Part 6 (1/2)

”Not from you,” said Hanaud.

So for a second time in that room she told the history of that night.

Only this time the sunlight was warm upon the world, the comfortable sounds of life's routine were borne through the windows, and the girl herself wore the inconspicuous blue serge of a thousand other girls afoot that morning. These trifles of circ.u.mstance took the edge of sheer horror off her narrative, so that, to tell the truth, Mr.

Ricardo was a trifle disappointed. He wanted a crescendo motive in his music, whereas it had begun at its fortissimo. Hanaud, however, was the perfect listener. He listened without stirring and with most compa.s.sionate eyes, so that Joan Carew spoke only to him, and to him, each moment that pa.s.sed, with greater confidence. The life and sparkle of her had gone altogether. There was nothing in her manner now to suggest the waywardness, the gay irresponsibility, the radiance, which had attracted Calladine the night before. She was just a very young and very pretty girl, telling in a low and remorseful voice of the tragic dilemma to which she had brought herself. Of Celymene all that remained was something exquisite and fragile in her beauty, in the slimness of her figure, in her daintiness of hand and foot--something almost of the hot-house. But the story she told was, detail for detail, the same which Calladine had already related.

”Thank you,” said Hanaud when she had done. ”Now I must ask you two questions.”

”I will answer them.”

Mr. Ricardo sat up. He began to think of a third question which he might put himself, something uncommonly subtle and searching, which Hanaud would never have thought of. But Hanaud put his questions, and Ricardo almost jumped out of his chair.

”You will forgive me. Miss Carew. But have you ever stolen before?”

Joan Carew turned upon Hanaud with spirit. Then a change swept over her face.

”You have a right to ask,” she answered. ”Never.” She looked into his eyes as she answered. Hanaud did not move. He sat with a hand upon each knee and led to his second question.

”Early this morning, when you left this room, you told Mr. Calladine that you would wait at the Semiramis until he telephoned to you?”

”Yes.”

”Yet when he telephoned, you had gone out?”

”Yes.”

”Why?”

”I will tell you,” said Joan Carew. ”I could not bear to keep the little diamond chain in my room.”

For a moment even Hanaud was surprised. He had lost sight of that complication. Now he leaned forward anxiously; indeed, with a greater anxiety than he had yet shown in all this affair.

”I was terrified,” continued Joan Carew. ”I kept thinking: 'They must have found out by now. They will search everywhere.' I didn't reason.

I lay in bed expecting to hear every moment a loud knocking on the door. Besides--the chain itself being there in my bedroom--her chain--the dead woman's chain--no, I couldn't endure it. I felt as if I had stolen it. Then my maid brought in my tea.”

”You had locked it away?” cried Hanaud.

”Yes. My maid did not see it.”

Joan Carew explained how she had risen, dressed, wrapped the chain in a pad of cotton-wool and enclosed it in an envelope. The envelope had not the stamp of the hotel upon it. It was a rather large envelope, one of a packet which she had bought in a crowded shop in Oxford Street on her way from Euston to the Semiramis. She had bought the envelopes of that particular size in order that when she sent her letter of introduction to the Director of the Opera at Covent Garden she might enclose with it a photograph.

”And to whom did you send it?” asked Mr. Ricardo.

”To Mrs. Blumenstein at the Semiramis. I printed the address carefully. Then I went out and posted it.”

”Where?” Hanaud inquired.

”In the big letter-box of the Post Office at the corner of Trafalgar Square.”