Part 18 (1/2)

”Good heavens!” said another. ”He'll be proposing before you know it!”

”He proposed at twelve,” Miss Appleyard said placidly, ”and I accepted him. Will you be maid-of-honour, Evelyn?”

No one had ever told her of John I and his gypsy.

They had a wonderful wedding-tour among the Italian lakes and came back after a three months' honeymoon to the solid ”brown stone front” of the period, which, furnished from cellar to attic, had been John's wedding gift to his daughter.

”Well!” some gossip had cried, ”it's big enough, in all conscience!

But I suppose Mr. Appleyard was thinking of the size of Elliot's family.” (He was one of eight children and had nine uncles and aunts.)

”None of us has ever had but two,” said Lilda calmly, ”and the Appleyards don't change, papa says.”

And as a matter of fact little Elliot Lestrange never had but one contestant for nursery rights--his fair-haired, gentle sister.

”I wonder which of the children will be the 'wild one'?” Lilda asked her husband one night, as they sat opposite each other in the great, high-ceilinged dining-room. They were, for a marvel, alone, and unlike the ordinary quiet jog-trot couple who welcome any casual stranger to break the monotony of five years of table tete-a-tete, they delighted in this happy chance that recalled their honeymoon meals together.

They were so much sought after, and Lestrange's position required so much and such varied entertaining, that they could not remember when, before, the attentive coloured butler had had but two gla.s.ses to fill.

Lestrange looked admiringly at his handsome wife. Never had he ceased to bless the day he married her. He was a proud man, conventional and ambitious to a degree, and at moments during his short betrothal period he had felt threatening chills of doubt when away from his enchantress as to the wisdom of such a feverishly short acquaintance, such a sudden, almost dramatic alliance. Never for a moment would he have been satisfied with the standing of an ordinary lawyer; the career he had set before himself needed a larger background than any one city, even his country's metropolis, could offer, and in his future the position and qualities of his wife would count enormously. Money, breeding and beauty he had always told himself he must marry, but to win brains and a loving heart into the bargain was more than even he could have expected, and he admitted the justice of his friends'

half-earnest jealousy.

To-night he raised his gla.s.s gallantly and drank to her bright dark eyes, noting with pleasure that she had remembered to have her new gown of the filmy black material he fancied so much!

”Why should either of them be 'wild,' dearest?” he asked.

”Papa told me once, when I was a child, that every Appleyard that he had ever heard of had two children, a son and a daughter,” she said thoughtfully, ”and one of them was always staid and steady and--oh, well, looked up to in the community, you know, and the other always flighty and ... unusual, to put it mildly. And certainly, as far back as _I_ can remember, it has been so.

”There was Aunt Adelaide. Grandpapa found her one day acting in a play in the town hall in the little village where they went for the summer--right on the stage with all those travelling actors. She actually wanted to go with them!”

”Absurd!” said her husband, selecting and peeling for her a specially fine peach.

”But grandpapa himself,” she went on thoughtfully, ”threatened to go as a common sailor before the mast, rather than be tied down to business--papa showed me a letter he wrote once; he said it was sickening to him to think of putting up the shutters every night and heaping up money in a strong-box.”

”How about your great-grandfather?” he asked idly. ”I don't know about him,” she said, ”except that I am named for my great-grandmother. They were the first Appleyards to come to this country, you know.”

”I know,” he said politely. He himself traced his ancestry to a cousin of Henry of Navarre, and was furiously proud of it, though wild horses could not have dragged from him an allusion to it.

They dipped into the heavy crystal finger bowls in silence. Then, as a sudden curious idea struck him,

”But how do you account, on that theory, for your own generation?” he asked. ”Certainly no one could call Johnny wild?”

”Poor old Johnny!” she said, laughing, ”no, indeed! The wildest step he ever took was to put type-writing machines in the bank!”

”Then, is it you?” he demanded, and smiled gravely, for her dignified young matronhood was his pride.

”It may come out in me later,” she threatened, ”for Appleyards don't change, you know.”

But old Mr. Appleyard, who perhaps knew more instances of the tradition than he imparted to his daughter, died peacefully at seventy-two, the accepted Appleyard age for that process, convinced that he, at last, had produced two steady children: he was a little worried about his grandson, young Elliot, who displayed a freakish talent for composing and performing music for the violin, and an unfortunate preference for the society of professional musicians, of which his mother seemed almost culpably tolerant, not to say proud. The arts were rising, socially, in that generation, and Elliot was actually excused from an examination in ethics for the purpose of attending a concert by the Boston Symphony Society.

By this time, of course, they had returned from their European period.