Part 34 (1/2)

”I'm glad you came.”

”Yeah. Me, too.” Ca.s.sandra smiled against her shoulder, waited a moment, then closed the door. Waved as his car disappeared into the fog.

”Phone message,” said Samantha, waving a small slip of paper as Ca.s.sandra entered the foyer. ”Been out, have you?”

”The pub, yeah.” Ca.s.sandra took the paper, ignored Samantha's raised brows.

Phone call from Ruby Davies, it read. it read. Coming to Cornwall on Monday. Booked to stay at the Blackhurst Hotel. Expecting progress report! Coming to Cornwall on Monday. Booked to stay at the Blackhurst Hotel. Expecting progress report!

Ca.s.sandra felt a wave of genuine pleasure. She would be able to show Ruby the cottage and the sc.r.a.pbooks and the hidden garden. Ruby, she knew, was someone who would understand how special they all were. She would like Christian, too.

”Someone dropped you home, then, did they? Looked like Christian Blake's car.”

”Thanks for the message,” said Ca.s.sandra with a smile.

”Not that I got much of a look,” Samantha called as Ca.s.sandra disappeared up the stairs. ”I wasn't spying or anything.”

Back in her room, Ca.s.sandra ran a hot, deep bath and tossed in some lavender salts Julia had found for her sore muscles. She took the sc.r.a.pbooks with her and laid them on a dry towel spread across the tiled floor. Careful to keep her left hand dry for page turning, she eased into the tub, sighing with pleasure as the silky water surrounded her, then leaned against the porcelain side and opened the first sc.r.a.pbook, hopeful that some missed detail about Rose's marks would jump out.

By the time the water was tepid and Ca.s.sandra's feet were pruned, she'd found little of any use. Just the same veiled mention by Rose of ”marks” that embarra.s.sed her.

But she had found something else interesting. Unrelated to the marks, but curious nonetheless. It wasn't just the words themselves, but the tone of the entry that struck Ca.s.sandra. She couldn't shake the feeling that it meant far more than it appeared to say.

April 1909. Work has started on the wall at the cottage. Mamma felt, and rightly, that it was best to do it while Eliza is away. The cottage is too vulnerable. It was all well and good for it to remain exposed in olden times when its use was more nefarious, but it no longer needs to signal out to sea. Quite the contrary: there is none among us now who wishes exposure. And one can never be too careful, for where there is much to gain, there is ever much to lose.

THIRTY-NINE.

BLACKHURST M MANOR, 1909.

ROSE was weeping. Her cheek was warm and her pillow wet, but still she wept. She clenched her eyes against the sneaking winter light and cried as she hadn't since she was a very little girl. Wicked, wicked morning! How dare the sun so surely rise to gloat over her misery? How dare other people go about their business as if G.o.d were in his heaven, when yet again Rose had woken to see the end to her hopes writ in blood? How much longer, she wondered, how many more times must she tolerate this monthly despair? was weeping. Her cheek was warm and her pillow wet, but still she wept. She clenched her eyes against the sneaking winter light and cried as she hadn't since she was a very little girl. Wicked, wicked morning! How dare the sun so surely rise to gloat over her misery? How dare other people go about their business as if G.o.d were in his heaven, when yet again Rose had woken to see the end to her hopes writ in blood? How much longer, she wondered, how many more times must she tolerate this monthly despair?

