Part 40 (1/2)
The Cure, taking heart, again continued: ”Now I possess an authentic description of the Ober-Ammergau drama, giving details of its presentation at different periods, and also a book of the play. But there is no one in the parish who reads German, and it occurred to the Seigneur and myself that, understanding French so well, by chance you may understand German also, and would, perhaps, translate the work for us.”
”I read German easily and speak it fairly,” Charley answered, relieved; ”and you are welcome to my services.”
The Cure's pale face flushed with pleasure. He took the little German book from his pocket, and handed it over.
”It is not so very long,” he said; ”and we shall all be grateful.” Then an inspiration came to him; his eyes lighted.
”Monsieur,” he said, ”you will notice that there are no ill.u.s.trations in the book. It is possible that you might be able to make us a few drawings--if we do not ask too much? It would aid greatly in the matter of costume, and you might use my library--I have a fair number of histories.” The Cure was almost breathless, his heart thumped as he made the request. After a slight pause he added, hastily: ”You are always doing for others. It is hardly kind to ask you; but we have some months to spare; there need be no haste.” Charley hastened to relieve the Cure's anxiety. ”Do not apologise,” he said. ”I will do what I can when I can. But as for drawing, Monsieur, it will be but amateurish.”
”Monsieur,” interposed the Seigneur promptly, ”if you're not an artist, I'm d.a.m.ned!”
”Maurice!” murmured the Cure reproachfully. ”Can't help it, Cure. I've held it in for an hour. It had to come; so there it is exploded. I see no damage either, save to my own reputation. Monsieur,” he added to Charley, ”if I had gifts like yours, nothing would hold me. I should put on more airs than Beauty Steele.”
It was fortunate that, at that instant, Charley's face was turned away, or the Seigneur would have seen it go white and startled. Charley did not dare turn his head for the moment. He could not speak. What did the Seigneur know of Beauty Steele?
To hide his momentary confusion, he went over to the drawer of a cupboard in the wall, and placed the book inside. It gave him time to recover himself. When he turned round again his face was calm, his manner composed.
”And who, may I ask, is Beauty Steele?” he said. ”Faith I do not know,”
answered the Seigneur, taking a pinch of snuff. ”It's years since I first read the phrase in a letter a scamp of a relative of mine wrote me from the West. He had met a man of the name, who had a reputation as a clever fop, a very handsome fellow. So I thought it a good phrase, and I've used it ever since on occasions. 'More airs than Beauty Steele.'--It has a sound; it's effective, I fancy, Monsieur?”
”Decidedly effective,” answered Charley quietly. He picked up his shears. ”You will excuse me,” he said grimly, ”but I must earn my living. I cannot live on my reputation.”
The Seigneur and the Cure lifted their hats--to the tailor.
”Au revoir, Monsieur,” they both said, and Charley bowed them out.
The two friends turned to each other a little way up the street.
”Something will come of this, Cure,” said the Seigneur. The Cure, whose face had a look of happiness, pressed his arm in reply.
Inside the tailor-shop, a voice kept saying, ”More airs than Beauty Steele!”
CHAPTER x.x.xIX. THE SCARLET WOMAN
Since the evening in the garden when she had been drawn into Charley's arms, and then fled from them in joyful confusion, Rosalie had been in a dream. She had not closed her eyes all night, or, if she closed them, they still saw beautiful things flas.h.i.+ng by, to be succeeded by other beautiful things. It was a roseate world. To her simple nature it was not so important to be loved as to love. Selfishness was as yet the minor part of her. She had been giving all her life--to her mother, as a child; to sisters at the convent who had been kind to her; to the poor and the sick of the parish; to her father, who was helpless without her; to the tailor across the way. In each case she had given more than she had got. A nature overflowing with impulsive affection, it must spend itself upon others. The maternal instinct was at the very core of her nature, and care for others was as much a habit as an instinct with her.
She had love to give, and it must be given. It had been poured like the rain from heaven on the just and the unjust; on animals as on human beings, and in so far as her nature, in the first spring--the very April--of its powers, could do.
Till Charley had come to Chaudiere, it had all been the undisciplined ardour of a girl's nature. A change had begun in the moment when she had tearfully thrust the oil and flour in upon his excoriated breast. Later came real awakening, and a riotous outpouring of herself in sympathy, in observation, in a reckless kindness which must have done her harm but that her clear intelligence balanced her actions, and because secrecy in one thing helped to restrain her in all. Yet with all the fresh overflow of her spirit, which, a.s.sisted by her new position as postmistress, made her a conspicuous and popular figure in the parish, where officialdom had rare honour and little labour, she had prejudices almost unworthy of her, due though they were to radical antipathy. These prejudices, one against Jo Portugais and the other against Paulette Dubois, she had never been able entirely to overcome, though she had honestly tried. On the way to the hospital at Quebec, however, Jo had been so careful of her father, so respectful when speaking of M'sieu', so regardful of her own comfort, that her antagonism to him was lulled. But the strong prejudice against Paulette Dubois remained, casting a shadow on her bright spirit.
All this day she had moved about in a mellow dream, very busy, scarcely thinking. New feelings dominated her, and she was too primitive to a.n.a.lyse them and too occupied with them to realise acutely the life about her. Work was an abstraction, resting rather than tiring her.
Many times she had looked across at the tailor-shop, only seeing Charley once. She did not wish to speak with him now, nor to be near him yet; she wanted this day for herself only.
So it was that, soon after the Cure and the Seigneur had bade good-bye to Charley, she left the post-office and went quickly through the village to a spot by the river, where was a place called the Rest of the Flaxbeaters. It was an overhanging rock which made a kind of canopy over a sweet spring, where, in the days when their labours sounded through the valley, the flaxbeaters from the level below came to eat their meals and to rest.
This had always been a resort for her in the months when the flax-beaters did not use it. Since a child she had made the place her own. To this day it is called Rosalie's Dell; for are not her sorrows and joys still told by those who knew and loved her? and is not the parish still fragrant with her name? Has not her history become a living legend a thousand times told?
Leaving the village behind her, Rosalie pa.s.sed down the high-road till she came to a path that led off through a grove of scattered pines.
There would be yet a half-hour's sun and then a short twilight, and the river and the woods and the Rest of the Flax-beaters would be her own; and she could think of the wonderful thing come upon her. She had brought with her a book of English poems, and as she went through the grove she opened it, and in her pretty English repeated over and over to herself: