Part 23 (1/2)
Zalouhou, the violinist, was one of the biggest men Lola had ever seen.
He stood six foot six in a pair of dilapidated boots and possessed a completely unathletic figure with hips like a woman, large soft hands with long loose fingers and a splendid leonine head with a ma.s.s of black hair streaked with white. He towered over the other little people like a modern Gulliver. His face was clean-shaven, with fine features and a n.o.ble forehead and a pair of eyes which had never failed to do more to attract crowded matinees of his country women in the old days than the beauty of his playing and the mastery of his technique. He had only just arrived in London, penniless, and in a suit of clothes in which he had slept on many waysides. He had fought for his country and against his country, never knowing why and never wanting to fight, and all the while he had clung desperately to his violin which he had played to ragam.u.f.fin troops in order to be supplied with an extra hunk of bread and a drink of coffee. The story of his five or six years of mental and physical chaos, every moment of which was abhorrent to his gentle spirit, was stamped deeply upon his face.
Even as Lola was being escorted upstairs to her room by a thrilled country maid, there was a crash upon the piano in the hall and an outburst of song. What that little house thought of all those extraordinary people who could not keep quiet under any circ.u.mstance would have filled a book. The ghosts of former residents, farming people, must have stood about in horror and surprise. And yet, as Lady Cheyne well knew, they were all simple souls ready to go into ecstasies at the sight of a daisy and imbued with genuine loyalty towards each other.
Lady Cheyne followed Lola up. She arrived in the tiny bedroom, whose ceiling sloped down to two small windows, breathless and laughing. ”You can't swing a cat in here,” she said. ”But, after all, who ever does swing a cat? I hope you'll be comfortable and I know you'll be amused. I just want to tell you one thing, my dear. You are at perfect liberty to do whatever you like, to wander away out of range of the piano, with or without any of my dear delightful babies, or stay and listen to them and watch the fun. Until sleep overcomes them they will sing and play and applaud and have the time of their lives,-which is exactly what I've brought them here to do, poor things. All the men will fall in love with you, of course. But you're perfectly used to that, aren't you? You'll look like a miniature among oleographs, but the change will do you good and show you another side of life. One thing I can guarantee. You won't be disturbed in the morning before eleven o'clock. No one thinks of getting up until then. I'm particularly anxious for you to like Zalouhou. I predict that he will have an extraordinary success in London when he makes his appearance next week at Queen's Hall. Did you ever see such a man? If I know anything about it at all, women will rush forward to the platform to kiss his feet,-not because he plays the violin like Kreisler but because of those magnetic eyes. Success in every walk of life is due entirely to eyes. You know that, my dear. And as to the Great Affair, I will ask no questions, see nothing and hear nothing, but rejoice in believing that I am being of use. It is exactly right, isn't it, golden head? Ah, me, those dear dead days. Now come and have some tea and taste my strawberries. They're wonderful this year.”
But before going down-and how kind everybody was-Lola stood at one of her windows from which she could see a corner of Chilton Park, and her heart went out to Fallaray like a white dove. It was in the air, in the cloudless sky, in the birds' songs, in the rustle of the leaves, in the beauty and glory of the flowers that her time had come at last, that all her work and training were to be put to the supreme test. Success would mean the little gold cage of which she had heard again in her dream but which would be the merest lead without love. Failure--
Her appearance eventually in the hall, a long, many-windowed room, with great bowls of cut flowers on gate-legged tables and old dressers, was celebrated by Salo Impf with an improvisation on the piano that was filled with spring and received with noisy approval. Imbued with a certain amount of crude tact, the men of the party did nothing more than pay tribute to Lola with their eyes while they surrounded Lady Cheyne as though she were a queen, as indeed she was, having it in her power not only to provide them with bed and board but to bring them out and give them a chance in a country always ready to support talent. It was a funny sight to see this amazingly fat, kind woman pouring tea at a tiny table into tiny cups surrounded by people who seemed to be perpetually hungry, but who sang even while they ate, and laughed and jabbered in between.
”What would Simpkins say if he could see me here?” thought Lola. ”And Mother and Ernest and Sir Peter Chalfont-and Lady Feo?”
But she felt happy and in a way comforted among these people. Like her, they were all struggling towards a goal, all striving after something for which they had served their apprentices.h.i.+p. Not one of them had yet successfully emerged and they were living on what Mrs. Rumbold called, ”the scraggy diet of hope.” It did her good to be among them at that moment, to hear their discussions in amazingly broken English of a debut in London, to be aware of the extraordinary encouragement which they gave to each other, without jealousy,-which was so rare. She found herself listening enthralled to the arias sung by Anna Stezzel, and the Grieg songs which were so perfectly played by Impf. But it was when Zalouhou stood up with his violin and played some of the wistful folk songs of his country that she sat with her hands clasped together, leaning forward and moved to a deep emotion. Hunger, the daily wrestle with surly earth, illness, the subjection to a crus.h.i.+ng autocracy, and beneath it self-preservation,-they were all in these sad, fierce songs, which sometimes burst into pa.s.sionate resentment and at others laughed a little and jogged along. What a story they told,-so much rougher and so much sterner than her own. They gave her courage to go forward but they left her uncertain as to what was to be her next step.
