Part 41 (1/2)

”I will not ask your pardon for my absurd humours,” he continued, a little sadly. ”Their existence, however, I cannot deny. I will wait.”

”It seems a pity for you to do that,” Hamel remarked. ”You see, I might stay here for some time.”

Mr. Fentolin's face darkened. He looked at the young man with a sort of pensive wrath.

”If,” the latter went on, ”you say 'yes' to something I am going to ask you, I might even stay--in the neighbourhood--for longer still.”

Mr. Fentolin sat quite motionless in his chair; his eyes were fixed upon Hamel.

”What is it that you are going to ask me?” he demanded.

”I want to marry your niece.”

Mr. Fentolin looked at the young man in mild surprise.

”A sudden decision on your part, Mr. Hamel?” he murmured.

”Not at all,” Hamel a.s.sured him. ”I have been ten years looking for her.”

”And the young lady?” Mr. Fentolin enquired. ”What does she say?”

”I believe, sir,” Hamel replied, ”that she would be willing.”

Mr. Fentolin sighed.

”One is forced sometimes,” he remarked regretfully, ”to realise the selfishness of our young people. For many years one devotes oneself to providing them with all the comforts and luxuries of life. Then, in a single day, they turn around and give everything they have to give to a stranger. So you want to marry Esther?”

”If you please.”

”She has a very moderate fortune.”

”She need have none at all,” Hamel replied; ”I have enough.”

Mr. Fentolin glanced towards the house.

”Then,” he said, ”I think you had better go and tell her so; in which case, I shall be able to paint.”

”I have your permission, then?” Hamel asked, rising to his feet eagerly.

”Negatively,” Mr. Fentolin agreed, ”you have. I cannot refuse. Esther is of age; the thing is reasonable. I do not know whether she will be happy with you or not. A young man of your disposition who declines to study the whims of an unfortunate creature like myself is scarcely likely to be possessed of much sensibility. However, perhaps your views as to a solitary residence here will change with your engagement to my niece.”

Hamel did not reply for a moment. He was trying to ask himself why, even in the midst of this rush of antic.i.p.atory happiness, he should be conscious of a certain reluctance to leave the Tower--and Mr. Fentolin.

He was looking longingly towards the Hall. Mr. Fentolin waved him away.

”Go and make love,” he ordered, ”and leave me alone. We are both in pursuit of beauty--only our methods differ.”

Hamel hesitated no longer but walked up the narrow path with swift, buoyant footsteps. Everywhere he seemed to be surrounded by the glorious spring suns.h.i.+ne. It glittered in the little pools and creeks by his side. It drew a new colour from the dun-coloured marshes, the ma.s.ses of emerald seaweed, the s.h.i.+mmering sands. It flashed in the long row of windows of the Hall. As he drew nearer, he could see the banks of yellow crocuses in the sloping gardens behind. There were odours of spring in the air. He ran lightly up the terrace steps. There was an easy-chair drawn into her favourite corner, and a book upon the table, but no sign of Esther. He hesitated for a moment, and then, retracing his steps along the terrace, entered the house by the front door, which stood wide open. There was no one in the hall, scarcely a sound about the place. A great clock ticked solemnly from the foot of the stairs. There was not even a servant in sight. Hamel wandered around, a a loss what to do.

He opened the door of the drawing-room and looked in. It was empty.

He turned away, meaning to ring a bell. On his way across the hall he paused. A curiously suggestive sound reached him faintly from the end of one of the pa.s.sages. It was the click of a typewriter.