In some ghastly way it was better to know, for surely the worst days were those in between. The long days in which Rose allowed herself to imagine, to dream, to hope. Hope, Hope, how she had grown to hate the word. It was an insidious seed planted inside a person's soul, surviving covertly on little tending, then flowering so spectacularly that none could help but cherish it. It was hope, too, that prevented a person taking counsel from experience. For each month, after her bleeding week, Rose felt a resurgence of the foul creature, and her slate of experience was wiped clean. No matter that she promised herself that this time she wouldn't play along, wouldn't fall prey to the cruel, propitious whispers, she always did. Because desperate people cling to hope like sailors to their wreck. how she had grown to hate the word. It was an insidious seed planted inside a person's soul, surviving covertly on little tending, then flowering so spectacularly that none could help but cherish it. It was hope, too, that prevented a person taking counsel from experience. For each month, after her bleeding week, Rose felt a resurgence of the foul creature, and her slate of experience was wiped clean. No matter that she promised herself that this time she wouldn't play along, wouldn't fall prey to the cruel, propitious whispers, she always did. Because desperate people cling to hope like sailors to their wreck.

In the course of a year there had been one small reprieve from the terrible cycle. A month when the bleeding hadn't come. Dr. Matthews had been duly summoned, had conducted an examination and uttered the blessed words: she was with child. What bliss to hear one's dearest wish spoken so calmly, with so little thought for the months of disappointment that had come before, with steadiness and confidence that all would continue. Her stomach would swell and a baby would be born. Eight days she had nursed the precious news, whispered words of love to her flat stomach, walked and spoken and dreamed differently. And then, on the ninth day- A knock at the door but Rose didn't stir. Go away, she thought, go away and leave me be.

The door creaked and someone entered, took infuriating care to be quiet. A noise-something being placed on the bedside table-and then a soft voice by her ear. ”I brought you some breakfast.”

Mary again. As if it wasn't enough that Mary had seen the sheets, marked with their dark reproach.

”You must keep your spirits up, Mrs. Walker.”

Mrs. Walker. The words made Rose's stomach tighten. How she'd longed to be Mrs. Walker. After she'd met Nathaniel in New York, had arrived at dance after dance with her heart pulsing in her chest, scanned the room until she spied him, held her breath until their eyes met and his lips spread into a smile, just for her.

And now the name was hers, yet she had proved herself unworthy of it. A wife who couldn't perform the most basic of a married woman's functions. Couldn't provide her husband with the very things a good wife must. Children. Healthy, happy children to run across the estate, turn cartwheels along the sand, hide from their governess.

”You mustn't cry, Mrs. Walker. It'll happen for you in good time.”

Each well-meant word was a bitter barb. ”Will it, Mary?”

”Of course, ma'am.”

”What makes you so sure?”

”It's bound to, ain't it? A woman can't avoid it if she tries. Not for long. There's many I know would be glad to escape it if way were known.”

”Ungrateful wretches,” said Rose, face hot and wet. ”Such women don't deserve the blessing of children.”

Mary's eyes clouded with something Rose took for pity. Rather than slap the servant's plump, healthy cheeks, she turned away and curled up beneath her covers. Nursed her grief deep within her stomach. Surrounded herself with the dark and empty cloud of loss.

NATHANIEL COULD have drawn it in his sleep. His wife's face was so familiar to him he sometimes thought he knew it better than his own hand. He finished the line he was sketching and smudged it slightly with his thumb. Squinted and tilted his head. She was beautiful, he had been right in that. The dark hair and pale skin, pretty mouth. And yet he took no pleasure from it. have drawn it in his sleep. His wife's face was so familiar to him he sometimes thought he knew it better than his own hand. He finished the line he was sketching and smudged it slightly with his thumb. Squinted and tilted his head. She was beautiful, he had been right in that. The dark hair and pale skin, pretty mouth. And yet he took no pleasure from it.

He filed the portrait sketch in his portfolio. She would be glad to receive it as she always was. Her requests for new portraits were so desperate he could never say no. If he didn't present a new one every few days she was likely to weep and beg him for a.s.surances of love. He drew her from memory now, rather than from life. The latter was too painful. His Rose had vanished inside her own sorrow. The young woman he had met in New York had been eaten away, revealing this shadow Rose, with darkened eyes from lack of sleep, worry-faded skin, agitated limbs. Had any poet adequately described the wretched ugliness of a loved one turned inside out with grief?

