Part 11 (2/2)

The Water-gate, where Tippoo Sultan got his _coup de grace_ in the general flight of his people, is just the quiet and peaceful place in which to doze and dream for a summer day on the green sward under the park-like trees. The Gate is an arched pa.s.sage through thick walls leading to a walled-in s.p.a.ce with trees hanging over it; through a tumbled down bit of this wall you come on to the river. It was delightful there, no one about, excepting two or three women was.h.i.+ng clothes on the stones in the clear running water, with the suns.h.i.+ne and flickering shadows from the trees falling over them. But it must have been bustling enough on the 4th of May, 1799, when Tippoo tried to pa.s.s, with Baird's troops behind! What would one not give to have seen that last tableau: the British soldier in the crowd of natives going for the wounded Sultan's jewelled sword belt, the jam and press, and the heat and danger! The Sultan objected and wounded the soldier, so the soldier put a bullet through the Sultan's head--and what became of our northern robber, and the belt? What heaps of jewels Tippoo had collected; he used to spend days in his treasure-house inventorying his stores of diamonds and pearls, and to-day you may see some of the strings of pearls if you dine out in Edinburgh. After the a.s.sault, during the night, a soldier found his way into the treasury, and by morning a handful of diamonds was the price offered and asked for a bottle of Arrack. These international looting scenes seem to me peculiarly fascinating; I think a little prize-money won that way must feel worth fortunes earned in business. How our soldier of to-day swears at being deprived of such perquisites, and how he wishes he had been ”in the civil” at Mandalay or Pekin.

We drove through the native town and bazaar. It seemed half empty; a native villa there might be had for one line of an old song. The Plague had been knocking at many doors a little while ago, and now they swing loosely on the hinges and the roofs are fallen in, or have been pulled down rather, by the sahibs, to let the sun in and the evil plague spirit out.

We came to the high mosque, Allah Musjid one of the most beautiful buildings I have ever seen; its proportions are so big and simple. It was the favourite place of wors.h.i.+p of Hyder Ali Khan and his son, Tippoo. You go up to it through porticoes, and up a rough white stair, with innumerable swallows in nests of feathers protruding from a level line of holes in, the hot, sun-lit wall just above your head on the right hand; and past little rest rooms for wors.h.i.+ppers on the left, of plain whitewashed stone, and earth floors, all in shadow. Up the steps you come on a paved court with a balcony of white stone, and in front there is the moorish arcade of the mosque, and at either end a very high minaret, built possibly of stone white-washed, but much like weathered marble. The design is big and simple, finer in conception than anything we have seen so far. You have to lean your head very far back to follow up the minarets with your eyes to the top; each is octagonal and tapers slightly to two balconies. Pigeon-holes follow the slightly sloping sides in a spiral direction, and under each hole there is a little carved ledge, and on these and hovering near are many pigeons. There is colour--marble-white, weathered to yellow, dazzling in the sun and cool violet in shade, blue rock pigeons everywhere, and at the very top of each spire a golden ball burns against the unfathomable blue.

The hot air is slightly scented with incense and sandalwood, and there is a musical droning from a few wors.h.i.+ppers who repeat verses from the Koran in the cool white interior mingled with the cooing of innumerable pigeons, and the faint ”kiree, kiree” of a kite a mile above, in the blue zenith.

We may not enter the mosque with boots on, and will not enter with them off, so we admire from the outside the half Indian, half Saracenic plaster-work in the interior of the arcade--the stalact.i.te domes, diapers, groins, modellings _in situ_, and wish the authority on plaster work, Mr William Millar, was here to enjoy the skill and beauty of the work.

Next show--the summer palace of Tippoo Sultan. If you have been at Granada you can picture this as rather a thin Hindoo edition of Generalife Villa. It is moresque in style, but small in structural forms, smaller still in geometrical ornament, and without breadth or much harmony of colour schemes. Some small rooms were pa.s.sable in gold and silver and primary colours, but the princ.i.p.al halls and galleries were extremely crude. To be seen properly there should be people in proportion, little Hindoo beauties sitting primly at the balconies that open on to the inner court, and playing beside the long formal tanks that extend far amongst shrubs and trees of the surrounding gardens.

