Part 3 (2/2)

Sometimes the actors went back up to their dressing-rooms for an hour at a stretch while she and Geoffrey stood in for them, posing languidly at the fireplace or leaning back on the settee, twirling empty wine gla.s.ses. Behind them a young man with a paint-flecked beard followed the designer about the set, twitching the hem of the velvet curtains hung at the window and rearranging the ornaments on the mantelpiece. Twice, when Meredith ordered 'Two steps stage left' and Geoffrey moved to the right, Meredith came bounding down the centre aisle shouting 'Left, left, ducky' and leapt onto the ap.r.o.n to seize him by the shoulders and shove him into place. Stella was torn between getting it right and being manhandled by Meredith. Geoffrey was also in charge of the effects record on the Panatrope; he was better at that than moving about the stage.

The prop-room became crowded with elderly men; stage-hands and fly-men, none of whom were needed for this particular production but who were there just the same, heating cans of baked beans in a saucepan on the fire. George said that Rose Lipman, having climbed from slop-girl at Kelly's Melodrama Theatre in Paradise Street to manager of the repertory company, didn't hold with casual labour. Any day the D'Oyly Carte could disembark at Lime Street station and hire every available hand. Geoffrey said it was altruistic extravagance. 'It's not your bleeding money,' George reminded him.

Someone called Prue, who until today had remained hidden in the wardrobe-room on the first floor pedalling her sewing machine, had a chair allocated for her use in the prompt corner and a s.p.a.ce reserved for cotton reels and safety pins on the props table in the wings. Every time the actors pa.s.sed in their evening dress she was there, flicking at their shoulders with a dampened clothes brush.

'That's my wardrobe mistress,' cried St Ives, winking suggestively and hugging her until she squirmed.

'I'm n.o.body's mistress, you daft beggar,' she countered, beating him with mock ferocity about the head, cheeks burning with delight.

St Ives had pencilled a little red spot at the corner of each eye, to make them look bigger. Wearing grease paint, he appeared younger and yet more sinister. But then they all did, even Grace Bird. They looked both sly and exhilarated, as though they were off to some party that would end in tears.

At half past one Geoffrey confided he was worried about Dawn Allenby.

'Why?' asked Stella.

'She's got a bottle in her dressing-room and it's almost empty. And she's sitting in a peculiar way, staring at herself in the mirror.'

'That's not peculiar,' Stella said. 'You do it all the time.'

He flounced off, tugging at his hair.

Stella's main job was to sit in the prompt corner with the book. Earlier, supervised by George, she had added a tablespoon of Camp coffee to half a pint of water and poured it into the cut gla.s.s whisky decanter on the sideboard. She had polished the gla.s.ses and checked there were seven Capstan in the cigarette box set on the low table beside the settee. George said that if she put in more the whole lot would be gone before the curtain rose on Act Two. The box was a musical one and made of silver. When opened it played the chorus of 'Spread a Little Happiness', although the book stipulated it ought to be the 'Wedding March'.

Dotty wore a sleeveless dress of black velvet caught at the hip with a diamante buckle. The flesh of her upper arm hung down when she reached for a cigarette, but it scarcely mattered. She was beyond that sort of upset. Her mouth was a red gash in her powdered face and when in Act Two she told her husband that the degenerate Martin had never loved her, never ever, even though they'd conducted an affair, real tears trickled from her tragic eyes.

At seven o'clock Stella was sent out to buy bacon sandwiches. It was dark and rain spat on the cobblestones. She ran to the cafe and fretted while the rashers sizzled on the stove; she couldn't wait to get back to that make-believe room blazing with light. Returning across the square she felt she was going home; not for one moment did she confuse such a place with the Aber House Hotel.

Meredith was sitting in the stalls with his feet propped up on the row in front.

'The play's awfully good, isn't it?' Stella said, handing him his sandwich.

'In your opinion,' he asked, 'what is it about?'

'Love,' she said, promptly, for she had given it some thought. 'People loving people who love somebody else.'

He explained she was mistaken. Mostly it had to do with Time. 'Think of it this way,' he urged, 'we are all mourners following a funeral procession and some of us, those of us more directly concerned with the departed, have dropped behind to tie a shoe-lace. Contact with the beloved has only been temporarily interrupted. The dead are still there, as are those we think we love, just round the corner... waiting to be caught up with.'

'Of course,' Stella said, 'I hadn't thought of that.'

For the life of her she couldn't fathom where funerals came into it. Besides, not everyone wore shoes with laces. Still, she was pleased he had sought her opinion.

Bunny told her to call the actors for the last act. He found it difficult to talk; having found a bottle containing tincture of iodine in the First Aid box, he held a saturated plug of cotton wool against his raging tooth.

Grace Bird was already in the corridor outside the dressing-room she shared with Dawn Allenby. 'Look here, dear,' she said, 'tell Bunny to pop up, will you?'

'What's the noise?' asked Stella, although she knew. Someone was squealing and crying at the same time, as if caught in a trap.

'Not a word,' Grace said. 'Go and fetch Bunny.'

The actors paced in the wings puffing on cigarettes, watching the sliding door in case the fireman should catch them. Desmond Fairchild got a speck of dust in his eye and Dotty, tut-tutting with concern, lent him a tissue to blow his nose.

'Any better?' she asked, and he said, giving her a peculiarly defiant look, 'My G.o.d, I suppose you think that solves everything.'

'What's wrong,' called Meredith. 'Why can't we start?' He sounded angry.

Stella tiptoed from the proscenium arch, s.h.i.+elding her eyes from the glare of the footlights. She couldn't see Meredith. 'There's a spot of bother,' she whispered.

'Speak up,' he shouted, and repeated, 'What's wrong?'

'I've been forbidden to divulge,' she said. Had she been alone she would have told him. It wasn't right for a man in his position to be kept in the dark.

The waiting was not prolonged. After no more than five minutes Bunny announced they could begin. It went very well. During a break in which the designer's a.s.sistant smeared the mirror above the fireplace with vaseline Meredith had complained it reflected too much light Dawn Allenby apologised for the drenching smell of eau de Cologne that pervaded her person. 'Bear with me, darlings,' she pleaded, 'I sweat like a navvy when nervous.'

Nervy or not, she was particularly convincing in her role as Olwyn, more so than she had been in previous rehearsals. When she confessed to shooting Martin no one could doubt she had it in her to pull the trigger. Martin had considered her priggish, a bit of a spinster. He had shown her some naughty drawings, to test her prudishness. 'They were horrible,' she cried, wrinkling her nose in distaste; even so, her tone was that of a woman of the world and it was evident it was Martin she found disgusting, not the drawings.

Which was why, at the very end, when Gordon tuned in on the wireless to a dance band and Robert was supposed to waltz Olwyn about the room, Stella had no patience with St Ives's reaction to Geoffrey's ten-second delay in putting on the gramophone record. Anybody with any feeling for the drama wouldn't have noticed. Richard didn't say anything; he simply stood there, every inch the martyr. Dawn Allenby seemed annoyed too, though that was possibly because she'd been cheated out of those extra moments in his arms.

When they stopped for a beer rest before running through Act Two again a fly-man was dispatched to the Oyster Bar with a hot-water jug stamped 'Property of Sefton General Hospital' Meredith climbed into the orchestra pit to play the piano. Geoffrey said the piece was Sheep May Safely Graze Sheep May Safely Graze by Bach. Whatever it was, it was very tinkly and repet.i.tive, and often, just as he seemed to be getting somewhere, Meredith broke off and started all over again. Stella hadn't suspected he was musical. by Bach. Whatever it was, it was very tinkly and repet.i.tive, and often, just as he seemed to be getting somewhere, Meredith broke off and started all over again. Stella hadn't suspected he was musical.

Uncle Vernon had paid for her to study the piano. After three weeks, during which time it became clear she might be in her dotage before she mastered the Warsaw Concerto, she'd given it up. Mr Boristan, her teacher, had a sh.e.l.l-shocked leg. His knee jerked up and down to the clacking of the metronome on the piano lid. Uncle Vernon had flown into a paddy on account of the seven lessons left outstanding.

She was stood in the wings refilling the whisky decanter, picturing herself seated at a concert grand on the platform of the Philharmonic Hall Meredith was in the front row gazing up at her with adoration when three men walking one behind the other filed through the pa.s.s-door into the auditorium. She ran to the prop room to inform George.

'They're dressed all in black,' she said. 'Like funeral directors.'

'It'll be the priests,' he said. 'Father Julian, Dr Parvin and probably Father Dooley... fella with carroty hair same as yours. They're from Philip Neri's.'

'That's at the end of the street opposite our house,' Stella said. 'It's Catholic.'

'What else would it be?' said George. Strictly speaking, priests weren't supposed to visit the theatre, but a blind eye had been turned to the attendance of rehearsals. Meredith had started inviting them last season. He was a convert to Rome. According to George, his sort were usually the worst; they were after redemption. Before the cast went home Dr Parvin would give a blessing.

'Mr Potter's a Catholic!' asked Stella, shaken.

'They all are,' said George. 'Apart from St Ives and that bloke Fairchild. I shouldn't think he's anything.'

Stella had been brought up to believe that Catholicism was a plague rather than a religion. Its contaminated followers were one step removed from the beasts of the field. Angels at the foot of the bed and the devil at their back, they drank like fishes and bred like rabbits. After midnight ma.s.s on Christmas Eve the street was desperate with maudlin men with bloodied noses and bruised knuckles singing 'Silent Night, Holy Night' as they urinated through the railings. Uncle Vernon had telephoned the police on more than one occasion. 'I'm the proprietor of the Aber House Hotel,' he protested. 'I can't have mayhem round my premises.' Lily said he was wasting his money, and he was; they were all papists down at the Bridewell.

In summer, when the white trash Protestants from the rookeries of the Dock Road marched in honour of King Billy, the police put up barricades to stop the Catholic men from charging the procession. The women stood on the doorsteps with their rumps to the crowd, skirts lifted to flash tattered green knickers. When Uncle Vernon was a boy a Catholic had let off a firework in the path of the brewery dray-horse and it had lumbered sideways, the streamers of orange paper fluttering from its bridle rein and drifting to the kerb. The lad on its back, dolled up as King William, had been crushed to death against the wall. The rattle of the sword he had held aloft echoed across the cobblestones.

It came as a shock to Stella, learning that educated people like Dotty Blundell and Meredith adhered to such a faith. She asked Geoffrey whether he knew the exact meaning of the word 'convert'.

'I don't know about exact exact,' he said. 'It's to alter purpose, to change from one thing to another.'

'What sort of thing?'

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