Part 20 (1/2)

10. Dogen Zenji, Selling Water by the River, trans. Jiyu Kennett (New York: Pantheon, 1972), p. 115.

CHAPTER 5 ZEN ARCHERY AND SWORDSMANs.h.i.+P

1. D. T. Suzuki, Zen and j.a.panese Culture (Princeton, N.J.: Princeton University Press, 1959), p. 146.

CHAPTER 6 THE GREAT AGE OF ZEN

1. de Bary, Sources of j.a.panese Tradition, 1: 255.

CHAPTER 7 ZEN AND THE LANDSCAPE GARDEN

1. David H. Engel, j.a.panese Gardens for Today (Rutland, Vt.: Tuttle, 1959).

CHAPTER 9 ZEN AND THE INK LANDSCAPE

1.Seiroku Noma, Artistry in Ink (New York: Crown, 1957), p. 3.

2.Two Twelfth-Century Texts on Chinese Painting, trans. R. J. Maeda (Ann Arbor: University of Michigan Papers in Chinese Studies, No. 8, 1970), p. 17.

3.Osvald Siren, The Chinese on the Art of Painting (New York: Schocken, 1963), p. 97.

4.Ernest F. Fenollosa, Epochs of Chinese and j.a.panese Art (New York: Dover, 1963), 2: 11. (Reprint.)

CHAPTER 10 THE ZEN AESTHETICS OF j.a.pANESE ARCHITECTURE

x. Lafcadio Hearn, Gleanings in Buddha-Fields (Rutland, Vt.: Tuttle, 1971), p. 1. (Reprint.)

2. For a fuller discussion of early j.a.panese architecture, see Arthur Drexler, The Architecture of j.a.pan (New York: Arno Press, 1955)

3.An excellent discussion of _s.h.i.+bui _may be found in Anthony West's essay, ”What j.a.pan Has That We May Profitably Borrow,” House Beautiful, August 1960.

4.Ralph Adams Cram, Impressions of j.a.panese Architecture (New York: Dover, 1966) p. 127. (Reprint.)

5.Heinrich Engel, The j.a.panese House (Rutland, Vt.: Tuttle, 1964) pp.

373-374.

CHAPTER 11 THE NO THEATER

1.R. H. Blyth, Eastern Culture (Tokyo: Hokuseido, 1949), 1: 146.

2.de Bary, Sources of j.a.panese Tradition, 1: 278.

3.Charles K. Tuttle, The Noh Drama (Nippon: Giakujutsu s.h.i.+nkokai, 1955), p. 130.

CHAPTER 1 2 BOURGEOIS SOCIETY AND LATER ZEN

1. Joao Rodrigues, This Island of j.a.pan, trans. Michael Cooper (Tokyo: Kodansha, 1973), pp. 272-273.

CHAPTER 13 THE TEA CEREMONY

1.Suzuki, Zen and j.a.panese Culture, p. 299.