Part 14 (1/2)
Farquhar made to Mr. Meigs, King never knew, but he took advantage of the diversion in his favor to lead Miss Benson off to the ballroom.
IX. OLD SWEET AND WHITE SULFUR
The days went by at the White Sulphur on the wings of incessant gayety.
Literally the nights were filled with music, and the only cares that infested the day appeared in the anxious faces of the mothers as the campaign became more intricate and uncertain. King watched this with the double interest of spectator and player. The artist threw himself into the melee with abandon, and pacified his conscience by an occasional letter to Miss Lamont, in which he confessed just as many of his conquests and defeats as he thought it would be good for her to know.
The colored people, who are a conspicuous part of the establishment, are a source of never-failing interest and amus.e.m.e.nt. Every morning the mammies and nurses with their charges were seated in a long, s.h.i.+ning row on a part of the veranda where there was most pa.s.sing and repa.s.sing, holding a sort of baby show, the social consequence of each one depending upon the rank of the family who employed her, and the dress of the children in her charge. High-toned conversation on these topics occupied these dignified and faithful mammies, upon whom seemed to rest to a considerable extent the maintenance of the aristocratic social traditions. Forbes had heard that while the colored people of the South had suspended several of the ten commandments, the eighth was especially regarded as nonapplicable in the present state of society. But he was compelled to revise this opinion as to the White Sulphur. n.o.body ever locked a door or closed a window. Cottages most remote were left for hours open and without guard, miscellaneous articles of the toilet were left about, trunks were not locked, waiters, chambermaids, porters, washerwomen, were constantly coming and going, having access to the rooms at all hours, and yet no guest ever lost so much as a hairpin or a cigar. This fas.h.i.+on of trust and of honesty so impressed the artist that he said he should make an attempt to have it introduced elsewhere. This sort of esprit de corps among the colored people was unexpected, and he wondered if they are not generally misunderstood by writers who attribute to them qualities of various kinds that they do not possess.
The negro is not witty or consciously humorous, or epigrammatic. The humor of his actions and sayings lies very much in a certain primitive simplicity. Forbes couldn't tell, for instance, why he was amused at a remark he heard one morning in the store. A colored girl sauntered in, looking about vacantly. ”You ain't got no cotton, is you?” ”Why, of course we have cotton.” ”Well” (the girl only wanted an excuse to say something), ”I only ast, is you?”
Sports of a colonial and old English flavor that have fallen into disuse elsewhere varied the life at the White. One day the gentlemen rode in a mule-race, the slowest mule to win, and this feat was followed by an exhibition of negro agility in climbing the greased pole and catching the greased pig; another day the cavaliers contended on the green field surrounded by a brilliant array of beauty and costume, as two Amazon baseball nines, the one nine arrayed in yellow cambric frocks and sun-bonnets, and the other in bright red gowns--the whiskers and big boots and trousers adding nothing whatever to the illusion of the female battle.
The two tables, King's and the Benson's, united in an expedition to the Old Sweet, a drive of eighteen miles. Mrs. Farquhar arranged the affair, and a.s.signed the seats in the carriages. It is a very picturesque drive, as are all the drives in this region, and if King did not enjoy it, it was not because Mrs. Farquhar was not even more entertaining than usual.
The truth is that a young man in love is poor company for himself and for everybody else. Even the object of his pa.s.sion could not tolerate him unless she returned it. Irene and Mr. Meigs rode in the carriage in advance of his, and King thought the scenery about the tamest he had ever seen, the roads bad, the horses slow. His ill-humor, however, was concentrated on one spot; that was Mr. Meigs's back; he thought he had never seen a more disagreeable back, a more conceited back. It ought to have been a delightful day; in his imagination it was to be an eventful day. Indeed, why shouldn't the opportunity come at the Old Sweet, at the end of the drive?--there was something promising in the name. Mrs.
Farquhar was in a mocking mood all the way. She liked to go to the Old Sweet, she said, because it was so intolerably dull; it was a sensation.
She thought, too, that it might please Miss Benson, there was such a fitness in the thing--the old sweet to the Old Sweet. ”And he is not so very old either,” she added; ”just the age young girls like. I should think Miss Benson in danger--seriously, now--if she were three or four years younger.”
