Part 13 (1/2)
He did not mind treating a bar-room of men to whiskey at fifty cents a drink, but there was somewhere in his own extravagant nature a sense of fitness and arithmetic that revolted against paying fifteen dollars for the contents of an oyster can. On the other hand, he possibly spent more money in relieving hard-luck cases than did the wildest of the new millionaires on insane debauchery. Father Judge, of the hospital, could have told of far more important donations than that first ten sacks of flour. And old-timers who came to Daylight invariably went away relieved according to their need. But fifty dollars for a quart of fizzy champagne! That was appalling.
And yet he still, on occasion, made one of his old-time h.e.l.l-roaring nights. But he did so for different reasons. First, it was expected of him because it had been his way in the old days. And second, he could afford it. But he no longer cared quite so much for that form of diversion. He had developed, in a new way, the taste for power. It had become a l.u.s.t with him. By far the wealthiest miner in Alaska, he wanted to be still wealthier. It was a big game he was playing in, and he liked it better than any other game. In a way, the part he played was creative. He was doing something. And at no time, striking another chord of his nature, could he take the joy in a million-dollar Eldorado dump that was at all equivalent to the joy he took in watching his two sawmills working and the big down river log-rafts swinging into the bank in the big eddy just above Moosehide Mountain. Gold, even on the scales, was, after all, an abstraction. It represented things and the power to do. But the sawmills were the things themselves, concrete and tangible, and they were things that were a means to the doing of more things. They were dreams come true, hard and indubitable realizations of fairy gossamers.
With the summer rush from the Outside came special correspondents for the big newspapers and magazines, and one and all, using unlimited s.p.a.ce, they wrote Daylight up; so that, so far as the world was concerned, Daylight loomed the largest figure in Alaska. Of course, after several months, the world became interested in the Spanish War, and forgot all about him; but in the Klondike itself Daylight still remained the most prominent figure. Pa.s.sing along the streets of Dawson, all heads turned to follow him, and in the saloons chechaquos watched him awesomely, scarcely taking their eyes from him as long as he remained in their range of vision. Not alone was he the richest man in the country, but he was Burning Daylight, the pioneer, the man who, almost in the midst of antiquity of that young land, had crossed the Chilcoot and drifted down the Yukon to meet those elder giants, Al Mayo and Jack McQuestion. He was the Burning Daylight of scores of wild adventures, the man who carried word to the ice-bound whaling fleet across the tundra wilderness to the Arctic Sea, who raced the mail from Circle to Salt Water and back again in sixty days, who saved the whole Tanana tribe from peris.h.i.+ng in the winter of '91--in short, the man who smote the chechaquos' imaginations more violently than any other dozen men rolled into one.
He had the fatal facility for self-advertis.e.m.e.nt. Things he did, no matter how advent.i.tious or spontaneous, struck the popular imagination as remarkable. And the latest thing he had done was always on men's lips, whether it was being first in the heartbreaking stampede to Danish Creek, in killing the record baldface grizzly over on Sulphur Creek, or in winning the single-paddle canoe race on the Queen's Birthday, after being forced to partic.i.p.ate at the last moment by the failure of the sourdough representative to appear. Thus, one night in the Moosehorn, he locked horns with Jack Kearns in the long-promised return game of poker. The sky and eight o'clock in the morning were made the limits, and at the close of the game Daylight's winnings were two hundred and thirty thousand dollars. To Jack Kearns, already a several-times millionaire, this loss was not vital. But the whole community was thrilled by the size of the stakes, and each one of the dozen correspondents in the field sent out a sensational article.
[6] To copper: a term in faro, meaning to play a card to lose.
CHAPTER XII
Despite his many sources of revenue, Daylight's pyramiding kept him pinched for cash throughout the first winter. The pay-gravel, thawed on bed-rock and hoisted to the surface, immediately froze again. Thus his dumps, containing several millions of gold, were inaccessible. Not until the returning sun thawed the dumps and melted the water to wash them was he able to handle the gold they contained. And then he found himself with a surplus of gold, deposited in the two newly organized banks; and he was promptly besieged by men and groups of men to enlist his capital in their enterprises.
But he elected to play his own game, and he entered combinations only when they were generally defensive or offensive. Thus, though he had paid the highest wages, he joined the Mine-owners' a.s.sociation, engineered the fight, and effectually curbed the growing insubordination of the wage-earners. Times had changed. The old days were gone forever. This was a new era, and Daylight, the wealthy mine-owner, was loyal to his cla.s.s affiliations. It was true, the old-timers who worked for him, in order to be saved from the club of the organized owners, were made foremen over the gang of chechaquos; but this, with Daylight, was a matter of heart, not head. In his heart he could not forget the old days, while with his head he played the economic game according to the latest and most practical methods.
But outside of such group-combinations of exploiters, he refused to bind himself to any man's game. He was playing a great lone hand, and he needed all his money for his own backing. The newly founded stock-exchange interested him keenly. He had never before seen such an inst.i.tution, but he was quick to see its virtues and to utilize it.
Most of all, it was gambling, and on many an occasion not necessary for the advancement of his own schemes, he, as he called it, went the stock-exchange a flutter, out of sheer wantonness and fun.
”It sure beats faro,” was his comment one day, when, after keeping the Dawson speculators in a fever for a week by alternate bulling and bearing, he showed his hand and cleaned up what would have been a fortune to any other man.
Other men, having made their strike, had headed south for the States, taking a furlough from the grim Arctic battle. But, asked when he was going Outside, Daylight always laughed and said when he had finished playing his hand. He also added that a man was a fool to quit a game just when a winning hand had been dealt him.
