Part 56 (1/2)
And in fact Princess Elizabeth was right. The gla.s.s-door, which led from the sleeping-room of the children to the little corridor, and from there to the chamber of Mistress Tison, was slowly and cautiously opened, and she came with a lamp in her hand into the children's room. She stood near the door, listening and spying around. In the beds of the children she could hear the long-drawn, calm breathing, which indicated peaceful slumbers; and in the open, adjoining apartment, in which the two ladies slept, nothing was stirring.
”But I did hear a sound plainly,” muttered Tison. ”I was awaked by a loud cry, and when I sat up in bed I heard people talking.”
She stole to the beds of the children, and let the light fall upon their faces. ”They are sleeping soundly enough,” she muttered, ”they have not cried or spoken, but we will see how it is in the other room.” Slowly, with the lamp in her hand, she crept into the neighboring apartment. The two ladies lay motionless upon their beds, closing their eyes quickly when Mistress Tison crossed the threshold, and praying to G.o.d for courage and steadfastness.
Tison went first to the bed of Princess Elizabeth and let the lamp fall full upon her face. The glare seemed to awaken her. ”What is it?” she cried, ”what has happened? sister, what has happened? where are you, Marie Antoinette?”
”Here, here I am, Elizabeth,” cried the queen, rising suddenly up in bed, as if awakened. ”Why do you call me, and who is here?”
”It is I,” muttered Tison, angrily. ”That is the way if one has a bad conscience! One is startled then with the slightest sound.”
”We have no bad conscience,” said Elizabeth, gently, ”but you know that if we are awakened from sleep we cry out easily, and we might be thinking that some one was waking us to bring us happy tidings.”
”I hope so,” cried Tison, with a scornful laugh, ”Happy news for you! that means unhappy and sad news for France and for the French people. No, thank G.o.d! I did not waken you to bring you any good news.”
”Well,” said the queen, gently, ”tell us why you have wakened us and what you have to communicate to us.”
”I have nothing at all to communicate to you,” growled Tison, ”and you know best whether I wake you or you were already awake, talking and crying aloud. Hist! it is not at all necessary that you answer, I know well enough that you are capable of lying. I tell you my ears are open and my eyes too. I let nothing escape me; you have talked and you have cried aloud, and if it occurs again I shall report it to the supervisor and have a watch put here in the night again, that the rest of us may have a little quiet in the night-time, and not have to sleep like the hares, with our eyes open.”
”But,” said the princess gently, ”but dear woman--”
”Hus.h.!.+” interrupted Tison, commandingly, ”I am not your 'dear woman,' I am the wife of Citizen Tison, and I want none of your confidence, for confidence from such persons as you are, might easily bring me to the scaffold.”
She now pa.s.sed through the whole room with her slow, stealthy tread, let the light fall upon every article of furniture and the floor, examined all the objects that lay upon the table, and then, after one last threatening look at the beds of the two ladies, went slowly out. She stopped again at the cribs of the children, and looked at them with a touch of gentleness. ”How quietly they sleep!” the whispered. ”They lie there exactly as they lay before. One would think they were smiling in their sleep--I suppose they are playing with angels. I should like to know how angels come into this old, horrid Temple, and what Simon's wife would say if she knew they came in here at night without her permission. See, see,” she continued, ”the boy is laughing again, and spreading out his hands, as if he wanted to catch the angels. Ah! I should like to know if my dear little Solange is sleeping as soundly as these children, and whether she smiles in her sleep and plays with angels; I should like to know if she dreams of her parents, my dear little Solange, and whether she sometimes sees her poor mother, who loves her so and yearns toward her so tenderly that” [Footnote: This Mistress Tison, the cruel keeper of the queen, soon after this fell into lunacy, owing both to her longings after her daughter and her compunctions of conscience for her treatment of the queen. The first token of her insanity was her falling upon her knees before Marie Antoinette, and begging pardon for all the pain she had occasioned, and amid floods of tears accusing herself as the one who would be answerable for the death of the queen. She then fell into such dreadful spasms, that four men were scarcely able to hold her. They carried her into the Hotel Dieu, where she died after two days of the most dreadful sufferings and bitter reproaches of herself.--See Goncourt, p. 280.
