Part 22 (1/2)
”Did the porter see us? Was there anyone else about?” she asked.
”No; I was sitting up for you.”
”Does Victoire know anything?”
”Rather not!” returned Berenice.
Ten hours later Lucien awoke to meet Coralie's eyes. She had watched by him as he slept; he knew it, poet that he was. It was almost noon, but she still wore the delicate dress, abominably stained, which she meant to lay up as a relic. Lucien understood all the self-sacrifice and delicacy of love, fain of its reward. He looked into Coralie's eyes. In a moment she had flung off her clothing and slipped like a serpent to Lucien's side.
At five o'clock in the afternoon Lucien was still sleeping, cradled in this voluptuous paradise. He had caught glimpses of Coralie's chamber, an exquisite creation of luxury, a world of rose-color and white. He had admired Florine's apartments, but this surpa.s.sed them in its dainty refinement.
Coralie had already risen; for if she was to play her part as the Andalusian, she must be at the theatre by seven o'clock. Yet she had returned to gaze at the unconscious poet, lulled to sleep in bliss; she could not drink too deeply of this love that rose to rapture, drawing close the bond between the heart and the senses, to steep both in ecstasy. For in that apotheosis of human pa.s.sion, which of those that were twain on earth that they might know bliss to the full creates one soul to rise to love in heaven, lay Coralie's justification. Who, moreover, would not have found excuse in Lucien's more than human beauty? To the actress kneeling by the bedside, happy in love within her, it seemed that she had received love's consecration. Berenice broke in upon Coralie's rapture.
”Here comes Camusot!” cried the maid. ”And he knows that you are here.”
Lucien sprang up at once. Innate generosity suggested that he was doing Coralie an injury. Berenice drew aside a curtain, and he fled into a dainty dressing-room, whither Coralie and the maid brought his clothes with magical speed.
Camusot appeared, and only then did Coralie's eyes alight on Lucien's boots, warming in the fender. Berenice had privately varnished them, and put them before the fire to dry; and both mistress and maid alike forgot that tell-tale witness. Berenice left the room with a scared glance at Coralie. Coralie flung herself into the depths of a settee, and bade Camusot seat himself in the _gondole_, a round-backed chair that stood opposite. But Coralie's adorer, honest soul, dared not look his mistress in the face; he could not take his eyes off the pair of boots.
”Ought I to make a scene and leave Coralie?” he pondered. ”Is it worth while to make a fuss about a trifle? There is a pair of boots wherever you go. These would be more in place in a shop window or taking a walk on the boulevard on somebody's feet; here, however, without a pair of feet in them, they tell a pretty plain tale. I am fifty years old, and that is the truth; I ought to be as blind as Cupid himself.”
There was no excuse for this mean-spirited monologue. The boots were not the high-lows at present in vogue, which an un.o.bservant man may be allowed to disregard up to a certain point. They were the unmistakable, uncompromising hessians then prescribed by fas.h.i.+on, a pair of extremely elegant beta.s.seled boots, which shone in glistening contrast against tight-fitting trousers invariably of some light color, and reflected their surroundings like a mirror. The boots stared the honest silk-mercer out of countenance, and, it must be added, they pained his heart.
”What is it?” asked Coralie.
”Nothing.”
”Ring the bell,” said Coralie, smiling to herself at Camusot's want of spirit.--”Berenice,” she said, when the Norman handmaid appeared, ”just bring me a b.u.t.ton-hook, for I must put on these confounded boots again.
Don't forget to bring them to my dressing-room to-night.”
”What?... _your_ boots?”... faltered out Camusot, breathing more freely.
”And whose should they be?” she demanded haughtily. ”Were you beginning to believe?--great stupid! Oh! and he would believe it too,” she went on, addressing Berenice.--”I have a man's part in What's-his-name's piece, and I have never worn a man's clothes in my life before. The bootmaker for the theatre brought me these things to try if I could walk in them, until a pair can be made to measure. He put them on, but they hurt me so much that I have taken them off, and after all I must wear them.”
”Don't put them on again if they are uncomfortable,” said Camusot. (The boots had made him feel so very uncomfortable himself.)
”Mademoiselle would do better to have a pair made of very thin morocco, sir, instead of torturing herself as she did just now; but the management is so stingy. She was crying, sir; if I was a man and loved a woman, I wouldn't let her shed a tear, I know. You ought to order a pair for her----”
”Yes, yes,” said Camusot. ”Are you just getting up, Coralie?”
”Just this moment; I only came in at six o'clock after looking for you everywhere. I was obliged to keep the cab for seven hours. So much for your care of me; you forget me for a wine-bottle. I ought to take care of myself now when I am to play every night so long as the _Alcalde_ draws. I don't want to fall off after that young man's notice of me.”
”That is a handsome boy,” said Camusot.
”Do you think so? I don't admire men of that sort; they are too much like women; and they do not understand how to love like you stupid old business men. You are so bored with your own society.”
”Is monsieur dining with madame?” inquired Berenice.
”No, my mouth is clammy.”
”You were nicely screwed yesterday. Ah! Papa Camusot, I don't like men who drink, I tell you at once----”