Part 5 (2/2)

Longfellow calls it the supreme excellence, since it is the quality which above all others brings serenity to the soul and makes life really worth living. Every man should earnestly seek to cultivate this great quality as essential to n.o.ble character.

This speech is conspicuous for another indispensable quality for effective public speaking,--the quality of sincerity. It grows largely out of simplicity and is the product of integrity of mind and heart. Men recognize it quickly, though they cannot easily tell whence it comes. We find it highly developed in great leaders in business and professional life. There has never been a really great public speaker who was not preeminently a sincere man.

Beecher said, ”Let no man who is a sneak try to be an orator.” Such a man can not be. He will shortly be found out. The world's ultimate estimate of a man is not far wrong.

A politician of much promise was addressing a distinguished audience in Was.h.i.+ngton. The Opera House was crowded to the doors to hear him and apparently he was making a good impression upon all his hearers. But suddenly, at the very climax of his speech, while upwards of two thousand eyes were rivetted upon him, he was seen to wink at a personal friend of his sitting in a nearby box, and at that instant his future political prospects were shattered as a vase struck by lightning. In that single instant of insincerity he was appraised by that discriminating audience and his doom was sealed.

Still another great quality in the Gettysburg speech is its directness.

The speaker had a clearly-defined purpose in view. He knew what he wanted to say, and he proceeded to say it--no more, and no less.

There was no straying away into by-paths, no padding of words to make up for shortage of ideas, no superfluous and big-sounding phrases, no empty rhetoric or glittering generalities.

How many speakers there are who aim at nothing and hit it. How many speakers there are who are on their way but do not know whither.

If this directness of quality were applied to talking in business, in committee meetings, in telephone conversations, in public speaking, it would save annually in this country millions of words and incalculable time and energy.

You will note that this speech has the rare quality of conciseness. We have an ill.u.s.tration here of how much a man can say in about 265 words and in the short s.p.a.ce of two minutes, if he knows precisely what he wants to say.

It is well to bear in mind that although this speech was scribbled off with seeming ease, Lincoln owed his ability to do it to a long and painstaking study of words and English style.

He was a profound student of the dictionary. He steeped himself in words. He scrutinized words, he studied words, he made himself a master of words.

This is a valuable habit for every man to form,--to study words regularly and earnestly, and to add consciously to his working vocabulary a few words daily--so in the course of a year such a man will acquire a large and varied stock of words which will do his instant bidding.

The conclusion is a vital part of a speech. It is a place of peril to many a public speaker. Countless speeches have been ruined by a bad conclusion.

The most important thing here is that having decided beforehand upon the particular ideas or message with which you intend to conclude your speech, not to let any influence lead you away from this preconceived purpose.

Some speakers are about to conclude effectively but are unwilling to omit anything which they have planned to give in their speech, and so continue in an endeavor to recall every item. At last such a speech has a loose and straggling ending.

The words of the conclusion need not be memorized, but the ideas should be definitely outlined in the mind and fixed in the memory, not as words, but as ideas.

The knowledge that you can turn at will to these definite ideas, and so bring your speech to a close, will confer upon you a degree of self-confidence which will be of immense service to you.

You should ever bear in mind this golden rule for the conclusion of your speech: When you have finished what you have of importance to say, do not be tempted to wander off into by-paths, or to tell an additional story, or to say ”and one word more,” but having finished your speech, stop on the instant and sit down.

PRACTICAL HINTS FOR SPEAKERS

Cultivate as the most desirable thoughts those which are definite, clear, deep, logical, profound, strong, precise, impressive, original, significant, explicit, luminous, positive, suggestive, comprehensive, and practical. Resolutely avoid all thoughts which are uncertain, recondite, obscure, immature, unimportant, shallow, weak, visionary, absurd, vague, extravagant, indefinite, or impractical.

In your choice and use of words give preference to those which are definite, simple, real, significant, forcible, expressive, adequate, musical, varied, and copious. Avoid those which are foreign, slangy, obsolete, unusual, extravagant, technical, long, colloquial, or commonplace.

The most desirable qualities in the use of English are the simple, plain, exact, lucid, concise, trenchant, vigorous, impressive, lively, figurative, polished, graceful, fluent, rhythmical, copious, elevated, flexible, smooth, dignified, terse, epigrammatic, felicitous, euphonious, elegant, and lofty. Undesirable qualities are the diffuse, verbose, redundant, inflated, prolix, ambiguous, feeble, monotonous, loose, slip-shod, dry, flowery, pedantic, pompous, rhetorical, grandiloquent, artificial, formal, ornate, halting, ponderous, ungrammatical, vague, and obscure.

The qualities you should develop in your speaking voice are the pure, deep, round, flexible, resonant, musical, clear, sympathetic, smooth, sonorous, powerful, silvery, melodious, full, strong, natural, mellow, magnetic, expressive, carrying, and responsive. Endeavor to keep your voice free from such undesirable qualities as the harsh, breathy, sharp, rough, rigid, throaty, guttural, thin, shrill, nasal, unmusical, discordant, m.u.f.fled, explosive, strained, inaudible, hollow, strident, sepulchral, and tremulous.

Your articulation should be clear, distinct, and correct. Avoid carelessness, lifelessness, mumbling, weakness, and exaggeration.

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