She could not go on; tears extinguished her utterance, and she hastened out, to silence her longings on the pillow of her bed.
The ladies listened a long time in perfect silence; then, when every thing was still again, they raised themselves up softly, and began to talk to each other in the faintest of whispers, and to make their final preparations for the flight of the morrow. They then rose and drew from the various hiding-places the garments which they were to use, placed the various suits together, and then tried to put them on. A fearful, awful picture, such as a painter of h.e.l.l, such as Breugel could not surpa.s.s in horror!--a queen and a princess, two tender, pale, harmless women, busied, deep in the night, as if dressing for a masquerade, in transforming themselves into those very officials who had led the king to the scaffold, and who, with their pitiless iron hands, were detaining the royal family in prison!
There they stood, a queen, a princess, clad in the coa.r.s.e, threadbare garments of republican officials, the tri-colored sashes of the ”one indivisible republic” around their bodies, their heads covered with the three-cornered hats, on which the tri-colored c.o.c.kade glittered. They stood and viewed each other with sad looks and heavy sighs. Ah, what bright, joyous laughter would have sprung from the lips of the queen in the days of her happiness, if she had wanted to hide her beauty in such attire for some pleasant masquerade at Trianon! What charming sport it would have been then and there! How would her friends and courtiers have laughed! How they would have admired the queen in her original costume, which might well have been thought to belong to the realm of dreams and fantasies! A tri-colored c.o.c.kade--a figment of the brain--a tri- colored sash--a merry dream! The lilies rule over France, and will rule forever!
No laughter resounded in the desolate room, scantily lighted with the dim taper--no laughter as the queen and the princess put on their strange, fearful attire. It was no masquerade, but a dreadful, horrible reality; and as they looked at each other wearing the costume of revolutionists, tears started from the eyes of the queen; the princess folded her hands and prayed; and she too could not keep back the drops that slowly coursed over her cheeks.
The lilies of France are faded and torn from the ground! From the palace of the Tuileries waved the tri-color of the republic, and in the palace of the former Knights Templars is a pale, sad woman, with gray hair and sunken eyes, a broken heart, and a bowed form. This pale, sad shadow of the past is Marie Antoinette, once the Queen of France, the renowned beauty, the first woman in a great kingdom, now the widow of an executed man, she herself probably with one foot--
No, no, she will be saved! G.o.d has sent her a deliverer, a friend, and this friend, this helper in her need, has made every thing ready for her flight.
CHAPTER XXIII.
THE SEPARATION.
Slowly and heavily the hours of the next day rolled on. Where was Toulan? Why did he not come? The queen waited for him the whole of that long, dreadful day in feverish expectation. She listened to every sound, to every approaching step, to every voice that echoed in the corridor. At noon Toulan had purposed to come to take his post as guard. At six, when the time of lighting the lamps should arrive, the disguises were to be put on. At seven the carefully and skilfully-planned flight was to be made.
The clock in the tower of the Temple had already struck four. Toulan had not yet come, and the guards of the day had not yet been relieved. They had had a little leisure at noon for dinner, and during the interim Simon and Tison were on guard, and had kept the queen on the rack with their mockery and their abusive words. In order to avoid the language and the looks of these men, she had fled into the children's room, to whom the princess, in her trustful calmness and unshaken equanimity, was a.s.signing them lessons. Marie Antoinette wanted to find protection here from the dreadful anxiety that tortured her, as well as from the ribald jests and scurrility of her keepers. But Mistress Tison was there, standing near the gla.s.s window, gazing in with a malicious grin, and working in her wonted, quick way upon the long stocking, and knitting, knitting, so that you could hear the needles click together.
The queen could not give way to a word or a look. That would have created suspicion, and would, perhaps, have caused an examination to be made. She had to bear all in silence, she had to appear indifferent and calm; she had to give pleasant answers to the dauphin's innocent questions, and even compel a smile to her lips when the child, reading in her looks, by the instinct of love, her great excitement, tried to cheer her up with pleasant words.
It struck five, and still Toulan did not come. A chill crept over her heart, and in the horror which filled her she first became conscious how much love of life still survived in her, and how intensely she had hoped to find a possibility of escape.