It was held by the thousands of hero-wors.h.i.+pping chechaquos that Daylight was a man absolutely without fear. But Bettles and Dan MacDonald and other sourdoughs shook their heads and laughed as they mentioned women. And they were right. He had always been afraid of them from the time, himself a lad of seventeen, when Queen Anne, of Juneau, made open and ridiculous love to him. For that matter, he never had known women. Born in a mining-camp where they were rare and mysterious, having no sisters, his mother dying while he was an infant, he had never been in contact with them. True, running away from Queen Anne, he had later encountered them on the Yukon and cultivated an acquaintance with them--the pioneer ones who crossed the pa.s.ses on the trail of the men who had opened up the first diggings. But no lamb had ever walked with a wolf in greater fear and trembling than had he walked with them. It was a matter of masculine pride that he should walk with them, and he had done so in fair seeming; but women had remained to him a closed book, and he preferred a game of solo or seven-up any time.
And now, known as the King of the Klondike, carrying several other royal t.i.tles, such as Eldorado King, Bonanza King, the Lumber Baron, and the Prince of the Stampeders, not to omit the proudest appellation of all, namely, the Father of the Sourdoughs, he was more afraid of women than ever. As never before they held out their arms to him, and more women were flocking into the country day by day. It mattered not whether he sat at dinner in the gold commissioner's house, called for the drinks in a dancehall, or submitted to an interview from the woman representative of the New York Sun, one and all of them held out their arms.
There was one exception, and that was Freda, the girl that danced, and to whom he had given the flour. She was the only woman in whose company he felt at ease, for she alone never reached out her arms. And yet it was from her that he was destined to receive next to his severest fright. It came about in the fall of 1897. He was returning from one of his dashes, this time to inspect Henderson, a creek that entered the Yukon just below the Stewart. Winter had come on with a rush, and he fought his way down the Yukon seventy miles in a frail Peterborough canoe in the midst of a run of mush-ice. Hugging the rim-ice that had already solidly formed, he shot across the ice-spewing mouth of the Klondike just in time to see a lone man dancing excitedly on the rim and pointing into the water. Next, he saw the fur-clad body of a woman, face under, sinking in the midst of the driving mush-ice.
A lane opening in the swirl of the current, it was a matter of seconds to drive the canoe to the spot, reach to the shoulder in the water, and draw the woman gingerly to the canoe's side. It was Freda. And all might yet have been well with him, had she not, later, when brought back to consciousness, blazed at him with angry blue eyes and demanded: ”Why did you? Oh, why did you?”
This worried him. In the nights that followed, instead of sinking immediately to sleep as was his wont, he lay awake, visioning her face and that blue blaze of wrath, and conning her words over and over.
They rang with sincerity. The reproach was genuine. She had meant just what she said. And still he pondered.
The next time he encountered her she had turned away from him angrily and contemptuously. And yet again, she came to him to beg his pardon, and she dropped a hint of a man somewhere, sometime,--she said not how,--who had left her with no desire to live. Her speech was frank, but incoherent, and all he gleaned from it was that the event, whatever it was, had happened years before. Also, he gleaned that she had loved the man.
That was the thing--love. It caused the trouble. It was more terrible than frost or famine. Women were all very well, in themselves good to look upon and likable; but along came this thing called love, and they were seared to the bone by it, made so irrational that one could never guess what they would do next.
This Freda-woman was a splendid creature, full-bodied, beautiful, and n.o.body's fool; but love had come along and soured her on the world, driving her to the Klondike and to suicide so compellingly that she was made to hate the man that saved her life.
Well, he had escaped love so far, just as he had escaped smallpox; yet there it was, as contagious as smallpox, and a whole lot worse in running its course. It made men and women do such fearful and unreasonable things. It was like delirium tremens, only worse. And if he, Daylight, caught it, he might have it as badly as any of them. It was lunacy, stark lunacy, and contagious on top of it all. A half dozen young fellows were crazy over Freda. They all wanted to marry her. Yet she, in turn, was crazy over that some other fellow on the other side of the world, and would have nothing to do with them.
But it was left to the Virgin to give him his final fright. She was found one morning dead in her cabin. A shot through the head had done it, and she had left no message, no explanation. Then came the talk.
Some wit, voicing public opinion, called it a case of too much Daylight. She had killed herself because of him. Everybody knew this, and said so. The correspondents wrote it up, and once more Burning Daylight, King of the Klondike, was sensationally featured in the Sunday supplements of the United States. The Virgin had straightened up, so the feature-stories ran, and correctly so. Never had she entered a Dawson City dance-hall. When she first arrived from Circle City, she had earned her living by was.h.i.+ng clothes. Next, she had bought a sewing-machine and made men's drill parkas, fur caps, and moosehide mittens. Then she had gone as a clerk into the First Yukon Bank. All this, and more, was known and told, though one and all were agreed that Daylight, while the cause, had been the innocent cause of her untimely end.
And the worst of it was that Daylight knew it was true. Always would he remember that last night he had seen her. He had thought nothing of it at the time; but, looking back, he was haunted by every little thing that had happened. In the light of the tragic event, he could understand everything--her quietness, that calm cert.i.tude as if all vexing questions of living had been smoothed out and were gone, and that certain ethereal sweetness about all that she had said and done that had been almost maternal. He remembered the way she had looked at him, how she had laughed when he narrated Mickey Dolan's mistake in staking the fraction on Skook.u.m Gulch. Her laughter had been lightly joyous, while at the same time it had lacked its oldtime robustness.
Not that she had been grave or subdued. On the contrary, she had been so patently content, so filled with peace.
She had fooled him, fool that he was. He had even thought that night that her feeling for him had pa.s.sed, and he had taken delight in the thought, and caught visions of the satisfying future friends.h.i.+p that would be theirs with this perturbing love out of the way.
And then, when he stood at the door, cap in hand, and said good night.