Part 9 (1/2)

”He said I must be a fool to undertake work I could not perform,” said Septimus lugubriously; ”and I suppose I must be.”

”Don't, don't talk so, dear,” whispered Lucy, glancing uneasily at the door of the back-room. ”Don't let her hear you.”

”Well, I won't,” said Septimus, rousing up and crossing the room to kiss the soft cheek held up so lovingly to him--”I won't, pet Lucy; and I'll try again, that I will;” and he returned to his seat.

”Yes, do; yes, do!” cried Lucy, with smiles and tears at one and the same time. ”Don't mind what they said; you are so clever, you must succeed.”

Septimus screwed up his face, but Lucy shook her head at him, still busily st.i.tching, while, with his head resting upon his hand, Septimus gazed on that budding figure before him, growing fast into the similitude of the woman who had first taught him that he had a heart; but she looked up again, and Septimus turned to his papers.

”Were there many mistakes, dear?” said Lucy.

”Well, not so many,” said Septimus; ”only the writing I copied from was so bad; and I've put in the contractions where I ought not, and altered them where they should have stayed; and you see, my child, I don't know how it is, but I do get so wild in my spelling. I know when the worst of it was, it was when Tom would sit on my knee and put his fingers in the ink-bottle; and that is distracting, you know, when one copies crabbed handwriting. But the worst fault was what I didn't see--and how I came to put it in, I'm sure I don't know, but it was a part of that line of Goldsmith's, `But times are altered, trade's unfeeling train.'

I don't know how it came there, only that it was there, and I must have written it when I was half-asleep. Let me see, it was--ah, yes, here it is, in folio 15, and I began that at half-past two this morning. I couldn't say anything, you know, my child, could I? for of course it didn't look well in amongst a lot about a man's executors and administrators, and all that sort of thing. It's a bad job, ain't it?”

Poor Lucy looked up at the wretchedly-doleful face before her, hardly knowing whether to smile or be serious; and then, in spite of the trouble they were in, and perhaps from the fact of tears being so near akin to smiles, they both laughed merrily over the disaster; and Septimus set to work to try and remedy the wrong doings, by rewriting several of the sheets--a task he was busily engaged upon when old Matt came with his tap at the door and entered.

”And how's Mrs Hardon, sir?” said Matt respectfully.

A faint voice responded from the back-room, for Mrs Septimus spent much of her time in a reclining position.

”Busy as ever, miss, I see,” said Matt; ”and bright as a rose.”

Lucy, bright as a rose truly, but only as the pale white blossom that shows the faintest tinge of pink, looked up from the hard sewing which made sore her little fingers, and smiled upon the old man.

”And how's the writing, sir?” said Matt.

”No good--no good, Matt,” said Septimus wearily. ”I'm out of my element, and shall never do any good at it, I'm afraid.”

”Don't have nothing to do with it, then, sir; come and finger the types again. I've no opinion of copying, only as a combination of law-stationers to do honest printers out of their work. Try setting again, sir, and I'll give you gra.s.s first time I get a chance.”

”Gra.s.s!” said Septimus absently.

”Well, yes, sir; put you on a job instead of doing it myself; first chance I have.”

Septimus shook his head, went and thrust some sheets of paper into the fire, and then walked to the window, where his apathetic air pa.s.sed off for an instant, as he seemed to recognise the face of a woman who pa.s.sed quickly from the opposite house, and then hurriedly made her way out of the court.

”Strange!” muttered Septimus to himself; ”but there, it couldn't be her.”

”And where's my little di'mond?” said Matt to Lucy.

”Asleep by mamma,” replied Lucy.

”Bless him! I've brought him a steam-ingin,” said Matt, bringing a toy-model, with a glorious display of cotton-wool steam, out of his pocket; ”and I don't know what this here's meant for,” he continued, drawing a wooden quadruped from the other pocket. ”Stands well, don't he, miss? Wonder what it's meant for! 'Tain't a horse, nor a halligator, nor a elephant--can't be a elephant, you know, because they haven't got these Berlin-wool-looking sides; no, nor it ain't no trunk neither. Let's call it a hippopotamus, and see how he'll tie his pretty little tongue in a knot, bless him! a-trying to say it when he wakes.

You'll tell him Uncle Matt brought 'em, won't you, miss?” he said, holding them behind his back.

Lucy nodded, while Matt blew out and arranged the cotton-wool steam as carefully as if it was a matter of the greatest importance, or a jewel for a queen; and who shall say that the old printer's task was not of as great importance, and that the pleasure of the child is not of equal value with that of the greatest potentate that ever ruled; while as to the amount of enjoyment derived, there can be no doubt.

”And what time is the work to go home, miss?” said Matt, after contriving with great difficulty to make the wild quadruped use his four supports in the way intended by his manufacturer--the beast's idea being that its nose was the proper front rest for its body, and that by rights it was a tripod.

”I'm afraid I shall not be ready before eight,” said Lucy, bending to her task.