Part 16 (1/2)

Lesson number two. You've been lucky so far-you've had peace for nearly a century, at least amongst the Houses, but that's gonna change. Celina's out, Celina's narcissistic, and Celina, maybe now, maybe later, will do damage if she can.” Catcher tapped a finger against the side of his head. ”That's the way she operates.”

He lifted his katana, held it horizontally before him. ”This is your weapon, your safety net, your life. This is not a toy,capiche ?”

We nodded collectively.

Catcher turned, walked to another edge of the mat, and picked up the sheath for his katana. He sheathed the blade, then grabbed twobokken -wooden training swords that roughly echoed the shape and weight of the katanas-and came back again. He spun onebokken in his hand, as if adjusting to its weight. The second, he pointed at me. ”Let's go, Suns.h.i.+ne.”

d.a.m.n, I thought, not eager to be the focus of Catcher's lesson, especially in front of an audience, but I stood up and unbelted my own katana, then bowed respectfully before stepping into the middle of the mat. Catcher handed me the extrabokken .

”The next time we do this,” he told the band of guards, who all looked a little too eager to watch me fight, ”we do it blindfolded. Your senses are all good enough that you should be able to fend off an attack even without your visual acuity. But today”-Catcher bladed his body, one foot before the other, knees bent, both hands around the handle of his sword-”you may use your eyes. Standing position,” he ordered, indicating that I could defend his attack without having to rise and act out the unsheathing of my sword.

I mirrored his stance, two sword lengths between us,bokken raised over our heads.

”First Kata,” he said, just before striking down in front of me. My muscles clenched beneath the breeze of the slicing wood, but he didn't touch me. I responded with my own downward slice, my movements smooth and fluid. I was no Master, but I was comfortable enough with the Katas, the building blocks of katana sparring. It was the same idea as basic ballet positions-you learn the fundamentals, and the fundamentals give you the working knowledge necessary for more-complicated moves.

When we'd completed the first Kata, we went back to our starting position, then worked through theremaining six. He seemed generally pleased with my work, at one point stepping back and making me repeat the final three Katas against an invisible opponent to check my form. He was an exacting teacher, with comments about the angle of my spine, the placement of my fingers around the handle, whether my weight was appropriately distributed. When we were done, and after he'd made comments to the group, he turned back to me.

”Now we spar,” he said, eyebrows arched in challenge.

My stomach sank. It was easy enough to hide multiple vampire personalities when I was wearing fancy clothes or walking around the block. It was going to be a lot harder in the middle of a sparring round when a wooden sword was being aimed at my head. That was just the kind of thing that gother attention.

I blew out a breath and bladed my body again, my sword before me. I wiggled my fingers, adjusting their positions on the blade, trying to keep my heart from racing in antic.i.p.ation of the coming battle.

No. Correction: battles.

Between me and Catcher, and between me andher . The vampire inside.

”Ready. Set. Fight,” Catcher said, and attacked.

He came at me with his arms raised, and brought the katana down in a clean, straight slice. I pivoted out of the way, bringing my own sword horizontal and swinging it around in a move that would have sliced his belly open. But for a human, Catcher was fast, not to mention nimble. He spun around in the air, his body at an angle, and avoided the slice of mybokken .

I was so impressed with the move-it looked like something Gene Kelly might have done, it was his brand of defying gravity-that I dropped my guard.

In that instant, he nailed me.

Catcher followed through with the spin, a full 360-degree turn, and brought his ownbokken , the inertia of his body weight behind it, across my left arm.

Pain exploded. I threw out a curse and clenched my eyes against the pain.

”Never drop your guard,” Catcher unrepentantly warned. I looked up, found him back in the starting position,bokken bladed. ”And never take your eyes off an a.s.sailant.” He bobbed his head at me. ”You'll heal, and you'll probably have worse injuries than that when it's all said and done. Let's go again.”

I muttered a choice curse about ”my a.s.sailant,” but bladed my body again and adjusted my grip on the handle of thebokken . My biceps throbbed, but I was a vampire; I'd heal. It was part of our genetic deal.

He may not have been a vampire, but he was good. I was fast and strong, but I didn't have either his natural knack or his experience at sparring. I was also injured. And I was trying, as hard as I could, to fight withoutfighting. To tamp down that coursing rush of adrenaline and anger that would bringher to the surface-in front of a crowd of combat-trained vampires. And loosing a half-formed vampire into the world, and in front of an audience, couldn't be a good thing.