The Old Sweet is, in fact, a delightful old-fas.h.i.+oned resort, respectable and dull, with a pretty park, and a crystal pond that stimulates the bather like a gla.s.s of champagne, and perhaps has the property of restoring youth. King tried the spring, which he heard Mrs.
Farquhar soberly commending to Mr. Meigs; and after dinner he manoeuvred for a half-hour alone with Irene. But the fates and the women were against him. He had the mortification to see her stroll away with Mr. Meigs to a distant part of the grounds, where they remained in confidential discourse until it was time to return.
In the rearrangement of seats Mrs. Farquhar exchanged with Irene. Mrs.
Farquhar said that it was very much like going to a funeral each way. As for Irene, she was in high, even feverish spirits, and rattled away in a manner that convinced King that she was almost too happy to contain herself.
Notwithstanding the general chaff, the singing, and the gayety of Irene, the drive seemed to him intolerably long. At the half-way house, where in the moonlight the horses drank from a shallow stream, Mr. Meigs came forward to the carriage and inquired if Miss Benson was sufficiently protected against the chilliness of the night. King had an impulse to offer to change seats with him; but no, he would not surrender in the face of the enemy. It would be more dignified to quietly leave the Springs the next day.
It was late at night when the party returned. The carriage drove to the Benson cottage; King helped Irene to alight, coolly bade her good-night, and went to his barracks. But it was not a good night to sleep. He tossed about, he counted every step of the late night birds on his gallery; he got up and lighted a cigar, and tried dispa.s.sionately to think the matter over. But thinking was of no use. He took pen and paper; he would write a chill letter of farewell; he would write a manly avowal of his pa.s.sion; he would make such an appeal that no woman could resist it. She must know, she did know--what was the use of writing? He sat staring at the blank prospect. Great heavens! what would become of his life if he lost the only woman in the world? Probably the world would go on much the same. Why, listen to it! The band was playing on the lawn at four o'clock in the morning. A party was breaking up after a night of german and a supper, and the revelers were dispersing. The lively tunes of ”Dixie,” ”Marching through Georgia,” and ”Home, Sweet Home,” awoke the echoes in all the galleries and corridors, and filled the whole encampment with a sad gayety. Dawn was approaching.
Good-nights and farewells and laughter were heard, and the voice of a wanderer explaining to the trees, with more or less broken melody, his fixed purpose not to go home till morning.
Stanhope King might have had a better though still a sleepless night if he had known that Mr. Meigs was packing his trunks at that hour to the tune of ”Home, Sweet Home,” and if he had been aware of the scene at the Benson cottage after he bade Irene good-night. Mrs. Benson had a light burning, and the noise of the carriage awakened her. Irene entered the room, saw that her mother was awake, shut the door carefully, sat down on the foot of the bed, said, ”It's all over, mother,” and burst into the tears of a long-repressed nervous excitement.
”What's over, child?” cried Mrs. Benson, sitting bolt-upright in bed.
”Mr. Meigs. I had to tell him that it couldn't be. And he is one of the best men I ever knew.”
”You don't tell me you've gone and refused him, Irene?”
”Please don't scold me. It was no use. He ought to have seen that I did not care for him, except as a friend. I'm so sorry!”
”You are the strangest girl I ever saw.” And Mrs. Benson dropped back on the pillow again, crying herself now, and muttering, ”I'm sure I don't know what you do want.”
When King came out to breakfast he encountered Mr. Benson, who told him that their friend Mr. Meigs had gone off that morning--had a sudden business call to Boston. Mr. Benson did not seem to be depressed about it. Irene did not appear, and King idled away the hours with his equally industrious companion under the trees. There was no german that morning, and the hotel band was going through its repertoire for the benefit of a champagne party on the lawn. There was nothing melancholy about this party; and King couldn't help saying to Mrs. Farquhar that it hardly represented his idea of the dest.i.tution and depression resulting from the war; but she replied that they must do something to keep up their spirits.
”And I think,” said the artist, who had been watching, from the little distance at which they sat, the table of the revelers, ”that they will succeed. Twenty-six bottles of champagne, and not many more guests! What a happy people, to be able to enjoy champagne before twelve o'clock!”
”Oh, you never will understand us!” said Mrs. Farquhar; ”there is nothing spontaneous in you.”
”We do not begin to be spontaneous till after dinner,” said King.