Part 16 (1/2)

He woke with a terrible thirst. He tried to move, but the pain across his back stopped him.

He heard Bruno's whispering voice, 'Jan? Are you getting up today? Listen, there's a camp in the hills above the city. I met some men last night. The Germans are making their way south. They should be here in a matter of months, maybe weeks. The men I met say we can join a military unit and get a boat to England. We need to move on. What do you think? Jesus, look at you.'

He held up the sheet.

'G.o.d, man, you look terrible. Can you hear me? Look at you, covered in blisters. Jesus help you, you're sunburnt all over.'

Bruno opened the windows, coughing. 'You need air in here.'

Ja.n.u.sz opened his eyes. The wallpaper swirled. He tried to speak, but his lips cracked and he tasted blood again.

'He cannot stay here.'

The landlady stood in the doorway, black and grey hair piled high on her head, coral-pink lipstick and spidery black eyelashes.

'Stupid boy. You are too fair for the sun. Look at you. You're dried out like a piece of salt cod.'

Ja.n.u.sz heard Bruno pleading in a broken mix of French and Polish. He forced his dry lips to whisper: 'I am sorry, Madame. I'll leave. It's not safe for you to have me here.' Levering himself off the bed on an elbow, he gestured to Bruno. 'Hand me my clothes.'

'No, no, no.' The woman sighed. 'You speak French; that makes it easier. I'll find somewhere for you to go. I have a friend with a farm. You can rest there.'

She stared at his naked body. 'When you're better you can work for them. You're stocky enough. You look like a peasant.'

A day later, Ja.n.u.sz set out, clothes sticky and uncomfortable, body stiff and painful. As the cart carried him higher into the hills beyond Ma.r.s.eilles the air became sweeter. The smell of the sea faded and was replaced by the scent of pine trees and hot greenery.

Ipswich

Silvana refuses to think of Tony. She avoids walking through the park and stays away from the pet shop. It is hard to keep him from her mind, but she manages it. Every time an image of Tony comes into her head his brown eyes, his curling black hair s.h.i.+ny with oil, his hands moving as he talks she clamps down on it, concentrating on the duster she is holding or the coal she is shovelling in the small coal store in the backyard. Like a tailor using only what material they have in their hand, she fas.h.i.+ons her life with Ja.n.u.sz.

'You're not to play with Peter any more,' she tells Aurek one evening as she prepares their supper. She busies herself at the stove, banging saucepans together loudly, sc.r.a.ping at their bubbling contents with a wooden spoon, her voice rising over the noise. 'Aurek? Did you hear me?'

'Why?'

'Why?' She throws the wooden spoon into the sink and faces the boy. 'What do you mean, why? You will do as you are told, do you hear me? He's not your friend any more.'

She doesn't mean to, but the way the boy looks at her, defiantly, as if she is someone to be hated, makes her lash out at him, her hand connecting with his shoulder. He staggers and falls sideways, knocking himself against the table, then scrambles to his feet, backing away from her.

'Aurek! No,' she says, horrified. She has never hit him. Never. 'No,' she cries. 'I'm sorry.'

Aurek darts out of the kitchen, through the hall, fumbling with the front-door latch before she can reach him. She grabs the door as he opens it, trying to catch hold of him, but he slips outside into the dark evening, straight out into the pouring rain.

She knows there's no point in going after him, but she walks the streets, splas.h.i.+ng through puddles, the blackness of the night pressing against her eyes. For an hour she searches, although she knows it is no use. He will not come back until he is ready.

'Where on earth have you been?' says Ja.n.u.sz when she comes back into the house.

She stands blinking in the hallway, her hair dripping water into her eyes. The house smells of burnt food, and she remembers the pans she left on the stove. The kitchen door is open and she can see a pall of cooking smoke drifting just above their heads.

'It's Aurek,' she says. 'He's outside. He'll come back. We have to wait.'

Two hours later, there is a knock at the front door and Aurek stands there, his clothes soaked through, hair plastered smooth and dark as an otter. It's more than Silvana can stand. She pushes past Ja.n.u.sz, ignoring the way Aurek shrinks from her.

'Aurek, let me dry you...'

Ja.n.u.sz puts his hand out and pulls her back.

'Leave him to me. Come on, young lad. Let's get you dry.'

Aurek looks darkly at Silvana and then puts his hand in Ja.n.u.sz's outstretched palm. He might as well have stabbed her with a knife.

Silvana sits on the top stair listening to Ja.n.u.sz talking to the boy in his bedroom, explaining that he must not run off. Slowly, it occurs to her that this is something she should be pleased about: the fatherly tone in Ja.n.u.sz's voice, the quiet sternness. Instead she feels bereft. They don't need her. Neither of them. They don't need her at all.

A week later, when Aurek has still not forgiven her, he comes down with a fever. His temperature rises and by the following evening he is as floppy as a rag doll. Silvana pulls dried herbs from jars in the pantry: thyme, stonecrop, willow bark, lavender, all the plants she has gathered and dried through the summer months. She runs a cold bath and throws the herbs into it.

'Get in,' she tells Aurek, who is staggering weakly beside her.

Ja.n.u.sz stands at the bathroom door.

'He's s.h.i.+vering. Are you sure it's a good idea? We've got aspirin. Can't you give the boy some aspirin and put him to bed?'

She is not listening. Aurek is ill and it is all her fault.

'Let me at least look after my son,' she snaps as she lifts the boy into the bath. 'This will bring his fever down. But I need birch bark. The fever has to be broken. You'll have to find some trees. Get me some bark and I can boil it and then add it to the bath. It's the only way to bring a fever down.'

'Where the h.e.l.l am I going to find birch trees?'

'I tell you, I need birch bark. Brzoza Brzoza. There's a copse of birches in Christchurch Park. I've seen them. If you won't go, I'll do it.'

Silvana knows she sounds like a mad woman. Maybe that is what her time in the forest has done to her. The war has turned her into a Baba Jaga, an old witch of the forests. And it is her fault the child is ill. Worse, she does not know what to do. She looks at Ja.n.u.sz and waits to hear what he has to say. He's the English one here.

Aurek wraps his arms round his knees and coughs. His ribs s.h.i.+ne under the water and he coughs again, sending a spasm through his shoulders.

'I can't go into the park at ten o'clock at night,' Ja.n.u.sz says. 'For G.o.d's sake. That's enough of this. Get Aurek into his pyjamas and wrap him up in bed. I'll go for the doctor.'

'A doctor?'

'That's what he needs. Get him out of the bath. His lips are turning blue.'

She turns her eyes on the child and nods. 'Yes. You're right. A doctor. A doctor will know what to do.'

She lifts Aurek, water dripping down the front of her dress, and the child, still burning hot to the touch, faints in her arms. Memories rush towards her, panic rising in her chest. The mud underfoot. The fur coat covered in blood. She is a terrible mother, cursed just like her own mother.

'Ja.n.u.sz, hurry!' she screams, but he has already gone. She holds her son tight in her arms and sobs into his neck.

It is raining hard; icy rain that is turning to sleet. Ja.n.u.sz nearly tumbles off his bike, freewheeling down the hill, skidding through freezing puddles. He pumps the pedals, bent over the handlebars, wanting to get to the doctor's house as fast as he can. Silvana's fear has taken him over. He no longer thinks the boy just has a bad cold. Now other diseases crowd his thoughts. Polio. Tuberculosis. Pneumonia Polio. Tuberculosis. Pneumonia.

The sleet stings his face and he turns off the main street, hurtling up a gravel driveway. Nothing is more important than the boy. Pedalling like a fury, energy surging through him, he can feel a tight knot of love for his strange son, lodged in his heart, snug as a bar of metal in a lathe. The relief he feels when he sees a light still on in the doctor's front rooms is so great he throws his bike to the ground and takes the steps onto the porch two at a time, banging on the door with his fists so that the doctor's wife opens the door angrily, scolding him for scaring her half to death.