Part 17 (1/2)

”It's not a dream,” she said. ”Oh, I'm so strong again. Why, Robert, it would be just as absurd for me to be wheeled back in that chair as for you to be--and besides I have no right to do that now. It would be a sacrilege, profaning the grat.i.tude in my heart--I am cured and these poor people here must see that I am cured--Robert, we must leave that wheel-chair here that others, poor sufferers who will come now, will see and believe and be cured too. And, Robert, in some way, I do not know just how, we who are rich must do something to help people to get here.”

”Naida,” said Thornton, his voice low, shaken, ”I feel as though I were in another world. I have seen what I can hardly make myself believe that I have seen. I can't explain--I am speaking, but my very voice seems strange to me. I feel as you do about helping others--how could I feel otherwise? What we could do I do not know as yet, either--but I will do anything. I was a scoffing fool--and you were cured before my eyes--a boy was cured--and that other, deformed as no creature was ever deformed before, was cured”--Thornton's lips quivered, and he hid his face in his hands.

”While the iron is hot--strike,” murmured Madison. He gazed a moment longer at the group--Mrs. Thornton's hand was on her husband's shoulder now--then his eyes roved over the frenzied scenes still being enacted everywhere upon the lawn. ”I wonder?” he muttered. The frown on his forehead cleared suddenly. ”Of course!” said he to Pale Face Harry.

”It's a cinch--it's as good as done!”

Pale Face Harry stared at him queerly.

”No, Harry,” smiled Madison, ”my pulse is quite normal now, thank you.

Listen. This is where we call the first showdown on cold hands--and the dealer slips himself an ace.” He drew a key from his pocket and put it in Pale Face Harry's hand. ”That's the key of the small trunk in my room at the hotel--front room, right hand side of the hall. There's a check-book in the tray--and I'll give you twenty minutes to get back here with it. You'll find me somewhere around here, but you needn't let the whole earth in on the presentation--see? Now beat it!”

As Pale Face Harry hurried away, Madison, seemingly as aimless, as hysterical as the hundreds about him, moved here and there, but unostentatiously he kept nearing the upper end of the lawn, and, finally, hidden by the woodshed at the further end of the cottage, he slipped quickly around to the rear. Here the garden stretched almost to the edge of the sandy beach--not a soul was in sight--and the beat of the surf deadened the sound from the front lawn to little more than a low, indistinct murmur.

Quickly now, Madison stepped to where one of the old-fas.h.i.+oned windows, that swung inward from the center like double doors, was open, and, reaching in his hand, tapped sharply twice in succession with his knuckles on the pane. The sill was not quite on a level with his shoulders and he could see inside--it was Helena's room, and the door to the hall was open. Again he knocked. Came then the sound of footsteps--and from the hall the Flopper's face peered cautiously around the jamb of the door.

”Tell Helena to come here,” called Madison softly.

The Flopper turned his head, called obediently, and in a dazed sort of way came himself to the window. His face was haggard, and he s.h.i.+vered as he licked his lips.

”I pulled de stunt,” said the Flopper in a croaking voice, ”but de kid--Doc--did youse see de kid? I got de shakes--it's like de whole of h.e.l.l an' de other place was loose, an' Helena's gone batty, an'--pipe her, dere she is.”

Into the room came Helena, her face like chalk--all color gone from even her lips. She clutched at the window beside the Flopper for support.

”I'm frightened,” she whispered. ”We've gone too far--it's--it's--John Madison, I'm frightened.”

Madison did not speak for a moment--Madison was a consummate leader. He looked, smiling rea.s.suringly, from one to the other--and then leaned soothingly, confidentially, in over the sill.

”I know how you feel--felt just the same myself for a bit,” said he quietly. ”But now look here, you've got to pull yourselves together--there's nothing to be afraid of. It's natural enough. It's faith, Helena--and that's what we were banking on--only not quite so hard. That kid and Mrs. Thornton annexed the real brand, that's all--and when the genuine thing is on tap I cross my fingers and yell for faith--there's nothing to stop it. And that's the way it's got both of you too, eh? Well, that only makes our game the safer and the more certain, doesn't it? So, come on now, pull yourselves together.”

”In de last act when I was gettin' me head into joint,” mumbled the Flopper, ”was when de kid yelled--I can hear it yet, an'--”

”Forget it!” Madison broke in a little sharply; then, tactfully, his voice full of unbounded admiration: ”You're an artist, Flopper--a wonder. You pulled the greatest act that was ever on the boards, and you pulled it as no other man on earth could have pulled it. Flopper, you make me feel humble when I look at you.”

”Swipe me!” said the Flopper, brightening. ”D'ye mean it, Doc--honest?”

”Mean it!” e.j.a.c.u.l.a.t.ed Madison. ”You're the whole thing, Flopper--you win. Come on now, Helena, buck up--we've got another little act due in about fifteen minutes--don't let a lot of yowling rubes get your goat.

Why, say, we've got the whole show on the stampede--and we've got to rush our luck.”

”Sure!” said the Flopper. ”Dat's de way to talk--leave it to de Doc every time--. I ain't feazed half de way I was.”

”I'm all right,” said Helena a little tremulously. ”What is it we're to do?”

”Good!” said Madison, smiling at her approvingly. ”That sounds better.

Now listen--and listen hard. From this minute this cottage is the Shrine. Get that?--Shrine. You've got to keep the hush falling here, and keep it falling all the time--a sort of holy, hallowed silence, understand? Lay it on thick--make the crowd stand back--make the guy that comes in here feel as though he ought to come in on his knees and as if he'd be struck dead if he didn't. Get the slow music and the low lights working. And keep the Patriarch well back of the drop except when he's on for a turn. Get me? He's no side-show with a barker in front of the tent--don't forget that for a minute. The harder it is to see the Patriarch and the less he's seen, the bigger he plays up when he's on.

He goes to no man under any conditions, and the only man or woman that gets to him is through faith and supplication, and a double order of it at that. Keep the solemn, breathless tap turned on all the time.”