Part 21 (1/2)
A perfectly normal boy, without any special bent for music, or art, may want to play on a drum, or a banjo--or to paint pictures with water-colors--and through the effort devoted to this want, encourage the growth of tastes and feelings, which may prove of benefit and value, all through life.
If boys and girls are not occupied and tired by forced application to school-books, there is hardly any limit to the number of things, to which they may turn their attention, with natural energy and enthusiasm, and frequently with great benefit to feelings and qualities which involve not only the body and the mind, but the heart and soul, as well.
We have named but a few of the activities to which those thousands of hours, now consumed by school-books and school-rooms, might be otherwise devoted. Whether or not those things are more important to general development of character, they certainly cannot be indulged in to anything like the same extent, if so much time and energy is daily required for school education. When children are released from the school-room, their heads and their nerves are fairly tired and their bodies longing for freedom. There is usually another period of study hanging over them, before bed-time; and although a certain number of hours are allowed them for recreation, that recreation is not apt to take the form of heart-felt interests which put an added strain on nerves and head.
With this point-of-view in mind, it may prove worth while to ill.u.s.trate by some concrete examples the kind of results that are liable to occur.
And in choosing examples, this time, it will not be necessary to rely upon conjecture or imagination. It so happens that I may refer to some actual cases where boys and girls have not been obliged to go to school, or even to open a school-book, during all those thousands of hours.
And, strangely enough, in spite of the forebodings and disapproval of many intellectual people, who always feel it their duty to protest against such a procedure, the results in all the cases I have any knowledge of, were not disastrous at all, but very much the contrary.
Let us begin with some girls--three sisters. Their parents were well-born and well-educated, the father being a man of considerable distinction and originality. From a position of comparative wealth, they were reduced by business reverses, to relative poverty, and retired to a farmhouse in an unsettled district. The mother was in delicate health, the father under the need of trying to repair his fortunes, and there was no school-house within reach. In addition to that, the father had very little belief in current school methods, or the efficacy of school books. The result was that the three girls were allowed to go without any education of the prescribed kind; but an old man who happened to be living nearby, with nothing to do, was prevailed upon to come every day and help along with their enlightenment in any way they desired, or he saw fit. This old man had once had artistic tendencies, had tried his hand at various things, and was well-read and well-travelled. He soon took a great interest in the three bright and charming girls, and came to regard himself in the light of a kindly, sympathetic companion--which is the next best thing to a mother, or a father.
He helped the girls with their flower garden, went walking with them in the fields and answered as many of their questions as he could about flowers and planting and trees and shrubs and plants, birds, snakes and bees--anything and everything they showed an interest in.
When it was raining, he played on the piano for them and showed them how to play little tunes for themselves--which they thought was great fun.
He could paint and draw very well and he brought them a box of water colors and showed them how to color pictures and draw flowers and birds and simple things for themselves. He also got some clay and played with them at modelling figures of various kinds.
In addition to that, he had one idea, which was a sort of hobby, and about which he talked to them a lot. Every girl, as she grew up, as well as every boy and man, would be called upon, sooner or later, to write letters to people she cared about, and wanted those letters to be nice and interesting. Most people didn't know how to express their thoughts.
So every day, they sat down together, indoors or out, and each wrote a letter to an imaginary friend. Little by little, the letters became easier and longer and more interesting.
Frequently he recited poetry that he knew by heart, and told them fairy tales, and stories of every description from the many books he had read.
And so the thousands of hours were spent with simple natural interests, in a most enjoyable way, without a thought of school-books, or anything distasteful, compulsory or confining.
What, in this case, were some of the results? One was that the life of their inner feelings was developed to an unusual degree. Everything was done to encourage them, and nothing to suppress, or distort them. The stories and poems made a constant appeal to their imagination, while the daily letters which they wrote became a means of reflecting and applying this appeal.
A love of beautiful things was naturally developed in them, and they naturally conceived a fondness for music and painting and modelling and poetry and story-telling. There was no pressure exerted upon them in any of these directions--merely the encouragement of spontaneous interest and the help of example.
These tastes and qualities, became the common possession of all three girls. They could all write poetry and stories; they could all draw and paint and model and play tunes on the piano--with more or less feeling and facility--and they all grew up with remarkably sympathetic and gracious personalities--which became, later on, very widely admired and commented upon.
One of the girls, the eldest, conceived a deeper liking than the others for music. As time went on, she wanted to spend more and more time at the piano--playing and practising and learning to read the notes.
The second girl, in a similar way, was more attracted to drawing and modelling and painting. The youngest one, while the other two were thus engaged, liked to sit down with pencil and paper and amuse herself in writing rhymes and stories.
The eldest daughter became a fine musician and composer of music, and a brilliant career was in sight for her at the time of her death, which occurred when she was just out of her teens.
The second daughter, won for herself a distinguished place as a painter, in Paris and in this country.
The youngest one left to her own resources, a widow with a little son to support, achieved much wealth and fame as a literary celebrity, one of the most admired of her generation.
Let us now refer to some other cases, this time to boys, where the bringing-up happened to be accomplished without any aid, or interference, of school-books or school-teaching. In some instances this procedure was due to illness and delicate health on the part of the boy, which made fresh air and freedom from confinement seem more important than the benefits of mental training. In other cases, the parents deliberately believed and decided it was better for self-development and the formation of character to dispense with what they considered the disadvantages of school methods.
As long as a boy does not know how to read, and is not taught how, it is the most natural thing in the world for him to want somebody to tell--or read--to him fairy-tales and verses and stories of every kind that he can understand. And this want is sure to be supplied, when there are loving parents to watch out for it. It may be the mother, the nurse, the father, or an aunt, or an uncle, who take turns at it.
Sooner or later, as a result of this, the child is very apt to feel a curiosity and interest and ambition to learn how to read stories for himself. In the absence of any forcing, the more he thinks about it, the more his heart becomes set on it. He asks questions about letters and words in books--surprises his mother by showing how he can print his own name, then her name and father's. Little by little, without anybody's teaching him, almost without any one's realizing it, he has learned to read. This might not happen, of course, in an unsympathetic atmosphere--if there were no story telling, and no story books lying about, to bring the inspiration. But as far as my experience goes, it has always happened, somewhere between the ages of eight and ten, if not before.
One boy I know, after learning to read for himself, in this way, in rummaging through the bookshelves, came upon a queer little book of Experimental Chemistry. It was very old and primitive and had curious wood-cut ill.u.s.trations in it. It had long ago belonged to the boy's grand-father. It was easy to read and told about simple experiments that any boy could try himself. The necessary ingredients for many of them could be found at home, or be bought for a few cents at the drug-store.
It happened to arouse his interest.