Part 2 (2/2)

”Yes,” said she, eagerly, ”though it isn't issued to the public yet. The fact is, Mr. Moore, I want you to help me. You know all about professional people, and the newspapers, and so on--who better?--and, of course, I'm very anxious about my first book--my first big book, that is--and I don't want it to get just thrown aside without ever being glanced at. Now, what am I to do? You may speak quite freely before Georgie--she's just as anxious as I am, every bit, I believe--only what to do we can't tell.”

”All that I can think of,” said the ruddy-haired young damsel, with a laugh, ”is to have little advertis.e.m.e.nts printed, and I will leave them behind me wherever I go--in the stalls of a theatre, or at a concert, or anywhere. You know, Adela, you can _not_ expect me to turn myself into a sandwich-man, and go about the streets between boards.”

”Georgie, you're frivolous,” said Lady Adela, and she again turned to Lionel Moore, who was still holding the three green volumes in his hands in a helpless sort of fas.h.i.+on. ”You know, Mr. Moore, there are such a lot of books published nowadays--crowds!--shoals!--and, unless there is a little attention drawn beforehand, what chance have you? I want a friend in court--I want several friends in court--and that's the truth; now, how am I to get them?”

This was plain speaking; but he was none the less bewildered.

”You see, Lady Adela, the theatre is so different from the world of letters. I've met one or two newspaper men now and again, but they were dramatic critics--I never heard that they reviewed books.”

”But they were connected with newspapers?--then they must know the men who do,” said this alert and intelligent lady. ”Oh, I don't ask for anything unfair! I only ask for a chance. I don't want to be thrown into a corner unread or sold to the second-hand bookseller uncut. Now, Mr.

Moore, think. You must know _lots_ of newspaper men if you would only _think_: why, they're always coming about theatres. And they would do anything for you, for you are such a popular favorite; and a word from you would be of such value to a beginner like me. Now, Mr.

Moore, be good-natured, and consider. But first of all come away and have some lunch, and then we'll talk it over.”

When they had gone into the dining-room and sat down at table, he said,

”Well, if it comes to that, I certainly know one newspaper man; in fact, I have known him all my life; he is my oldest friend. But then he is merely the head of the Parliamentary reporting staff of the _Morning Mirror_--he's in the gallery of the House of Commons, you know, every night--and I'm afraid he couldn't do much about a book.”

”Couldn't he do a little, Mr. Moore?” said Lady Adela, insidiously.

”Couldn't he get it hinted in the papers that 'Lady Arthur Castletown'

is only a _nom de plume_?”

”Then you don't object to your own name being mentioned?” asked this simple young man.

”No, no, not at all,” said she, frankly. ”People are sure to get to know. There are some sketches of character in the book that I think will make a little stir--I mean people will be asking questions; and then you know how a pseudonym whets curiosity--they will certainly find out--and they will talk all the more then. That ought to do the book some good.

And then you understand, Mr. Moore,” continued this remarkably naive person, ”if your friend happened to know any of the reviewers, and could suggest how some little polite attention might be paid them, there would be nothing wrong in that, would there? I am told that they are quite gentlemen nowadays--they go everywhere--and--and indeed I should like to make their acquaintance, since I've come into the writing fraternity myself.”

Lionel Moore was silent; he was considering how he should approach the fastidious, whimsical, sardonic Maurice Mangan on this extremely difficult subject.

”Let me see,” he said, presently. ”This is Wednesday; my friend Mangan won't be at the House; I will send a message to his rooms, and ask him to come down to the theatre: then we can have a consultation about it.

May I take this copy of the book with me, Lady Adela?”

”Certainly, certainly!” said she, with prompt.i.tude. ”And if you know of any one to whom I should send a copy, with the author's name in it--my own name, I mean--it would be extremely kind of you to let me know. It's so awfully hard for us poor outsiders to get a hearing. You professional folk are in a very different position--the public just wors.h.i.+p you--you have it all your own way--you don't need to care what the critics say--but look at _me_! I may knock and knock at the door of the Temple of Fame until my knuckles are sore, and who will take any notice--unless, perhaps, some friendly ear begins to listen? Do you think Mr. Mangan--did you say Mangan?--do you think he would come and dine with us some evening?”

The artless ingenuousness of her speech was almost embarra.s.sing.

”He is a very busy man,” he said, doubtfully, ”very busy. He has his gallery work to do, of course; and then I believe he is engaged on some important philosophical treatise--he has been at it for years, indeed--”

”Oh, he writes books too?” Lady Adela cried. ”Then certainly you must bring him to dinner. Shall I write a note now, Mr. Moore--a Sunday evening, of course, so that we may secure you as well--”

”I think I would wait a little, Lady Adela,” he said, ”until I see how the land lies. He's a most curious fellow, Mangan: difficult to please and capricious. I fancy he is rather disappointed with himself; he ought to have done something great, for he knows everything--at least he knows what is fine in everything, in painting, in poetry, in music; and yet, with all his sympathy, he seems to be forever grumbling--and mostly at himself. He is a difficult fellow to deal with--”

”I suppose he eats his dinner like anybody else,” said Lady Adela, somewhat sharply: she was not used to having her invitations scorned.

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