Part 1 (1/2)

Margaret Ogilvy J. M. Barrie 171880K 2022-07-22

Margaret Ogilvy.

by J. M. Barrie.

CHAPTER I-HOW MY MOTHER GOT HER SOFT FACE

On the day I was born we bought six hair-bottomed chairs, and in our little house it was an event, the first great victory in a woman's long campaign; how they had been laboured for, the pound-note and the thirty threepenny-bits they cost, what anxiety there was about the purchase, the show they made in possession of the west room, my father's unnatural coolness when he brought them in (but his face was white)-I so often heard the tale afterwards, and shared as boy and man in so many similar triumphs, that the coming of the chairs seems to be something I remember, as if I had jumped out of bed on that first day, and run ben to see how they looked. I am sure my mother's feet were ettling to be ben long before they could be trusted, and that the moment after she was left alone with me she was discovered barefooted in the west room, doctoring a scar (which she had been the first to detect) on one of the chairs, or sitting on them regally, or withdrawing and re-opening the door suddenly to take the six by surprise. And then, I think, a shawl was flung over her (it is strange to me to think it was not I who ran after her with the shawl), and she was escorted sternly back to bed and reminded that she had promised not to budge, to which her reply was probably that she had been gone but an instant, and the implication that therefore she had not been gone at all. Thus was one little bit of her revealed to me at once: I wonder if I took note of it. Neighbours came in to see the boy and the chairs. I wonder if she deceived me when she affected to think that there were others like us, or whether I saw through her from the first, she was so easily seen through. When she seemed to agree with them that it would be impossible to give me a college education, was I so easily taken in, or did I know already what ambitions burned behind that dear face? when they spoke of the chairs as the goal quickly reached, was I such a newcomer that her timid lips must say 'They are but a beginning'

before I heard the words? And when we were left together, did I laugh at the great things that were in her mind, or had she to whisper them to me first, and then did I put my arm round her and tell her that I would help? Thus it was for such a long time: it is strange to me to feel that it was not so from the beginning.

It is all guess-work for six years, and she whom I see in them is the woman who came suddenly into view when they were at an end. Her timid lips I have said, but they were not timid then, and when I knew her the timid lips had come. The soft face-they say the face was not so soft then. The shawl that was flung over her-we had not begun to hunt her with a shawl, nor to make our bodies a screen between her and the draughts, nor to creep into her room a score of times in the night to stand looking at her as she slept. We did not see her becoming little then, nor sharply turn our heads when she said wonderingly how small her arms had grown. In her happiest moments-and never was a happier woman-her mouth did not of a sudden begin to twitch, and tears to lie on the mute blue eyes in which I have read all I know and would ever care to write. For when you looked into my mother's eyes you knew, as if He had told you, why G.o.d sent her into the world-it was to open the minds of all who looked to beautiful thoughts. And that is the beginning and end of literature. Those eyes that I cannot see until I was six years old have guided me through life, and I pray G.o.d they may remain my only earthly judge to the last. They were never more my guide than when I helped to put her to earth, not whimpering because my mother had been taken away after seventy-six glorious years of life, but exulting in her even at the grave.

She had a son who was far away at school. I remember very little about him, only that he was a merry-faced boy who ran like a squirrel up a tree and shook the cherries into my lap. When he was thirteen and I was half his age the terrible news came, and I have been told the face of my mother was awful in its calmness as she set off to get between Death and her boy. We trooped with her down the brae to the wooden station, and I think I was envying her the journey in the mysterious wagons; I know we played around her, proud of our right to be there, but I do not recall it, I only speak from hearsay. Her ticket was taken, she had bidden us good-bye with that fighting face which I cannot see, and then my father came out of the telegraph-office and said huskily, 'He's gone!' Then we turned very quietly and went home again up the little brae. But I speak from hearsay no longer; I knew my mother for ever now.

That is how she got her soft face and her pathetic ways and her large charity, and why other mothers ran to her when they had lost a child.

'Dinna greet, poor Janet,' she would say to them; and they would answer, 'Ah, Margaret, but you're greeting yoursel.' Margaret Ogilvy had been her maiden name, and after the Scotch custom she was still Margaret Ogilvy to her old friends. Margaret Ogilvy I loved to name her. Often when I was a boy, 'Margaret Ogilvy, are you there?' I would call up the stair.