But it was a tough line to walk.

As a newbie vamp, and a former grad student at that, I was still just reacting to whatever Catcher threw at me: spinning to get out of the way or slas.h.i.+ng my own sword down when he failed to block rather than carrying out my own plan of attack. He was moving too quickly for me to both react defensively and take offensive strikes of my own, although I tried. I tried to a.n.a.lyze his moves, tried to watch for weaknesses.

The longer we sparred, the harder that a.n.a.lysis became.

With each arc of mybokken , each slash and spin, my limbs loosened and my mind relaxed, and I began to fight back.

Unfortunately, the second I began to really fight back, to let the adrenaline rush me and let my body dance with thebokken in my hands, the vampire inside began to scream for release.

As I spun,bokken before me, she stretched through my limbs, and my eyes fluttered with the sensation of it, like warmth spilling through my veins as she moved. The warmth was fun enough-it was hard to come by in a vampiric body-but then she went a step too far.

Without warning, she pushed forward and took control, as if someone else had stepped inside my body.

I watched events play out before me, but it was she that moved my arms, that prompted my sudden speed and agility. Speed and agility that were unmatched even by a sorcerer whose expertise, whosemagical raison d'etre,was weaponry.

She had little patience for the maneuverings of a human. Where I'd fought defensively, she advanced, slas.h.i.+ng at Catcher and forcing him around and backward nearly to the other edge of the mat. It played out like a movie before me, as if I were sitting in a theater in my mind, watching the fight happen.

When mybokken grazed the side of Catcher's head, millimeters away from skull and scalp, the thought that I might have hurt him, and severely, pushed me-pushed Merit-back through. I blew out a breath as I spun away from another strike, forcing her back again.

When I'd sucked down oxygen and glanced back at him again, I found something unexpected in his eyes. Not reprobation.

Pride.

There was no fear that I'd nearly taken a swipe at his throat, no anger that I'd gone too far. Instead, his eyes shone with the thrill of a man in battle.

I think that look was almost worse. It thrilled her, that pride, that eagerness in his eyes.

It terrified me. I'd momentarily loosed her, and I'd nearly concussed my training master. That math was pretty simple-the vampire was going to stay repressed.

Unfortunately, although repressing the vamp decreased the chance that Catcher would lose a vital appendage, it also decreased my ability to keep up with him. Just like Yeats predicted, things began to fall apart. The parts of my brain that had been focused on fighting back and keeping her down now also had to think about how close I'd come to taking his blood, to battering the man who was trying to prepare me for combat.

And expert in the Second Key or not, Catcher was tiring. He knew how to use the weapons, sure. How to and where to swing hisbokken for maximum effect. But he was still human (or so I a.s.sumed), and I was a vampire. I had more endurance. What I didn't have-when I was struggling to keep myself together-was any skill at sparring. Which meant that even if he was tiring, I was getting worse. I endured his criticism, humiliating as it was. But the shots were harder to take.

Twice, he swung hisbokken around in a kind of halfhearted arc. Twice, I got whapped with it. Once across my left arm-which still burned from the last contact-and once across the back of my calves-a shot that put me on my knees in front of my colleagues.

”Get up,” Catcher said, motioning with the tip of hisbokken . ”And this time, at least try to move out of the way?”

”Iam trying,” I muttered, rising off my knees and blading my body again.

”You know,” Catcher said, slicing forward with thebokken in a series of moves that backed me to the opposite side of the mat. ”Celina isn't going to give you a chance to warm up. She isn't going to pull her punches. And she's not going to wait while you call for backup.”

He half turned, then brought thebokken around in a sweeping move like a backhanded tennis shot.

”I'm doing,” I said as I avoided one strike and tried to maneuver my way back to the near side of the room, ”the best”-I swung my katana, but he stopped it with his own steel-”that Ican .”

”That'snot good enough ,” he bellowed, and met mybokken with a two-handed strike that whipped the wood from my sweaty hands. As if embarra.s.sed by my clumsiness, thebokken flew, bounced on the mat once, twice, and finally came to a rolling stop.

The room went silent.

I risked a glance up. Catcher stood in front of me,bokken in one hand, skin damp from his exertions, bewilderment in his expression.