Part 20 (2/2)

Ministry of Health. A Bibliography of Nutrition Information in Malawi. Lilongwe: Malawi. Ministry of Health and Commonwealth Regional Health Secretariat for East, Central, and Southern Africa, 1996.

Msiska, A. W. C. An Annotated Bibliography of Theses and Dissertations Held by Chancellor College Library. Zomba: Chancellor College Library, 1988.

Ross, Kenneth R. (ed.). Christianity in Malawi: A Source Book. Gweru: Mambo Press, 1996.

Culture Arts Birch, Laura de. ”Basketry Masks of the Chewa.” African Arts 21, no. 3 (1988): 2831.

Blackmum, Barbara, and Matthew Schoffeleers. ”Masks of Malawi.” African Arts 5, no. 4 (1972): 3436.

Brandel, Rose. The Music of Central Africa. The Hague: Martin, 1961.

Chilivumbo, Alifeyo. ”Malawi's Lively Art Form.” Africa Report 16, no. 7 (1971): 1618.

---. ”Vimbuza and Mashawe: A Mystic Therapy.” African Music Society Journal 5 (1972): 69.

Chirambo, Reuben. ”Traditional Music, Hegemonic Power and Censors.h.i.+p in Malawi: 19641994.” In Music Censors.h.i.+p in Africa, eds. Michael and Martin Cloonan Drewett. Adershot: Ashgate, 2006.

Conner, Michael Wayne. ”The Art of the Jere and Maseko Ngoni of Malawi, 18181964.” PhD dissertation, Indiana University, 1991.

Dziko, A. E. et al. ”A Survey of Musical Instruments of Malawi.” Baraza: A Journal of Arts in Malawi 2 (1984).

Friedson, Steven M. ”The Dancing Prophets of Malawi: Music and Healing among the Tumbuka.” PhD dissertation, University of Was.h.i.+ngton, 1991.

---. Dancing Prophets: Musical Experience in Tumbuka Healing. Chicago: University of Chicago Press, 1996.

Kamlongera, Christopher. ”Theatre for Development: The Case of Malawi.” Theatre Research International 7, no. 3 (1982): 207222.

---. ”An Example of Syncretic Drama from Malawi's Malipenga.” Research in African Literatures 17, no. 2 (1986): 197210.

---. Theater for Development in Africa with Case Studies from Malawi and Zambia. Bonn: Education Science and Doc.u.mentation Centre, 1989.

Kerr, David. ”An Experiment in Popular Theatre: The Travelling Theater Tour to Mbalachanda.” Society of Malawi Journal 35, no. 1 (1982): 3450.

---. ”Unmasking the Spirits: Theatre in Malawi.” Drama Review 31, no. 2 (1987): 115125.

---. ”Theatre and Social Issues in Malawi: Performance, Audiences, Aesthetics.” New Theatre Quarterly 4, no. 4 (1988): 173180.

---. ”Community Theatre and Public Health in Malawi.” Journal of Southern African Studies 15, no. 3 (1989): 469485.

---. ”Ideology, Resistance and the Transformation of Performance Traditions in Malawi.” Marang 10 (1993): 137.

---. ”The Best of Both Worlds? Colonial Film Policy and Practice in Northern Rhodesia and Nyasaland.” Critical Arts 7, no. 12 (1993): 1142.

---. African Popular Theatre. London: James Currey, 1995.

Kerr, David, and Mike Nambote. ”The Malipenga Mime of Likoma Island.” Critical Arts 3, no. 1 (1983): 928.

Koma-Koma, W. P. M'ganda Kapena Malipenga. Limbe: African Literature Bureau, 1965.

Kubik, Gerhard. ”Ethnomusicological Research in Southern Parts of Malawi.” Society of Malawi Journal 21, no. 1 (1968): 2032.

---. The Kachamba Brothers' Band: A Study of Neo-Traditional Music in Malawi. Lusaka: University of Zambia Inst.i.tute of African Studies, Paper no. 9, 1975.

---. ”Donald Kachamba's Kwela Music.” Society of Malawi Journal 32, no. 2 (1979): 4559.

---. Malawian Music: A Framework for a.n.a.lysis. Zomba: University of Malawi Centre for Social Research, 1987.

---. ”The Southern Africa Periphery: Banjo Traditions in Zambia and Malawi.” Die Welt der Musik: The World of Music 31, no. 12 (1989): 330.

k.u.mpukwe, Joyce. ”S. L. Mbewe, Creator and Producer of Malawi Radio Plays.” Baraza 1 (1983).

Kwacha Cultural Troupe. Some Traditional Dances of Malawi. Lilongwe: United Printers, 1994.

Lindgren, N., and Matthew Schoffeleers. Rock Art and Nyau Symbolism in Malawi. Lilongwe: Malawi Government Department of Antiquities, publication no. 18, 1978.

Lwanda, John L. ”Pamtondo and All That.” WASI 10, no. 1 (1998): 1718.

---. ”Malawi.” In World Music: The Rough Guide. London: Penguin, 1999.

---. ”Mother's Songs: Male Appropriation of Women's Music in Malawi and Southern Africa.” Journal of African Cultural Studies 16, no. 2 (2003): 119142.

---. ”Malawi: Sounds Afroma.” In World Music: The Rough Guide. London: Penguin, 2006, 210218.

---. ”Music Advocacy, the Media and the Malawi Political Public Sphere, 19582007.” Journal of African Media Studies 1, no. 1 (2009): 135154.

---. Music, Culture and Orature: Reading the Malawi Public Sphere 19492006. Zomba: Kachere Books, 2008.

---. ”The History of Popular Music in Malawi, 1891 to 2007: A Preliminary Survey.” Society of Malawi Journal 61, no. 2 (2008): 2640.

Msosa, James. ”How Poetic Are Nyau Songs.” Kalulu 2 (1977).

Nthala, Grant M. M. ”The Chewa Art of Drumming and Its Influence on Modern Malawian Music.” MA thesis, University of the Orange Free State, 2009.

Nurse, George. ”Popular Songs and Natural Ident.i.ty in Malawi.” African Music 3, no. 3 (1964): 101106.

Timpunza-Mvula, Enoch. ”Chewa Women's Songs: A Verbal Strategy of Manipulating Social Tensions.” Women's International Forum 9, no. 3 (1986): 265272.

Yos.h.i.+da, K. ”Masks and Secrecy among the Chewa.” African Arts 26, no. 2 (1993): 3445.

Zanten, Wim van. ”Malawian Pango Music from the Viewpoint of Information Theory.” African Music 6, no. 3 (1983): 90106.

Linguistics Atkins, Guy. ”The Parts of Speech in Nyanja.” Nyasaland Journal 3 (1950): 758.

---. ”Suggestions for an Amended Spelling and Word Division in Nyanja.” Africa 20 (1950): 200218.

Barnes, Bertram Herbert. NyanjaEnglish Vocabulary. London: Society for the Promotion of Christian Knowledge, 1913.

<script>