Part 19 (2/2)

And when, in the end, he prevailed upon her to say what she purposed doing, she informed him that to mark her sense of the degradation that would be involved in the acceptance of the aid offered by her rival, she had preferred to borrow five pounds of her maid, who was at least an old and faithful servant--she had taken her with her from Hampstead--and who stood by her loyally. Out of these five pounds she intended to pay the landlady's bill for the week, and the balance would bring them within the shelter of her parents' home.

Whatever feeling of humiliation Morgan might have had at the confession of this loan was all but lost in his surprise at her sudden mention of parents. He had never thought of her at all in relation to parents or in relation to other human beings whose blood flowed in her veins. She had pre-eminently struck him as a figure to be taken as ”detached”; his feeling about her, though he had never precisely formulated it, was that she had not come into existence as other people, but that, in her case, there had been a special act of creation. Her parents had got impasted into the vagueness of that background, out of which she had come floating into his life.

The position, however, was a difficult one for him. He could scarcely chide her for borrowing, grotesque as the borrowing was. The maid, he learnt, was leaving her that same afternoon and was to be married soon. What helped him to decide was the great curiosity that had come upon him to make the acquaintance of the people who had given her to the world. Something of his old att.i.tude came back to him. The desire to see what strange thing was to follow next stirred in him again. But this time a greater bitterness was mixed with it, a better grip on the wholeness of life, an active consciousness that, though he might now derive a grim sort of enjoyment from watching the unfolding of circ.u.mstance, the experience would be nevertheless real, would represent so much of his personal life. No longer would it be a mere desperate submission to idle drifting amid the scenes of a dreamland; though the same temperament as before was at the back of his decision.

Of course, his general determination to face the full responsibility of his relation to Cleo likewise counted for a good deal in his a.s.senting to accompany her on this visit she purposed to her parents.

He questioned her about her family, and she told him that her father was a printer at Dover; that her mother was simply her mother; that she had a brother and two sisters, all unmarried, all living at home.

She was barely eighteen when she had left Dover, but she had ceased communicating with her family as soon as she had made Ingram's acquaintance. However, in antic.i.p.ation of a great success, she had written to them again a few weeks back, informing them of her marriage and of the theatre of her own which she was to have immediately. Her father, in reply, had written her a cordial letter, and had, in fact, suggested she should bring her husband to see them if she should ever find a suitable opportunity. They would therefore be likely to meet with a warm welcome, and they could stay at Dover till her plans were mature, which would be very shortly. What these plans were likely to be he could not elicit, though he gathered some vague millionaire was connected with them, and that they would enable her to clear off all the debts almost immediately. But since, at the moment, they were entirely without resources, it would be useless, she pointed out, for them to take any notice of the writ that had been served. Creditors would obviously be putting themselves to vain expense in suing them now, and it was therefore best for them to go for a little while where at least they would be free from being worried.

During the evening Morgan managed to find an opportunity of writing to Helen a brief account of the day, saying he would look for her answer at the Dover post-office.

And he and Cleo left London by an early train in the morning.

END OF BOOK III.

BOOK IV.

CHAPTER I.

The son and daughters of the Kettering family were out taking the air, as the Sunday morning was a fine one, and Morgan sat talking with his father-in-law in a front room, that was depressing with horse-hair upholstery and wax fruit under gla.s.s shades and a series of prints representing certain emotional moments in the life of a young blue-jacket. Cleo was in some distant region of the house with her mother, who had beamed on Morgan with a most unaccountable friendliness.

Mr. Simon Kettering himself was a mild-featured little man, whose Sunday broad-cloth was but a thin disguise of the fact that all the week he worked amid his journeymen in ap.r.o.n and s.h.i.+rt-sleeves. He wore spectacles with light steel frames that seemed to cut deep into his flesh; his hair was fast greying and his face was much lined, which, however, interfered little with the benevolence of his expression. His hands were large and coa.r.s.e-grained and of a tint that no longer yields to ablutions.

On their arrival, about a quarter of an hour previously, Cleo had left Morgan in the hall and had gone up to see her parents, returning for him some five minutes later and introducing him to them in the room in which he now sat. As he was not present at the actual meeting of Cleo and the old people, he now asked Mr. Kettering if the sudden appearance of his daughter after all these years hadn't startled him.

”Me!” exclaimed his father-in-law. ”Why, not a bit! When she was only that big, I soon found out it wasn't any use taking notice of her goings and comings. The missus has been worrying about her a good deal. But I always said to her: 'Selina's a girl who can take care of herself, and sure enough she'll turn up all right one of these fine days.' It was very wrong of her, though, not to let us have a line from her for nigh on six years. But I fancy she was always a bit ashamed of us. Her notions were always so grand, and plain, hard-working people weren't good enough for her. I'm very sorry indeed that things have turned out so disastrously. My Selina, to tell the truth, is a queer creature, sir, and, if I may take the liberty of saying so, I think you were a fool to marry her.”

Cleo, at her first interview with her parents, had made a clean breast of the fact that her theatre had been a failure and that they had lost all their money, though she did not omit to mention she was conducting negotiations which would soon put them on their feet again. Morgan smiled at Mr. Kettering's bluntness, and he somehow divined that there was a shrewd pair of eyes behind those spectacles that took in far more than they appeared to do.

”I'm hanged if _I'd_ ever have married her,” pursued the master-printer, ”and that's telling you the plain truth, sir. You see what she has done for you already. Why did you give her all that money? You should have let her go on acting and drawing a regular salary, instead of risking all that capital in that monstrously foolish way. You'll excuse my freedom, I know, sir.”

From which Morgan deduced that Cleo's version of the whole affair had not been entirely coloured by truth. From the way Mr. Kettering dropped his voice and looked reverential as he mentioned ”all that money,” it was quite clear Cleo's imagination had magnified the loss to accord with her sense of the fitness of things. A great loss of money was the next glorious thing to a great success.

Mr. Kettering proceeded to lay it down as a general maxim that there was nothing in life like drawing a regular salary. Ever since he had been a master-printer on his own account, he had been regretting the fact. A workman knew exactly how much he had to spend and how to spend it. But in these days when compet.i.tion was so severe and trade so uncertain, the master had much to be thankful for if he could pay his way at all. Not that he himself was not perfectly able to earn a living at all times, he added in some haste, as if to rea.s.sure his son-in-law; and certainly his daughter and her husband were quite welcome to be his guests as long as they chose to stay under his roof.

Morgan felt drawn towards the old man, though he perceived that Simon Kettering's soul could not take wing out of the atmosphere of his workshop, and that whosoever wished to commune with him must descend into it. But it was from this very atmosphere that Cleo had emerged--Cleo, with her vitriolic notions and her pretentious scents!

This, then, was that mystic past against which her figure had stood out!

Cleo and her mother returned a few minutes later, interrupting Mr.

Kettering's account of the many vexations that preyed on him--his troubles with his men, the heavy expense of constantly renewing the composition on his machine rollers, the idleness and wantonness of the apprentice, the perpetual ordering of ”sorts” from the type-founder, the inconsiderateness of customers who kept his type locked up, and the carelessness of everybody but himself in the handling of his material.

”We've been getting along capitally, Mr. Druce and I,” he broke off to explain to the two women. ”It's well on towards dinner-time, and the children ought to be coming in soon.”

<script>