Part 35 (1/2)
”Grace looks after them.”
”I know. I get word. She is kind.”
”You think of them?”
”Don't, w.i.l.l.y!”
He harked back. ”Do you know, whenever I've thought of it . . . the chance of our meeting . . . I've wondered what I should say. Hundreds and hundreds of times I've made up my mind what to say. Why, only just now--I've come from the theatre: I still go to the theatre sometimes; it's a splendid thing to distract your thoughts: takes you out of _yourself--Frou--Frou_, it was . . . the finest play in the world . . .
next to _East Lynne_. It made me cry, to-night, and the people in the pit stared at me. But one mustn't be ashamed of a little honest emotion, before strangers. And when a thing comes _home_ to a man . . .
So you've thought of it too--the chance of our running against one another?”
”Every day and all the day long I've gone fearing it: especially in March and September, when I knew you'd be up in town buying for the season. All the day long I've gone watching the street ahead of me . . . watching in fear of you. . . .”
”But I never guessed it would happen like this.” He stared up irritably, as though the lamp were to blame for upsetting his calculations. The woman followed his eyes.
”Yes . . . the lamp,” she a.s.sented. ”Something held my face up to it, just now, when I wanted to hide. It's like as if our souls were naked under it, and there is nothing to say.”
”Eh? but there is. I tell you I've thought it out so often!
I've thought it all out, or almost all; and that can't mean nothing.”
He cleared his throat. ”I've made allowances, too--” he began magnanimously.
But for the moment she was not listening. ”Yes, yes . . .” She had turned her face aside and was gazing out into the darkness. ”Look at the gas-jets, w.i.l.l.y--in the fog. What do they remind you of?
That Christmas-tree . . . after d.i.c.k was born. . . . Don't you remember how he mistook the oranges on it for lanterns and wanted to blow them out . . . how he kicked to get at them . . .”
”It's odd: I was thinking of d.i.c.k, just now, when you--when you spoke to me. The lamp put me in mind of him. I was wondering what it cost.
We have nothing like it at home. Of course, if I bought one for the shop, people would talk--'drawing attention,' they'd say, after what has happened. But I thought that d.i.c.k, perhaps . . . when he grows up and enters the business . . . perhaps he might propose such a thing, and then I shan't say no. I should carry it off lightly . . . After all, it's the shop it would call attention to . . . not the house. And one must advertise in these days.”
She was looking at him steadily now. ”Yes,” she a.s.sented, ”people would talk.”
”And they pity me. I do hate to be pitied, in that way. Even the people up here, at the old lodgings . . . I won't come to them again.
If I thought the children . . . One never can tell how much children know--”
”Don't, w.i.l.l.y!”
He plunged a hand into his pocket. ”I daresay, now, you're starving?”
Her arms began to sway again, and she laughed quietly, hideously.
”Don't--don't--don't! I make money. That's the worst. I make money.
Oh, why don't you hit me? Why was you always a soft man?”
For a moment he stood horribly revolted. But his weakness had a better side, and he showed it now.
”I say, Annie . . . is it so bad?”
”It is h.e.l.l.”
”'Soft'?” he harked back again. ”It might take some courage to be soft.”