Volume Ii Part 45 (1/2)

In this, and some other very few Instances, _Aristotle's_ Rules for Epic Poetry (which he had drawn from his Reflections upon _Homer_) cannot be supposed to quadrate exactly with the Heroic Poems which have been made since his Time; since it is plain his Rules would [still have been [13]]

more perfect, could he have perused the _aeneid_ which was made some hundred Years after his Death.

_In my next, I shall go through other Parts of_ Milton's _Poem; and hope that what I shall there advance, as well as what I have already written, will not only serve as a Comment upon_ Milton, _but upon_ Aristotle.

L.

[Footnote 1: [These are what Aristotle means by the Fable and &c.]]

[Footnote 2: [Offspring]]

[Footnote 3: [Son of Aurora who has]]

[Footnote 4: [that his Poem]]

[Footnote 5: It was especially for the novelty of _Paradise Lost_, that John Dennis had in 1704 exalted Milton above the ancients. In putting forward a prospectus of a large projected work upon the Grounds of Criticism in Poetry, he gave as a specimen of the character of his work, the substance of what would be said in the beginning of the Criticism upon Milton. Here he gave Milton supremacy on ground precisely opposite to that chosen by Addison. He described him as

one of the greatest and most daring Genius's that has appear'd in the World, and who has made his country a glorious present of the most lofty, but most irregular Poem, that has been produc'd by the Mind of Man. That great Man had a desire to give the World something like an Epick Poem; but he resolv'd at the same time to break thro the Rules of Aristotle. Not that he was ignorant of them, or contemned them....

Milton was the first who in the s.p.a.ce of almost 4000 years resolv'd for his Country's Honour and his own, to present the World with an Original Poem; that is to say, a Poem that should have his own thoughts, his own images, and his own spirit. In order to this he was resolved to write a Poem, that, by virtue of its extraordinary Subject, cannot so properly be said to be against the Rules as it may be affirmed to be above them all ... We shall now shew for what Reasons the choice of Milton's Subject, as it set him free from the obligation which he lay under to the Poetical Laws, so it necessarily threw him upon new Thoughts, new Images, and an Original Spirit. In the next place we shall shew that his Thoughts, his Images, and by consequence too, his Spirit are actually new, and different from those of Homer and Virgil. Thirdly, we shall shew, that besides their Newness, they have vastly the Advantage of _Homer and Virgil_.]

[Footnote 6: Paradise Lost, Book II.]

[Footnote 7: interwoven in]

[Footnote 8: Sir Samuel Garth in his _Dispensary_, a mock-heroic poem upon a dispute, in 1696, among doctors over the setting up of a Dispensary in a room of the College of Physicians for relief of the sick poor, houses the G.o.d of Sloth within the College, and outside, among other allegories, personifies Disease as a Fury to whom the enemies of the Dispensary offer libation. Boileau in his _Lutrin_ a mock-heroic poem written in 1673 on a dispute between two chief personages of the chapter of a church in Paris, la Sainte Chapelle, as to the position of a pulpit, had with some minor allegory, chiefly personified Discord, and made her enter into the form of an old precentor, very much as in Garths poem the Fury Disease

Shrill Colons person took, In morals loose, but most precise in look.]

[Footnote 9: [that such]]

[Footnote 10: Poetics II. -- 17; III. --6.]