Part 16 (2/2)
- Cindy Bagwell, Dallas Morning News Snake
by Kate Jennings
”Snake can be read in a single sitting. In fact, this is the ideal way to absorb Ms. Jennings's stunning narrative.... Clearly the work of a powerful imagination.”
- Carol s.h.i.+elds, New York Times Book Review ”The chapters in Snake are short, vivid bursts of imagery, anecdote, insight.... It's hard to believe a full-blown family tragedy can be told so wholly and well in such small, deft s.n.a.t.c.hes, but then rarely has a poet's skill at compaction been put to better use in prose.”
- Mich.e.l.le Huneven, Los Angeles Times Book Review.
Sonny Liston Was a Friend of Mine.
by Thom Jones.
”True to form as one of literature's practicing wild men of prose, Thom Jones delivers a collection that is a nutty perfection of the weird and the wasted, done to wondrous effect... Jones is a brilliant risk taker whose stories reward you with their ornery, out-there energy.”
- Elle.
”This might be Jones's best work yet, which is saying something, since The Pugilist at Rest was a National Book Award finalist.... The stories in Sonny Liston Was a Friend of Mine snap and crackle like high-tension wires.”
- William Porter, Denver Post.
The Power of the Dog.
by Thomas Savage.
with an afterword by Annie Proulx.
”Thomas Savage is a writer of the first order, and he possesses in abundance the novelist's highest art-the ability to illuminate and move.”
- The New Yorker.
”The Power of the Dog offers so many pleasures readers will be forgiven if they do not immediately notice that it also engages the grandest themes -among them, the dynamics of family, the varieties of love, and the ethos of the American West. Put simply, The Power of the Dog is a masterpiece.”
- Larry Watson, author of Montana 1948 and Justice.
Make Believe.
by Joanna Scott.
”Wonderful.... There are things in Make Believe that take the breath away.... One cannot help urging anyone who loves writing to read this book.”
- Nick Hornby, New York Times Book Review.
”There's something particularly magical when a full-fledged grown-up author is able to tell a story as if the words were coming directly, innocently, from the mouth or mind of a child.”
- Patrick T. Reardon, Chicago Tribune.
Evening News.
by Marly Swick.
”An affecting novel ... utterly palpable and real. ... It possesses both the psychological suspense of Sue Miller's bestselling The Good Mother and the emotional acuity of Alice Munro's short stories.”
- Michiko Kakutani, New York Times.
”A novel that might be lifted right out of the headlines-a story of a family shattered by loss when a nine-year-old accidentally shoots his half sister. ... A book that lingers in the mind and heart.”
- Colleen Kelly Warren, St. Louis Post-Dispatch.
”Here is what they never tell you about being a girl.”
This startlingly s.e.xy novel tells a tale of friends.h.i.+p, pa.s.sion, and survival that few readers will soon forget. From the opening scene-in which two high-school-age girls are fooling around with their boyfriends in the same car at the same time-Swimming Sweet Arrow speaks to us in a voice at once fresh, explicit, urgent, and confiding.
”Seductive and absorbing.... Gibbon presents the grim grace of working-cla.s.s life and the erotic discoveries of youth with facile clarity.” -Kristianna Bertelsen, Express Books (San Francisco) ”A moving first novel-Vangie could be the blunt-spoken daughter of a Raymond Carver character. The graphic s.e.x is neither p.o.r.n nor arty erotica: it's anthropology with a heart.” -David Gates, Newsweek ”Slangy yet lyrical.... Gibbon's touching, simplistic honesty gives the novel its true strength.” -Amber Cowan, The Times (London) ”Exhilarating.... It's rare to find an author who can write explicitly about s.e.x without being either sentimental or crude. But from the first startling sentences, it's clear that Maureen Gibbon is one of those writers.... Her language is clean and sharp, and cuts like a knife through the usual.” -Independent Weekly (Durham, NC) Maureen Gibbon is a graduate of Barnard College and the Iowa Writers' Workshop, where she was awarded a teaching/writing fellows.h.i.+p. Her poetry ma.n.u.script ”Kicking Horse My True Husband” was a finalist in the Yale Series of Younger Poets and the National Poetry Series in 1994 and 1995. She has twice been the recipient of Minnesota's Loft-McKnight Artist Fellows.h.i.+p.
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