Part 9 (2/2)

Pepita Ximenez Juan Valera 38430K 2022-07-22

Antonona did not conceal her discovery from Pepita, nor could Pepita deny the truth to the woman who had nursed her, who idolized her, and who, if she delighted in finding out and gossiping about all that took place in the village, being, as she was, a model scandal-monger, was yet, in all that related to her mistress, reticent and loyal as but few are.

In this manner Antonona made herself the confidante of Pepita; and Pepita found great consolation in unburdening her heart to one who, though she might be cross and vulgar in the frankness with which she expressed her sentiments, was not so either in the sentiments or the ideas that she expressed.

In this may be found the explanation of Antonona's visits to Don Luis, as well as of her words, and even of the ferocious and disrespectful pinches, given in so ill-chosen a spot, with which she bruised his flesh and wounded his dignity, on the occasion of her last visit to him.

Not only had Pepita not desired Antonona to carry messages to Don Luis, but she did not even know that she had gone to see him. Antonona had taken the initiative, and had interfered in the matter simply because she herself had wanted to do so.

As we have already said, she had, with wonderful perspicacity, made herself acquainted with the state of affairs between her mistress and Don Luis.

While Pepita herself was still scarcely conscious of the fact that she loved Don Luis, Antonona already knew it. Scarcely had Pepita begun to cast on him those furtive glances, ardent and involuntary, that had wrought such havoc--glances which had been intercepted by none of those present when they were given--than Antonona, who was not present, had already spoken of them to Pepita. And no sooner had those glances been returned in kind, than Antonona also knew it.

There was but little left, then, for the mistress to confide to a servant of so much penetration, and who was so skilled in divination of what pa.s.sed in the inmost recesses of her breast.

Five days after the date of Don Luis's last letter, our narrative begins.

It was eleven o'clock in the morning. Pepita was in an apartment on an upper floor, contiguous to her bedroom and dressing-room, where no one ever entered without being summoned, save Antonona.

The furniture of this apartment was simple, but comfortable and in good taste. The curtains and the covering of the easy-chairs, the sofas and the arm-chairs, were of a flowered cotton fabric. On a mahogany table were writing materials and papers, and in a book-case, also of mahogany, were many books of devotion and history. The walls were adorned with pictures--engravings on religious subjects, but with this particularity in their selection, unheard-of, extraordinary, almost incredible in an Andalusian village, that, instead of being bad French lithographs, they were engravings in the best style of Spanish art, as the _Spasimo di Sicilia_, of Rafael; the _St. Ildefonso and the Virgin_, the _Conception_, the _St. Bernard_, and the two _Lunettes_ of Murillo.

On an antique oak table, supported by fluted columns, was a small writing-desk, or escritoire, inlaid with sh.e.l.l, mother-of-pearl, ivory, and bra.s.s, and containing a great many little drawers, in which Pepita kept bills and other papers. On this table were also two porcelain vases filled with flowers; and, finally, hanging against the walls, were several flower-pots of Seville Carthusian ware, containing ivy, geranium, and other plants, and three gilded cages, in which were canaries and larks.

This apartment was the retreat of Pepita, where no one entered during the daytime except the doctor and the reverend vicar, and, in the evening, only the overseer to settle accounts. This apartment was called the library, and served the purpose of one.

Pepita was seated, half reclining, on a sofa, before which stood a small table with some books upon it.

She had just risen, and was attired in a light summer wrapper. Her blonde hair, not yet arranged, looked even more beautiful in its disorder. Her countenance, somewhat pale, and, although it still preserved its fresh and youthful aspect, showing dark circles under the eyes, looked more beautiful than ever under the influence of the malady, that robbed it of color.

Pepita showed signs of impatience; she was waiting for some one.

At last the person she was awaiting, who proved to be the reverend vicar, arrived, and entered without announcement.

After the usual salutations the reverend vicar settled himself comfortably in an easy-chair, and the conversation thus began:

”I am very glad, my child, that you sent for me; but, even without your doing so, I was just coming to see you. How pale you are! What is it that ails you? Have you something of importance to tell me?”

Pepita began her answer to this series of affectionate inquiries with a deep sigh; she then said:

”Do you not divine my malady? Have you not discovered the cause of my suffering?”

The vicar made a gesture of denial, and looked at Pepita with something like terror in his gaze; for he knew nothing of all that had taken place, and was struck by the vehemence with which she spoke.

Pepita continued:

”I ought not to have sent for you, father. I should have gone to the church myself instead, to speak with you in the confessional, and there confess my sins. But, unhappily, far from repenting of them my heart has hardened itself in wickedness. I have neither the courage nor the desire to speak to the confessor, but only to the friend.”

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