When Zalouhou played, it was with his eyes on Lola. Her sympathy and understanding drew out his most delicate and imaginative skill and gave him inspiration; and when he had finished and laid aside his violin, he went to the sofa on which she was sitting and crouched hugely at her feet, and said something softly in his own tongue. He spoke no English, but she could guess his meaning because in his eyes there was the look with which she was familiar in the eyes of Treadwell, Simpkins and Chalfont. And she said to herself, ”As there is something in me that stirs the hearts of men, give me the chance, O G.o.d, to let it be felt by the only man I shall ever love and who is all alone on earth!” And while the room rang with music, she went forward in spirit to the gate in the wall of Chilton Park, which she had seen from her window, opened it and went inside to look for Fallaray. The intuition which had been upon her so long that she might touch the heart of Fallaray in Chilton Park was strong upon her then, once more.
But she had to wait until after dinner before her opportunity came to slip away, and this she did when her fellow-workers had returned to the hall, drawn back to the piano as by a magnet. And then she escaped, in Feo's silver frock, stole into the placid garden which was filled with the aroma of sweet peas and June roses, went down to the gate in the high wall, and stood there, trembling.
(Go on, de Breze, go on!)
IX
Except for the servants, Fallaray was alone in his house.
He had slept late that morning, put newspapers aside, and allowed the telephone to ring unanswered. He was determined, at least for a few days, to cut himself off from London and especially from the new and futile turn that was taking place in politics. It didn't seem to him to matter that, because his chief had boxed the political compa.s.s again and, like Gladstone, talked with furious earnestness on both sides of every question only to leave anger and stultification at every step, the papers were making a dead set at him, holding him up to ridicule and abuse and working with vitriolic energy against his government at every bi-election. If this man were dragged at last from the seat that he had won by a trick and held by trickery, another of the same kidney and possibly worse principles would be put into his place to build up another and a similar rampart about himself with bribes and honors. It was the system. Nothing could prevent it. Professional politicians had England by the throat and they were backed by underground money and supported by politically owned newspapers. What use to struggle against such odds? He wanted to forget Ireland for a little while, if it were possible to forget Ireland even for so short a s.p.a.ce of time as his holiday would last. He wanted to put out of his mind, the horrible mess in Silesia which was straining the _entente cordiale_ to the breaking point, and the bungling over the coal strike, and so he had been wandering among his rose gardens, hatless, with the breeze in his hair, and the scent of new-mown hay in his nostrils, listening to the piping of the thrush, to the pa.s.sionate songs of larks, and watching bees busy themselves from flower to flower with a one-eyed industry and honesty which he did not meet in men.
He had lunched out on the terrace and looked down with a great refreshment upon the sweeping valley of Aylesbury, peaceful beneath the sun. He had slept again in the afternoon, out of doors, lulled by the orchestra of birds, and had then gone forth to walk behind those high walls into the forest of beech trees, the dead red leaves of innumerable summers at their roots, and to listen to the tramping feet of the ghosts of Roman armies whose triumphs had left no deeper mark on history than the feet of sea gulls on the sands. And as his brain became quiet and the load of political troubles fell from his shoulders, he began to imagine that he was a free man once more, and a young man, and the old aspirations of adolescence returned to him like the echo of a dream,-to love, to laugh, to build a nest, to wander hand in hand with some sweet thing who trusted him and was wholly his. O G.o.d, how good. That was life. That was truth. That was nature.
And when, after dinner, he strolled out once more to look at the sky patterned with stars, dominated by a moon in its cold elusive prime, he was no longer the London Fallaray, round-shouldered, anxious, overworked, immeshed like an impotent fly in the web of the bad old spiders. His chin was up, his shoulders back, a smile upon his lips.
That gorgeous air filled his lungs and not even from the highest point of vantage could there be seen one glimpse of the little light burning in the tower of the House of Commons. He was nearer heaven than he had been for a very long time. Exquisite lines from the great poets floated through his mind and somewhere near a nightingale poured out a love song to its mate.
And when presently he took a stand on that corner of the terrace which overlooked the Italian garden, it seemed to him that the magic of the moonlight had stirred some of the stone figures to life. The arm of Cupid seemed to bend and send an arrow into the air and where it fell he saw a s.h.i.+mmer of silver and heard the rustle of silk. And he saw and heard it again and laughed a little at the pranks which imagination played, especially on such a night. And not believing his eyes or his ears, he saw this silver thing move again and come slowly up along the avenue of yews like a living star; and he watched it a little breathlessly and saw that it was a woman, a girl, timid, like a trespa.s.ser, but still coming on and on with her head up, and the moonlight in her hair,-golden hair wound round her head like an aureole.
And when at last, born as it seemed of moonlight and poetry, she came to the edge of the terrace and stopped, he bent down with the blood tingling in his veins, hardly believing that she was there, still under the impression that he had brought her to that spot out of his never realized longing and desire, and saw that she was not a dream of adolescence but a little live thing with wide-apart eyes and red lips parted and the white halo of youth about her head.
X
A bat blundered in between them and broke the spell.
And Fallaray climbed over the parapet and dropped on his feet at Lola's side. All that day, as indeed, briefly, in the House, at his desk, at night in dreams, ever since the introduction at the Savoy, the eyes of that girl and the thrill of her hand had come back to him like a song, to stir, like the urge of spring. And here, suddenly, she stood, moonlit, but very real, in answer to his subconscious call.
”This is wonderful,” he said, blurting out the truth like a nave boy.
”I've been thinking of you all day. How did you get here?”