Volume I Part 59 (1/2)

[Footnote 3: 'Paradise Lost', Bk. I.]

[Footnote 4: The story is in 'The Remedy of Love' Stanzas 5--10.]

No. 74. Friday, May 25, 1711. Addison.

'... Pendent opera interrupta ...'

Virg.

In my last _Monday's_ Paper I gave some general Instances of those beautiful Strokes which please the Reader in the old Song of _Chevey-Chase_; I shall here, according to my Promise, be more particular, and shew that the Sentiments in that Ballad are extremely natural and poetical, and full of [the [1]] majestick Simplicity which we admire in the greatest of the ancient Poets: For which Reason I shall quote several Pa.s.sages of it, in which the Thought is altogether the same with what we meet in several Pa.s.sages of the _aeneid_; not that I would infer from thence, that the Poet (whoever he was) proposed to himself any Imitation of those Pa.s.sages, but that he was directed to them in general by the same Kind of Poetical Genius, and by the same Copyings after Nature.

Had this old Song been filled with Epigrammatical Turns and Points of Wit, it might perhaps have pleased the wrong Taste of some Readers; but it would never have become the Delight of the common People, nor have warmed the Heart of Sir _Philip Sidney_ like the Sound of a Trumpet; it is only Nature that can have this Effect, and please those Tastes which are the most unprejudiced or the most refined. I must however beg leave to dissent from so great an Authority as that of Sir _Philip Sidney_, in the Judgment which he has pa.s.sed as to the rude Stile and evil Apparel of this antiquated Song; for there are several Parts in it where not only the Thought but the Language is majestick, and the Numbers [sonorous; [2]] at least, the _Apparel_ is much more _gorgeous_ than many of the Poets made use of in Queen _Elizabeth's_ Time, as the Reader will see in several of the following Quotations.

What can be greater than either the Thought or the Expression in that Stanza,

_To drive the Deer with Hound and Horn Earl_ Piercy _took his Way; The Child may rue that was unborn The Hunting of that Day!_

This way of considering the Misfortunes which this Battle would bring upon Posterity, not only on those who were born immediately after the Battle and lost their Fathers in it, but on those also who [perished [3]] in future Battles which [took their rise [4]] from this Quarrel of the two Earls, is wonderfully beautiful, and conformable to the Way of Thinking among the ancient Poets.

'Audiet pugnas vilio parentum

Rara juventus'.

Hor.

What can be more sounding and poetical, resemble more the majestic Simplicity of the Ancients, than the following Stanzas?

_The stout Earl of_ Northumberland _A Vow to G.o.d did make, His Pleasure in the_ Scotish _Woods Three Summers Days to take.

With fifteen hundred Bowmen bold, All chosen Men of Might, Who knew full well, in time of Need, To aim their Shafts aright.

The Hounds ran swiftly thro' the Woods The nimble Deer to take, And with their Cries the Hills and Dales An Eccho shrill did make_.

... Vocat ingenti Clamore Cithseron Taygetique canes, domitrixque Epidaurus equorum: Et vox a.s.sensu nemorum ingeminata remugit.

_Lo, yonder doth Earl_ Dowglas _come, His Men in Armour bright; Full twenty Hundred_ Scottish _Spears, All marching in our Sight_.

_All Men of pleasant Tividale, Fast by the River Tweed, etc_.

The Country of the _Scotch_ Warriors, described in these two last Verses, has a fine romantick Situation, and affords a couple of smooth Words for Verse. If the Reader compares the forgoing six Lines of the Song with the following Latin Verses, he will see how much they are written in the Spirit of _Virgil_.