There are mural paintings on the verandah walls, which are spoken of as attractions and things to be seen; they are slightly funny. They represent the defeat of our troops by Hyder Ali and the French, but they are of no great count, except as records of costume. But enough about this place: our interest lay in the battered walls and the cells behind them where our Highland and Lowland soldiers were imprisoned so long.

We pa.s.sed the Water-gate on our way back, then under a grove of cocoa-nut palms, with many cocoa-nuts and monkeys in their tops; and we threw stones up, but never a cocoa-nut did the monkeys throw back at us!

So we bought some at a price, a very small price indeed, and I for one enjoyed seeing them in their green fresh state; when we got home to our railway carriages, that had come on for us from Mysore to Seringapatam, we had their tops slashed off with an axe: then put a long tumbler, mouth down over the hole and upset the two, and so got the tumbler filled with the water from the inside and drank it. We'd have drunk anything we were so thirsty: so I will not offer an opinion as to its quality, more than that it was distinctly refres.h.i.+ng. The sh.e.l.ls and husks were then split open, and we sc.r.a.ped the creamy white off the inside of the soft sh.e.l.l with a piece of the rough green husk and ate it and made believe it was delicious!

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As the sun is setting we cross the Cauvery River again, leaving Seringapatam because it is said to be so malarial that it is unwise to spend the night there.... The river is golden, the rocks violet, and the sky above purple and vermilion; herons' scraik and duck are on the move, almost invisible against the dark palms and bushes and shadowy banks--I am not superst.i.tious, but I think there were ghosts about, st.u.r.dy fellows in old-fas.h.i.+oned uniforms; I should like to have held converse with them.

MYSORE.--We got back to Mysore after dark.

Our two homes are gently shoved into a siding, and before you can say knife, our servants are spreading the table beside the carriage on the sand by lamplight; there are flowers on the table, silver, linen, and bra.s.s fingerbowls for four--the dinner prepared between Seringapatam and here _en route_! R. having made final arrangements with his people for a long hot day's work to-morrow, we fall to; needless to say we do not get into regulation evening kit, but the regulation warm bath before dinner was there all in order, even in such limited s.p.a.ce!

We left all windows open on the road here, so to-night hope we have got rid of all the malarial infecting mosquitoes of Seringapatam--those here are bad enough.

[Ill.u.s.tration]

... Work done, one sketch as above--catalogue misleader, ”Dinner on the Line;” or would a ”Meal on the Track” be less descriptive?--Mind stuffed with those ”erroneous, hazy, distorted first impressions,”

which, according to, and with the approval of Mr Aberich Mackay, the ”Anglo-Indian” hastens to throw away; and which I, not being in the least Anglo-anything, wish most sincerely I could keep!

CHAPTER XIX

TO ARTISTS

[Ill.u.s.tration]

Channapatna.--This is the third station south of Bangalore. It is just the place for an artist to come to to paint, and a mere step from Bombay. There's a Dak bungalow where he could put up, a charming place in a compound, with a servant in attendance. He'd just have to pack his sticks, take a second or third-cla.s.s ticket on say the Ma.s.sagerie--for an artist to be honest must be frugal--pick up a _Boy_ in Bombay at twenty to thirty rupees a month, and once out here there's little to spend money on but the bare cost of living.

Almost no one comes this way to stop, so he could probably have the bungalow almost as long as he liked, personally I'd have a tent so as to be absolutely independent. Then for subjects, there's a wealth within arm's reach; village bazaar pictures every ten yards, and round about cattle and ruins, temples, moresque and Hindoo, palms and jungle trees, graceful figures of women and men. Not particularly nice people, I should say, but certainly picturesque and polite, with some lovely children. The little ones are nude, prettily shaped and brown and dusty as the bloom on fruit, and with such black eyes and wavy hair, the blackest black, with a polish, and very long eyelashes over dark eyes.

Their faces seem refined and well shaped till they laugh or shout, when the lizard throat and regular monkey teeth show a little.

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