She was always delicate from that hour, and for many months she was very ill. I have heard that the first thing she expressed a wish to see was the christening robe, and she looked long at it and then turned her face to the wall. That was what made me as a boy think of it always as the robe in which he was christened, but I knew later that we had all been christened in it, from the oldest of the family to the youngest, between whom stood twenty years. Hundreds of other children were christened in it also, such robes being then a rare possession, and the lending of ours among my mother's glories. It was carried carefully from house to house, as if it were itself a child; my mother made much of it, smoothed it out, petted it, smiled to it before putting it into the arms of those to whom it was being lent; she was in our pew to see it borne magnificently (something inside it now) down the aisle to the pulpit-side, when a stir of expectancy went through the church and we kicked each other's feet beneath the book-board but were reverent in the face; and however the child might behave, laughing brazenly or skirling to its mother's shame, and whatever the father as he held it up might do, look doited probably and bow at the wrong time, the christening robe of long experience helped them through. And when it was brought back to her she took it in her arms as softly as if it might be asleep, and unconsciously pressed it to her breast: there was never anything in the house that spoke to her quite so eloquently as that little white robe; it was the one of her children that always remained a baby. And she had not made it herself, which was the most wonderful thing about it to me, for she seemed to have made all other things. All the clothes in the house were of her making, and you don't know her in the least if you think they were out of the fas.h.i.+on; she turned them and made them new again, she beat them and made them new again, and then she coaxed them into being new again just for the last time, she let them out and took them in and put on new braid, and added a piece up the back, and thus they pa.s.sed from one member of the family to another until they reached the youngest, and even when we were done with them they reappeared as something else. In the fas.h.i.+on! I must come back to this. Never was a woman with such an eye for it. She had no fas.h.i.+on-plates; she did not need them. The minister's wife (a cloak), the banker's daughters (the new sleeve)-they had but to pa.s.s our window once, and the scalp, so to speak, was in my mother's hands. Observe her rus.h.i.+ng, scissors in hand, thread in mouth, to the drawers where her daughters' Sabbath clothes were kept. Or go to church next Sunday, and watch a certain family filing in, the boy lifting his legs high to show off his new boots, but all the others demure, especially the timid, un.o.bservant-looking little woman in the rear of them. If you were the minister's wife that day or the banker's daughters you would have got a shock. But she bought the christening robe, and when I used to ask why, she would beam and look conscious, and say she wanted to be extravagant once. And she told me, still smiling, that the more a woman was given to st.i.tching and making things for herself, the greater was her pa.s.sionate desire now and again to rush to the shops and 'be foolish.' The christening robe with its pathetic frills is over half a century old now, and has begun to droop a little, like a daisy whose time is past; but it is as fondly kept together as ever: I saw it in use again only the other day.

My mother lay in bed with the christening robe beside her, and I peeped in many times at the door and then went to the stair and sat on it and sobbed. I know not if it was that first day, or many days afterwards, that there came to me, my sister, the daughter my mother loved the best; yes, more I am sure even than she loved me, whose great glory she has been since I was six years old. This sister, who was then pa.s.sing out of her 'teens, came to me with a very anxious face and wringing her hands, and she told me to go ben to my mother and say to her that she still had another boy. I went ben excitedly, but the room was dark, and when I heard the door shut and no sound come from the bed I was afraid, and I stood still. I suppose I was breathing hard, or perhaps I was crying, for after a time I heard a listless voice that had never been listless before say, 'Is that you?' I think the tone hurt me, for I made no answer, and then the voice said more anxiously 'Is that you?' again. I thought it was the dead boy she was speaking to, and I said in a little lonely voice, 'No, it's no him, it's just me.' Then I heard a cry, and my mother turned in bed, and though it was dark I knew that she was holding out her arms.

After that I sat a great deal in her bed trying to make her forget him, which was my crafty way of playing physician, and if I saw any one out of doors do something that made the others laugh I immediately hastened to that dark room and did it before her. I suppose I was an odd little figure; I have been told that my anxiety to brighten her gave my face a strained look and put a tremor into the joke (I would stand on my head in the bed, my feet against the wall, and then cry excitedly, 'Are you laughing, mother?')-and perhaps what made her laugh was something I was unconscious of, but she did laugh suddenly now and then, whereupon I screamed exultantly to that dear sister, who was ever in waiting, to come and see the sight, but by the time she came the soft face was wet again.

