Part 23 (1/2)
'No disparagement to the captain, only I am so dreadfully afraid of him.
I am sure he thinks me such an unmitigated goose. Now, doesn't he?'
'If you would but take the right way to make him think otherwise, dear Eva, and show the sense you really have.'
'That is just what my fear of him won't let me do. I would not for the world let him guess it, so there is nothing for it but sauciness to cover one's weakness. I can't be sensible with those that won't give me credit for it. But you'll mind and teach Sir Guy to dance; he has so much spring in him, he deserves to be an Irishman.'
In compliance with this injunction, there used to be a clearance every evening; Charles turned into the bay window out of the way, Mrs.
Edmonstone at the piano, and the rest figuring away, the partnerless one, called 'puss in the corner', being generally Amabel, while Charlotte, disdaining them all the time, used to try to make them imitate her dancing-master's graces, causing her father to perform such caricatures of them, as to overpower all with laughing.
Mr. Edmonstone was half Irish. His mother, Lady Mabel Edmonstone, had never thoroughly taken root in England, and on his marriage, had gone with her daughter to live near her old home in Ireland. The present Earl of Kilcoran was her nephew, and a very close intercourse had always been kept up between the families, Mr. and Mrs. Edmonstone being adopted by their younger cousins as uncle and aunt, and always so called.
The house at Allonby was in such confusion, that the family there expected to dine nowhere on the day of the ball, and the Hollywell party thought it prudent to secure their dinner at home, with Philip and Mary Ross, who were to go with them.
By special desire, Philip wore his uniform; and while the sisters were dressing Charlotte gave him a thorough examination, which led to a talk between him and Mary on accoutrements and weapons in general; but while deep in some points of chivalrous armour, Mary's waist was pinched by two mischievous hands, and a little fluttering white figure danced around her.
'O Amy! what do you want with me?'
'Come and be trimmed up,' said Amy.
'I thought you told me I was to have no trouble. I am dressed,' said Mary, looking complacently at her full folds of white muslin.
'No more you shall; but you promised to do as you were told.' And Amy fluttered away with her.
'Do you remember,' said Philip, 'the comparison of Rose Flammock dragging off her father, to a little carved cherub trying to uplift a solid monumental hero?'
'O, I must tell Mary!' cried Charlotte; but Philip stopped her, with orders not to be a silly child.
'It is a pity Amy should not have her share,' said Charles.
'The comparison to a Dutch cherub?' asked Guy.
'She is more after the pattern of the little things on little wings, in your blotting-book,' said Charles; 'certain lines in the predicament of the cherubs of painters--heads ”et proeterea nihil”.'
'O Guy, do you write verses? cried Charlotte.
'Some nonsense,' muttered Guy, out of countenance; 'I thought I had made away with that rubbish; where is it?'
'In the blotting-book in my room,' said Charles. 'I must explain that the book is my property, and was put into your room when mamma was beautifying it for you, as new and strange company. On its return to me, at your departure, I discovered a great accession of blots and sailing vessels, beside the aforesaid little things.'
'I shall resume my own property,' said Guy, departing in haste.
Charlotte ran after him, to beg for a sight of it; and Philip asked Charles what it was like.
'A romantic incident,' said Charles, 'just fit for a novel. A Petrarch leaving his poems about in blotting-books.'
Charles used the word Petrarch to stand for a poet, not thinking what lady's name he suggested; and he was surprised at the severity of Philip's tone as he inquired, 'Do you mean anything, or do you not?'
Perceiving with delight that he had perplexed and teased, he rejoiced in keeping up the mystery:
'Eh? is it a tender subject with you, too?'
Philip rose, and standing over him, said, in a low but impressive tone: