Volume I Part 25 (1/2)
BY JOHN BOYLE O'REILLY
Her hair was a waving bronze, and her eyes Deep wells that might cover a brooding soul; And who, till he weighed it, could ever surmise That her heart was a cinder instead of a coal!
THE BRITISH MATRON
BY NATHANIEL HAWTHORNE
I have heard a good deal of the tenacity with which English ladies retain their personal beauty to a late period of life; but (not to suggest that an American eye needs use and cultivation, before it can quite appreciate the charm of English beauty at any age) it strikes me that an English lady of fifty is apt to become a creature less refined and delicate, so far as her physique goes, than anything that we Western people cla.s.s under the name of woman. She has an awful ponderosity of frame, not pulpy, like the looser development of our few fat women, but ma.s.sive with solid beef and streaky tallow; so that (though struggling manfully against the idea) you inevitably think of her as made up of steaks and sirloins. When she walks, her advance is elephantine. When she sits down it is on a great round s.p.a.ce of her Maker's footstool, where she looks as if nothing could ever move her. She imposes awe and respect by the muchness of her personality, to such a degree that you probably credit her with far greater moral and intellectual force than she can fairly claim. Her visage is usually grim and stern, seldom positively forbidding, yet calmly terrible, not merely by its breadth and weight of feature, but because it seems to express so much well-defined self-reliance, such acquaintance with the world, its toils, troubles, and dangers, and such st.u.r.dy capacity for trampling down a foe. Without anything positively salient, or actively offensive, or, indeed, unjustly formidable to her neighbors, she has the effect of a seventy-four-gun s.h.i.+p in time of peace; for, while you a.s.sure yourself that there is no real danger, you can not help thinking how tremendous would be her onset, if pugnaciously inclined, and how futile the effort to inflict any counter-injury. She certainly looks tenfold--nay, a hundredfold--better able to take care of herself than our slender-framed and haggard womankind; but I have not found reason to suppose that the English dowager of fifty has actually greater courage, fort.i.tude, and strength of character than our women of similar age, or even a tougher physical endurance than they. Morally, she is strong, I suspect, only in society, and in the common routine of social affairs, and would be found powerless and timid in any exceptional strait that might call for energy outside of the conventionalities amid which she has grown up.
You can meet this figure in the street, and live, and even smile at the recollection. But conceive of her in a ball-room, with the bare, brawny arms that she invariably displays there, and all the other corresponding development, such as is beautiful in the maiden blossom, but a spectacle to howl at in such an over-blown cabbage-rose as this.
Yet, somewhere in this enormous bulk there must be hidden the modest, slender, violet-nature of a girl, whom an alien ma.s.s of earthliness has unkindly overgrown; for an English maiden in her teens, though very seldom so pretty as our own damsels, possesses, to say the truth, a certain charm of half-blossom, and delicately folded leaves, and tender womanhood, s.h.i.+elded by maidenly reserves, with which, somehow or other, our American girls often fail to adorn themselves during an appreciable moment. It is a pity that the English violet should grow into such an outrageously developed peony as I have attempted to describe. I wonder whether a middle-aged husband ought to be considered as legally married to all the accretions that have overgrown the slenderness of his bride, since he led her to the altar, and which make her so much more than he ever bargained for! Is it not a sounder view of the case, that the matrimonial bond can not be held to include the three-fourths of the wife that had no existence when the ceremony was performed? And as a matter of conscience and good morals, ought not an English married pair to insist upon the celebration of a silver wedding at the end of twenty-five years in order to legalize and mutually appropriate that corporeal growth of which both parties have individually come into possession since they were p.r.o.nounced one flesh?
THE TRAGEDY OF IT
BY ALDEN CHARLES n.o.bLE
Alas for him, alas for it, Alas for you and I!
When this I think I raise my mitt To dry my weeping eye.
STAGE WHISPERS
BY CAROLYN WELLS
Deadheads tell no tales.
Stars are stubborn things.
All's not bold that t.i.tters.
Contracts make cowards of us all.
One good turn deserves an encore.
A little actress is a dangerous thing.
It's a long skirt that has no turning.
Stars rush in where angels fear to tread.
Managers never hear any good of themselves.
A manager is known by the company he keeps.
A plot is not without honor save in comic opera.
Take care of the dance and the songs will take care of themselves.
THE PETTIBONE LINEAGE