Thus I was deprived of some of my glory, and I remember once only making her laugh before witnesses. I kept a record of her laughs on a piece of paper, a stroke for each, and it was my custom to show this proudly to the doctor every morning. There were five strokes the first time I slipped it into his hand, and when their meaning was explained to him he laughed so boisterously, that I cried, 'I wish that was one of hers!'

Then he was sympathetic, and asked me if my mother had seen the paper yet, and when I shook my head he said that if I showed it to her now and told her that these were her five laughs he thought I might win another.

I had less confidence, but he was the mysterious man whom you ran for in the dead of night (you flung sand at his window to waken him, and if it was only toothache he extracted the tooth through the open window, but when it was something sterner he was with you in the dark square at once, like a man who slept in his topcoat), so I did as he bade me, and not only did she laugh then but again when I put the laugh down, so that though it was really one laugh with a tear in the middle I counted it as two.

It was doubtless that same sister who told me not to sulk when my mother lay thinking of him, but to try instead to get her to talk about him. I did not see how this could make her the merry mother she used to be, but I was told that if I could not do it n.o.body could, and this made me eager to begin. At first, they say, I was often jealous, stopping her fond memories with the cry, 'Do you mind nothing about me?' but that did not last; its place was taken by an intense desire (again, I think, my sister must have breathed it into life) to become so like him that even my mother should not see the difference, and many and artful were the questions I put to that end. Then I practised in secret, but after a whole week had pa.s.sed I was still rather like myself. He had such a cheery way of whistling, she had told me, it had always brightened her at her work to hear him whistling, and when he whistled he stood with his legs apart, and his hands in the pockets of his knickerbockers. I decided to trust to this, so one day after I had learned his whistle (every boy of enterprise invents a whistle of his own) from boys who had been his comrades, I secretly put on a suit of his clothes, dark grey they were, with little spots, and they fitted me many years afterwards, and thus disguised I slipped, unknown to the others, into my mother's room. Quaking, I doubt not, yet so pleased, I stood still until she saw me, and then-how it must have hurt her! 'Listen!' I cried in a glow of triumph, and I stretched my legs wide apart and plunged my hands into the pockets of my knickerbockers, and began to whistle.

She lived twenty-nine years after his death, such active years until toward the end, that you never knew where she was unless you took hold of her, and though she was frail henceforth and ever growing frailer, her housekeeping again became famous, so that brides called as a matter of course to watch her ca'ming and sanding and st.i.tching: there are old people still, one or two, to tell with wonder in their eyes how she could bake twenty-four bannocks in the hour, and not a chip in one of them.

And how many she gave away, how much she gave away of all she had, and what pretty ways she had of giving it! Her face beamed and rippled with mirth as before, and her laugh that I had tried so hard to force came running home again. I have heard no such laugh as hers save from merry children; the laughter of most of us ages, and wears out with the body, but hers remained gleeful to the last, as if it were born afresh every morning. There was always something of the child in her, and her laugh was its voice, as eloquent of the past to me as was the christening robe to her. But I had not made her forget the bit of her that was dead; in those nine-and-twenty years he was not removed one day farther from her.

Many a time she fell asleep speaking to him, and even while she slept her lips moved and she smiled as if he had come back to her, and when she woke he might vanish so suddenly that she started up bewildered and looked about her, and then said slowly, 'My David's dead!' or perhaps he remained long enough to whisper why he must leave her now, and then she lay silent with filmy eyes. When I became a man and he was still a boy of thirteen, I wrote a little paper called 'Dead this Twenty Years,'

which was about a similar tragedy in another woman's life, and it is the only thing I have written that she never spoke about, not even to that daughter she loved the best. No one ever spoke of it to her, or asked her if she had read it: one does not ask a mother if she knows that there is a little coffin in the house. She read many times the book in which it is printed, but when she came to that chapter she would put her hands to her heart or even over her ears.

CHAPTER II-WHAT SHE HAD BEEN

What she had been, what I should be, these were the two great subjects between us in my boyhood, and while we discussed the one we were deciding the other, though neither of us knew it.

