Part 40 (1/2)
”How do you suppose he will take your going into this investigation?”
”I don't know, but I think he'll 'fire' me instanter.”
”Well, let him try it! He wouldn't _dare_--”
”Oh yes, he would, if he thought I was hurting the inst.i.tution. See what they did to poor little Combes, who mildly claimed to be able to hypnotize people.”
”Yes, but he made himself ridiculous in the papers.”
”You mean the papers made him ridiculous. Couldn't they do the same with Weissmann and me? Think of a big, sprawling, sketchy drawing in the _Blast_, with Weissmann glaring at a strangely beautiful young lady in scanty gown--his hands spread like claws upon the table, while another younger man (myself) catches at a horn floating overhead. Oh yes, there are great possibilities in to-night's entertainment. May I ask you, Mrs. Rice, to be more than usually circ.u.mspect?”
”You may, Dr. Serviss.”
He rose gravely. ”Very good. Now I think you would better go to bed.”
”I wish your Mr. Lambert would come.”
”So do I. I'm afraid he is going to ignore my summons. Unless I hear from him to-morrow I shall consider him craven or indifferent.”
”What will you do then?”
His brows contracted into a frown. ”I don't know. She should be freed from Clarke's immediate influence, but I don't see how I can interfere.”
”I can't believe that she really cares for him; in fact, from things she said to-night, I think she fears him. He was furiously jealous of you, I could see that. And I must say you gave him cause.”
He turned and looked at her in affected amazement. ”Where are you heading now?”
She laughed. ”Where are you drifting, my boy? I never saw any one more absorbed, and I can't say I blame you; she was lovely. Good-night.”
And so she left him.
Sitting thus alone in the deep of the night, the flush of his joy at the proof of Viola's innocence grew gray and cold in a profound disbelief in the reality of his experiences. ”_Did_ anything really happen?” he asked himself. Returning to the library with intent to study the situation he mused long upon the tumbled books, the horn, the tables, and the chairs. He put himself in Viola's seat in the attempt to conceive of some method whereby even the most skilful magician would be able to pull out tacks, rip st.i.tches, and break tape--and then--more difficult than all, after manipulating the horn, reseat himself and restore his bonds, every tack, to its precise place. And his conversation with ”Loggy,” most amazing of all, came back to plague him. What could explain that marvellous simulation of his uncle's chuckling laugh?
Yes, Viola was clearly innocent. It was impossible for her to have lifted a hand; that he decided upon finally--and yet it was almost as difficult for Clarke or Mrs. Lambert to have performed all the tricks, ”Unless Kate”--he brought himself up short--”in the end, my own sister, is involved in the imposture,” he exclaimed, with a sense of bewilderment.
When he dwelt on Viola's delight in her own vindication, and remembered her serene, sweet, trustful glance, a s.h.i.+ver of awe went over him, and the work of saving her, of healing her, seemed greater than the discovery of any new principle; but whenever his keen, definite, a.n.a.lytic mind took up the hit-or-miss absurd caperings of ”the spirits” he paced the floor in revolt of their childish chicanery. That the soul survived death he could not for an instant entertain. Every principle of biology, every fibre woven into his system of philosophy repelled the thought. To grant one single claim of the spiritists was disaster. ”No, the mother and Clarke are in league, and when the bonds are on one the other acts. I see no other explanation. I distrust Clarke utterly--but the mother is apparently very gentle and candid, and yet--Weissmann may be right. Maternal love is a very powerful emotion. That second voice was like hers. And yet, and yet, to suspect that gentle soul of deliberate deception is a terrible thing. What a world of vulgarity and disease and suspicion it all is! An accursed world, and the history of every medium is filled with these same insane, foolish, absurd doings.”
And so he trod in weary circles, returning always to the same point, with an almost audible groan. ”Why, _why_ was that charming girl involved in all this uncanny, h.e.l.lish, destructive business? Clarke claims her. On him her fate depends. Perhaps at this moment her name and hideous reproductions of her face are being printed in all the sensational papers of the city. Oh, that crazy preacher! It may be that he has already made her rescue impossible.” And always the dark, disturbing thought came at the end to trouble him. ”Can she ever regain a normal relation with the world--even if I should interfere?
She should have been freed from this traffic long ago. Can the science of suggestion reach her? Am I already too late?”
The conception that sank deepest and remained most abhorrent in his musings was that conveyed in her own tragic words: ”_It seems to me I am becoming more and more like a public piano, an instrument on which any one can strum--and the other world is so crowded, you know!_”
”If there is any manhood left in Lambert he must a.s.sert it or I will throttle Clarke myself,” he muttered through clinched teeth. ”I ran away two years ago--I evaded my duty yesterday, but I do not intend to do so now. I will not sit by and see that sweet girl's will, her very reason, overthrown by a fanatic preacher eager for notoriety. I will see her again and demand to know from her own lips whether she is in consent to be his wife. I cannot believe it till she tells me so, and then I can decide as to future action.”
And at the moment he was comforted by the recollection of something timidly confiding in her parting smile.
XV
VIOLA REVOLTS FROM CLARKE