Part 9 (1/2)

”You've got a visitor,” she whispered piercingly through the same medium. ”A man. A well man, not a sick one. He came on the train. He came on the milk train--”

”You may come in, Ann.” The doctor slipped on his dressing gown with a resigned sigh. ”What man and why milk?”

”I don't know. Aunt Sykes kept him on the veranda till she was sure he wasn't an agent. Now he's in the parlour. Aunt hopes you'll hurry, for you never can tell. He may be different from what he looks.”

”What does he look?”

Ann's small hands made an expressive gesture which seemed to envisage something long and lean.

”Queer--like that. He's not old, but he's bald. His eyes screw into you.

His nose,” another formative gesture, ”is like that. A nawful big nose.

He didn't tell his name.”

”If he looks like that, perhaps he hasn't any name. Perhaps he is a b.u.t.ton-moulder. In fact I'm almost certain he is--other name Willits.

Occupation, professor.”

”But if he is a b.u.t.ton-maker, he can't be a professor,” said Ann shrewdly.

”Oh, yes he can. b.u.t.ton-moulding is what he professes. His line is a specialty in spoiled b.u.t.tons. He makes them over.”

”Second-hand?”

”Better than new.”

Ann fidgeted idly with the doctor's cuff-links and then with a flash of her odd childish comprehension, ”You love him a lot, don't you?” she said jealously.

The doctor adjusted a collar b.u.t.ton.

”England expects that every man shall deny the charge of loving another,” he said, ”but between you and me, I do rather like old Willits. You see I was rather a worn-out b.u.t.ton once and he made me over. Where did you say he was?”

”In the parlour--there's Aunt! She said I wasn't to stay. I'll get it.”

Indeed the voice of Mrs. Sykes could be heard on the stairs.

”Ann! Where's that child? Doctor, you'd think that child had never been taught no manners. You'll have to take a firm stand with Ann, Doctor.

Land Sakes, I don't want to make her out worse'n she is, but you might as well know that your life won't be worth living if you don't set on Ann.”

”All right, Mrs. Sykes. Painful as it may be, I shall do it. Are you sure it's safe to leave a stranger in the parlour?”

Mrs. Sykes looked worried. ”I hope to goodness it's all right, Doctor.

He's been in the parlour half an hour. I don't think he's an agent, hasn't got a case or a book anywhere. But agents are getting cuter every day. Naturally I didn't like to go so far as to ask his name. And I'm not asking it now. Curiosity was never a fault of mine though I do say it. Still a woman does like to know who's setting in her front parlour.”

”And you shall,” declared Callandar kindly. ”Just hang on a few moments longer, dear Mrs. Sykes, and your non-existent but very justifiable curiosity shall be satisfied.”

The parlour at Mrs. Sykes opened to the right of the narrow hall. Its two windows, distinguished by eternally half-drawn blinds of yellow, looked out upon the veranda, permitting a decorous gloom to envelop the sacred precincts. Mrs. Sykes was too careful a housekeeper to take risks with her carpet and too proud of her possessions to care to hide their glories altogether; hence the blinds were never wholly drawn and never raised more than half way. In the yellow gloom, one might feast one's eyes at leisure upon the centre table, draped in red damask, mystic, wonderful, and on its wealth of mathematically arranged books, the Bible, the ”Indian Mutiny” and ”Water Babies” in blue and gold. This last had been a gift to Ann and was considered by Mrs. Sykes to be the height of foolishness. Still, a book is a book, especially when bound in blue and gold.

Upon the gaily papered walls hung a framed silver name-plate and two pictures. One a gorgeously coloured print of the lamented Queen Victoria in a deep gold frame, and the other a representation of an entrancing allegorical theme ent.i.tled ”The Two Paths,” ill.u.s.trating the ascent of the saint into heaven and the descent of the sinner into h.e.l.l. At the top of this picture was the legend, ”Which will you choose?”--implying a possible but regrettable lack of taste on the part of the chooser.

Into this abode of the arts and muses came Callandar, alert and smiling.