Part 12 (2/2)
Holland and Mr. and Mrs. Ticknor. The author had access to a life of Miss Edgeworth written by her step-mother, as well as to a large collection of her private letters, and has therefore been able to bring forward many facts in her life which have not been noted by other writers. The book is written in a pleasant vein, and is altogether a delightful one to read.”--_Utica Herald._
FAMOUS WOMEN SERIES.
GEORGE SAND.
BY BERTHA THOMAS.
”Miss Thomas has accomplished a difficult task with as much good sense as good feeling. She presents the main facts of George Sand's life, extenuating nothing, and setting naught down in malice, but wisely leaving her readers to form their own conclusions. Everybody knows that it was not such a life as the women of England and America are accustomed to live, and as the worst of men are glad to have them live.... Whatever may be said against it, its result on George Sand was not what it would have been upon an English or American woman of genius.”--_New York Mail and Express._
”This is a volume of the 'Famous Women Series,' which was begun so well with George Eliot and Emily Bronte. The book is a review and critical a.n.a.lysis of George Sand's life and work, by no means a detailed biography. Amantine Lucile Aurore Dupin, the maiden, or Mme. Dudevant, the married woman, is forgotten in the renown of the pseudonym George Sand.
”Altogether, George Sand, with all her excesses and defects, is a representative woman, one of the names of the nineteenth century.
She was great among the greatest, the friend and compeer of the finest intellects, and Miss Thomas's essay will be a useful and agreeable introduction to a more extended study of her life and works.”--_Knickerbocker._
”The biography of this famous woman, by Miss Thomas, is the only one in existence. Those who have awaited it with pleasurable antic.i.p.ation, but with some trepidation as to the treatment of the erratic side of her character, cannot fail to be pleased with the skill by which it is done. It is the best production on George Sand that has yet been published. The author modestly refers to it as a sketch, which it undoubtedly is, but a sketch that gives a just and discriminating a.n.a.lysis of George Sand's life, tastes, occupations, and of the motives and impulses which prompted her unconventional actions, that were misunderstood by a narrow public. The difficulties encountered by the writer in describing this remarkable character are shown in the first line of the opening chapter, which says, 'In naming George Sand we name something more exceptional than even a great genius.' That tells the whole story.
Misconstruction, condemnation, and isolation are the penalties enforced upon the great leaders in the realm of advanced thought, by the bigoted people of their time. The thinkers soar beyond the common herd, whose soul-wings are not strong enough to fly aloft to clearer atmospheres, and consequently they censure or ridicule what they are powerless to reach. George Sand, even to a greater extent than her contemporary, George Eliot, was a victim to ignorant social prejudices, but even the conservative world was forced to recognize the matchless genius of these two extraordinary women, each widely different in her character and method of thought and writing.... She has told much that is good which has been untold, and just what will interest the reader, and no more, in the same easy, entertaining style that characterizes all of these unpretentious biographies.”--_Hartford Times._
Famous Women Series.
GEORGE ELIOT.
BY MATHILDE BLIND.
”Messrs. Roberts Brothers begin a series of Biographies of Famous Women with a life of George Eliot, by Mathilde Blind. The idea of the series is an excellent one, and the reputation of its publishers is a guarantee for its adequate execution. This book contains about three hundred pages in open type, and not only collects and condenses the main facts that are known in regard to the history of George Eliot, but supplies other material from personal research. It is agreeably written, and with a good idea of proportion in a memoir of its size. The critical study of its subject's works, which is made in the order of their appearance, is particularly well done. In fact, good taste and good judgment pervade the memoir throughout.”--_Sat.u.r.day Evening Gazette._
”Miss Blind's little book is written with admirable good taste and judgment, and with notable self-restraint. It does not weary the reader with critical discursiveness, nor with attempts to search out high-flown meanings and recondite oracles in the plain 'yea'
and 'nay' of life. It is a graceful and unpretentious little biography, and tells all that need be told concerning one of the greatest writers of the time. It is a deeply interesting if not fascinating woman whom Miss Blind presents,” says the New York _Tribune_.
”Miss Blind's little biographical study of George Eliot is written with sympathy and good taste, and is very welcome. It gives us a graphic if not elaborate sketch of the personality and development of the great novelist, is particularly full and authentic concerning her earlier years, tells enough of the leading motives in her work to give the general reader a lucid idea of the true drift and purpose of her art, and a.n.a.lyzes carefully her various writings, with no attempt at profound criticism or fine writing, but with appreciation, insight, and a clear grasp of those underlying psychological principles which are so closely interwoven in every production that came from her pen.”--_Traveller._
”The lives of few great writers have attracted more curiosity and speculation than that of George Eliot. Had she only lived earlier in the century she might easily have become the centre of a mythos.
As it is, many of the anecdotes commonly repeated about her are made up largely of fable. It is, therefore, well, before it is too late, to reduce the true story of her career to the lowest terms, and this service has been well done by the author of the present volume.”--_Philadelphia Press._
FAMOUS WOMEN SERIES.
MARY LAMB.
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