Part 41 (1/2)

Peter Masters saw the effect produced and his lips twitched with a little smile of pleasure.

”My grandfather planted the place,” he said. ”He understood those things. I don't. But it's pretty. My mother, Evelyn Aston, you know, used to always travel by night if she could, she disliked the country round so much.”

”It is rather a striking contrast,” Christopher agreed.

They pa.s.sed through a clump of chestnuts just breaking into leaf.

”There is coal here,” said Peter. ”It will all have to go some day. I make no additions now.”

They came suddenly on the house, which was built of grey pointed stone, its low-angle slate roof hidden behind a high bal.u.s.trading. The centre part was evidently the original house and long curved wings had been extended on either side. There was no sign of life about the place, nor did it carry the placid sense of repose that haunts old houses. Stormly Park had an air of waiting; a certain grim expectation lurked behind the over-mantled windows and closed doors. It was as if it watched for the fate foreshadowed in its owner's words. Even the glorious sunlight pouring over it failed to give it a sense of warm living life.

It filled Christopher with curiosity and a desire to explore the grey fastness and trim level lawns beyond. Some living eyes watched, however, for the front door swung open as they approached and two footmen came out. Christopher again noted Peter Masters did not speak to them or appear to notice their presence. On the steps he paused, and stood aside.

”Go in,” he said when his visitor hesitated.

Christopher obeyed.

The interior was almost as great a contrast to the exterior as the Park was to the surrounding country. It was rich with colour and warmth and comfort.

They were met by a thin, straightened-looking individual, who murmured a greeting to which Peter Masters paid no attention.

He turned to Christopher.

”This is Mr. Dreket, my secretary. Dreket, show Mr. ----” for an imperceptible moment he paused--”Mr. Aston his room and explain the ways of the place to him. I've some letters to see to.”

He turned aside down a long corridor. Christopher and the secretary looked at each other.

”I shan't be sorry for a wash and brush up,” said Christopher, smiling.

The other gave a little sigh, expressive more of relief than fatigue, and led the way upstairs. As they went up the wide marble steps Mr.

Masters reappeared and stood for a moment in the shadow of an arch watching the dark, erect young head till it was out of sight, then he retraced his steps and disappeared in his own room.

Christopher did not see him again till dinner-time. The two dined together at a small table that was an oasis in a desert of s.p.a.ce. The room was hung with modern pictures set in unpolished wood panelling.

Peter vaguely apologised for them to one accustomed to the company of the masterpieces of the dead.

”I'm no judge. I should be taken in if I bought old ones,” he said.

”So I buy new, provided they are by possible men. They may be worth something, some day, eh?”

”They are very good to look at now,” Christopher answered, a little shyly, looking at a vast sea-scape which seemed to cool the room with a fresh breeze.

”You Astons would have beaten me anyhow,” pursued Peter. ”I've got nothing old: but the new's the best of its kind.”

Christopher found this was true. Everything in the house was modern.

There was no reproduction, no imitation. It was all solidly and emphatically modern: gla.s.s, china, furniture, books, pictures, the silk hangings, the white statuary in the orangery: all modern. There was nothing poor or mean or artistically bad, but the whole gave an impression of life yet to be lived, an incompleteness that was baffling in its obscurity.

Peter Masters talked much of events, of material things, of himself, but never of mankind in general. He spoke of no friends, or neighbours: he appeared to be served by machines, to stand alone in life, unconscious of his isolation. They played billiards in the evening and the host had an easy victory, and gave Christopher a practical lesson in the one game he had found time to master.

”I've work to do. Breakfast to-morrow at 8 sharp. You are going to Birmingham with me.”