Part 31 (1/2)
So he, too, came and leaned on the wall.
”I'm sorry if I annoyed you just now, Syl,” he said. ”That dashed little detective is to blame. He does put things in such a beastly unpleasant way.”
”What things?”
”Why, about you and me and all of us. Gave me a regular lecture because I went back to town this morning. I couldn't help it, old girl. I really couldn't. I had to settle some urgent business, but that's all ended now. The pater's death has steadied me. No more gallivanting off to London for me. Settle down in Roxton, Board of Guardians on Sat.u.r.days, church on Sunday, tea and tennis at the vicarage, and 'you-come-to-our-place-tomorrow.' You know the sort of thing--old-fas.h.i.+oned, respectable and comfy. I'll sell my motor bike and start a car. Motor bikes make a fellow a bit of a vagabond--eh, what? They _will_ go the pace. You can't stop 'em. Fifty per, and be hanged to the police, that's their motto.”
”It sounds idyllic,” the girl forced herself to say lightly, but her teeth met with a snap, and her fingers gripped the rough surface of the stones, for she remembered how Trenholme had said of her that she ”reveled in the sunlight, in the golden air, in the scents of trees and shrubs and flowering gra.s.ses.”
There was a musical cadence in her voice that restored Robert's surly good humor; he was of that peculiar type of spoiled youth whose laugh is a guffaw and whose mirth ever holds a snarl.
”Here comes your paint slinger,” he said. ”Wonder if he really can stage a decent picture. If so, when the present fuss is ended we'll get him to do a group. You and me and the keepers and dogs in front of the Warren Covert, next October, after a big drive. How would that be?”
”I'm sure Mr. Trenholme will feel flattered.”
When Trenholme approached he was not too well pleased to find Miss Manning in charge of a new cavalier.
From items gathered earlier in the village he guessed the newcomer's ident.i.ty. Perhaps he expected that the girl would offer an introduction, but she only smiled pleasantly and said:
”You must have hurried. I do hope I haven't put you to any inconvenience?”
”Eliza informed me that she had just popped my chicken in the oven, so there is plenty of time,” he said. ”I suppose it makes one hot to be constantly popping things into ovens. In the course of years one should become a sort of salamander. Have you ever read the autobiography of that great artist and very complete rascal, Benvenuto Cellini? He is the last person reputed to have seen a real salamander in the fire, and he only remembered the fact because his father beat him lest he should forget it.”
”Ben who?” broke in Robert cheerfully.
”Benvenuto Cellini.”
”Never heard of him.... Well, let's have a peep-o. Miss Manning and I dine at a quarter to eight. You've been taking some snapshots in the park, I'm told. If they've got any ginger in them----”
”Probably you will describe them as hot stuff,” said Trenholme, laying a portfolio on the wall in front of Sylvia and opening it.
”This is a pencil drawing of the great gates,” he went on, ignoring Fenley. ”Of course, they're Wren's, and therefore beautiful. Roxton Park holds a real treasure in those gates, Miss Manning. Here is a water-color sketch of the house and grounds. Do you like it?”
”Oh, it is exquisite! Why, you have caught the very glint of suns.h.i.+ne on the walls and roofs, and it is s.h.i.+mmering in the leaves of that copper beech. Ah me! It looks so easy.”
Robert peered over her shoulder. Sylvia's gasp of admiration annoyed him; but he looked and said nothing.
”This,” continued Trenholme, ”is an unfinished study of the lake. I was so busily occupied that I was not aware of your presence until you were quite near at hand. Then when you dived into the water I grabbed a canvas and some tubes of paint. Here is the result--completed, to a large extent, in my room at the inn.”
He took a picture out of a compartment of the portfolio specially constructed to protect an undried surface, and placed it at an angle that suited the light. His tone was unconcerned, for he had steeled himself against this crucial moment. Would she be angered? Would those limpid blue eyes, violet now in shadow, be raised to his in protest and vexed dismay? During the brief walk to and from the inn he had recollected the girl's age, her surroundings, the cramping influences of existence in a society of middle-cla.s.s City folk. He felt like a prisoner awaiting a verdict when the issue was doubtful, and a wave of impulse might sway the jury one way or the other.
But he held his head high, and his face flushed slightly, for there could be no gainsaying the message glowing from that cunning brush work. There were two G.o.ddesses, one in marble and one palpitating with life. The likeness, too, was undeniable. If one was a replica of Greek art at its zenith, the other was unmistakably Sylvia Manning.
The girl gazed long and earnestly. Her pale cheeks had reddened for an instant, but the flood of surprise and emotion ebbed as quickly as it flowed, and left her wan, with parted lips.
At last she looked at Trenholme and spoke.
”Thank you!” she said, and their eyes met.
The artist understood; and he in turn, blanched somewhat. Rather hastily he replaced the picture in its receptacle.