edsel, Monuments Men.

70 Uranium Committee and Manhattan Project: Jim Baggott, Atomic: The First War of Physics and the Secret War of the Atom Bomb 19391949 (London: Icon Books, 2009).

71 ”Jewish physics”: Richard Rhodes, The Making of the Atomic Bomb (London: Penguin Books, 1986).

72 ”Unless and until we had positive knowledge”: Cynthia C. Kelly, ed, The Manhattan Project: The Birth of the Atomic Bomb in the Words of Its Creators, Eyewitnesses, and Historians (New York: Atomic Heritage Foundation, 2007).