Before I reached my tenth year a giant entered my native place in the night, and we woke to find him in possession. He transformed it into a new town at a rate with which we boys only could keep up, for as fast as he built dams we made rafts to sail in them; he knocked down houses, and there we were crying 'Pilly!' among the ruins; he dug trenches, and we jumped them; we had to be dragged by the legs from beneath his engines, he sunk wells, and in we went. But though there were never circ.u.mstances to which boys could not adapt themselves in half an hour, older folk are slower in the uptake, and I am sure they stood and gaped at the changes so suddenly being worked in our midst, and scarce knew their way home now in the dark. Where had been formerly but the click of the shuttle was soon the roar of 'power,' handlooms were pushed into a corner as a room is cleared for a dance; every morning at half-past five the town was wakened with a yell, and from a chimney-stack that rose high into our caller air the conqueror waved for evermore his flag of smoke. Another era had dawned, new customs, new fas.h.i.+ons sprang into life, all as l.u.s.ty as if they had been born at twenty-one; as quickly as two people may exchange seats, the daughter, till now but a knitter of stockings, became the breadwinner, he who had been the breadwinner sat down to the knitting of stockings: what had been yesterday a nest of weavers was to-day a town of girls.

I am not of those who would fling stones at the change; it is something, surely, that backs are no longer prematurely bent; you may no more look through dim panes of gla.s.s at the aged poor weaving tremulously for their little bit of ground in the cemetery. Rather are their working years too few now, not because they will it so but because it is with youth that the power-looms must be fed. Well, this teaches them to make provision, and they have the means as they never had before. Not in batches are boys now sent to college; the half-dozen a year have dwindled to one, doubtless because in these days they can begin to draw wages as they step out of their fourteenth year. Here a.s.suredly there is loss, but all the losses would be but a pebble in a sea of gain were it not for this, that with so many of the family, young mothers among them, working in the factories, home life is not so beautiful as it was. So much of what is great in Scotland has sprung from the closeness of the family ties; it is there I sometimes fear that my country is being struck. That we are all being reduced to one dead level, that character abounds no more and life itself is less interesting, such things I have read, but I do not believe them. I have even seen them given as my reason for writing of a past time, and in that at least there is no truth. In our little town, which is a sample of many, life is as interesting, as pathetic, as joyous as ever it was; no group of weavers was better to look at or think about than the rivulet of winsome girls that overruns our streets every time the sluice is raised, the comedy of summer evenings and winter firesides is played with the old zest and every window-blind is the curtain of a romance. Once the lights of a little town are lit, who could ever hope to tell all its story, or the story of a single wynd in it? And who looking at lighted windows needs to turn to books? The reason my books deal with the past instead of with the life I myself have known is simply this, that I soon grow tired of writing tales unless I can see a little girl, of whom my mother has told me, wandering confidently through the pages. Such a grip has her memory of her girlhood had upon me since I was a boy of six.

Those innumerable talks with her made her youth as vivid to me as my own, and so much more quaint, for, to a child, the oddest of things, and the most richly coloured picture-book, is that his mother was once a child also, and the contrast between what she is and what she was is perhaps the source of all humour. My mother's father, the one hero of her life, died nine years before I was born, and I remember this with bewilderment, so familiarly does the weather-beaten mason's figure rise before me from the old chair on which I was nursed and now write my books. On the surface he is as hard as the stone on which he chiselled, and his face is dyed red by its dust, he is rounded in the shoulders and a 'hoast' hunts him ever; sooner or later that cough must carry him off, but until then it shall not keep him from the quarry, nor shall his chapped hands, as long as they can grasp the mell. It is a night of rain or snow, and my mother, the little girl in a pinafore who is already his housekeeper, has been many times to the door to look for him. At last he draws nigh, hoasting. Or I see him setting off to church, for he was a great 'stoop'

of the Auld Licht kirk, and his mouth is very firm now as if there were a case of discipline to face, but on his way home he is bowed with pity.

Perhaps his little daughter who saw him so stern an hour ago does not understand why he wrestles so long in prayer to-night, or why when he rises from his knees he presses her to him with unwonted tenderness. Or he is in this chair repeating to her his favourite poem, 'The Cameronian's Dream,' and at the first lines so solemnly uttered,