Part 24 (1/2)

She was playing a desperate game, and she knew it. The heaviest stake was that fair boy's fate.

She knew that the robber captain would never permit her to take what he chose to term the ”suicidal” step of delivering herself up to justice.

She therefore knew that she must act without his knowledge, as well as without his help.

But she did not know her present locality, or even its bearings in relation to the county seat, Blackville; and therefore, before she could set out to seek that place, she must enlist the sympathies and services of some one who would be able to guide her to that town.

There was no one to be found for such a purpose but Raphael, the captain's son, and her own adorer. Regardless of all consequences to him, since it was to save her own honor, she resolved to enlist the boy.

And to effect her purpose, she felt that she must begin at once. So she walked out upon the neglected and briar-grown grounds, and strolled around until, ”accidentally on purpose,” she came upon the boy as he sat sketching. He started up, confused and blus.h.i.+ng, and stood with downcast eyes, before the G.o.ddess of his secret idolatry.

”Please take your seat again, and I will sit beside you,” said Sybil, in a gentle tone.

Raphael was a very perfect little gentleman, and so he bowed and remained uncovered and standing, until Sybil took her seat. Then, with another bow, he placed himself beside her.

”You have been sketching. Will you permit me to look at your sketches?”

inquired the lady.

With a deferential bend of the head, the boy placed his specimens in her hand.

They were really very fine, and Sybil could praise them with sincerity as well as with excess.

”You are an enthusiast in art,” she said.

”_Until to-day_,” replied Raphael, with a meaning glance. ”Until to-day, my one sole aspiration in life was to become an artist-painter!”

”And why until to-day? How has to-day changed your purpose?” softly inquired Sybil.

The boy dropped his eyes, blushed, and s.h.i.+vered, and at length replied:

”Because to-day I have a loftier aspiration!”

”A loftier aspiration than for excellence in art there cannot be,” said Sybil, gravely.

The lad could not and did not contradict her. But she understood as well as if he had explained, that his ”loftier aspiration” was to serve and to please herself.

She carefully examined his sketches, and praised his natural genius. And he listened to her commendations in breathless delight.

At length he ventured to ask her:

”Do you, madam, who so much appreciate my poor attempts, do you also sketch from nature?”

”Ah, no,” answered Sybil, with a heavy sigh; ”since my captivity here, I have lost all interest in my own work! My only aspiration is for freedom!”

Raphael looked up at the lady, amazement now taking the place of the deep deference of his expression.

”You seem surprised,” said Sybil, with a smile.

”I am very much astonished,” replied the lad. And his eloquent and ever-changing countenance said, as plainly as if he had spoken, ”I knew the captain was an evil man, but I did not know that he was a base one.”