Night after night she presented herself to him and he consented. But Nathaniel's desire had vanished. What had once excited him filled him now with dread and, worse, guilt. Guilt that when they made love he could no longer bear to look at her. Guilt that he could not give her what she wanted. Guilt that he did not want the baby as desperately as she did. Not that Rose would believe that. No matter how many times Nathaniel a.s.sured her that she was enough for him, Rose would not be convinced.

And now, most mortifying of all, her mother had come to see him in his studio. Had perused his portraits somewhat woodenly, before sitting in the chair by his easel and launching her oration. Rose was delicate, she started, had always been so. The animal drives of a husband were likely to cause her great harm and it would be best for all if he could desist for a time. So disquieting was it to conduct such a conversation with his mother-in-law, Nathaniel had been unable to find words or inclination to explain his own position.

Instead he had nodded his accession and taken to seeking solitude in the estate garden, rather than his studio. The gazebo had become his workplace. It was still cold in February, but Nathaniel was only too willing to forgo comfort. The weather made it less likely that anyone else would seek his counsel. Finally, he could be at ease. Being inside the house over the winter, with Rose's parents and her suffocating needs, had been oppressive. Her sorrow and disappointment had permeated the walls, the curtains, the carpets. It was the house of the dead: Linus locked away in his darkroom, Rose in the bedroom, Adeline lurking in the corridors.

Nathaniel leaned forward, attention caught by the spill of weak sunlight through the rhododendron branches. His fingers twitched, longed to capture the light and shade. But there was no time. The canvas of Lord Mackelby sat before him on the easel, beard painted in, blush-shot cheeks, lined forehead. Only the eyes remained. It was always the eyes that let Nathaniel down in oil.

He selected a brush and removed a loose hair. Was about to put paint to canvas when he felt his arms tingle, the strange sixth sense of solitude retreating. He looked over his shoulder. Sure enough a servant stood behind him. Agitation bristled.

”For goodness sake, man,” said Nathaniel. ”Don't sneak up like that. If there's something you'd like to say, come, stand before me and say it. There's no need, surely, for such stealth.”

”Lady Mountrachet sends advice that luncheon is to be served early, sir. The carriage for Tremayne Hall will depart at two o'clock this afternoon.”

Nathaniel cursed silently. He had forgotten about Tremayne Hall. Yet another of Adeline's wealthy friends looking to dress their walls in their own image. Perhaps, if he were very lucky, his subject would insist he also feature her three tiny dogs!

To think he had once been thrilled by such introductions, had felt his status rising like the sail on a new s.h.i.+p. He had been a blind fool, ignorant to the cost that such success would claim. His commissions had grown, but his creativity had been reduced commensurately. He was pumping out portraits just as surely as one of the new ma.s.s-production factories of which men in business were always speaking, rubbing their s.h.i.+ny hands together with glee. No time to pause, to improve, to vary his method. His work was not that of a craftsman, there was no longer dignity or humanity in his strokes.

Worst of all, while he was busy producing portraits, the time for sketching, his true pa.s.sion, was slipping through his fingers. Since arriving at Blackhurst he had managed only one panel sketch and a clutch of studies of the house and its inhabitants. His hands, his skills, his spirits had all been stunted.

He had made the wrong choice, he saw that now. If only he had heeded Rose's requests and sought a new home for them after their marriage, perhaps things would have turned out differently. Perhaps they would be blissfully content, children at her feet, creative satisfaction at his fingertips.

Then again, perhaps all would be the same. He and she forced to endure similar torture in reduced circ.u.mstances. And that was the rub. How was a boy who'd tasted poverty ever expected to choose the poorer road?

And now Adeline, like Eve herself, had started whispering about a possible sitting with the king. And though he was tired of portraiture, though he hated himself for having forsaken so completely his pa.s.sion, Nathaniel's skin p.r.i.c.kled at the mere suggestion.

He laid down his brush and rubbed at a paint stain on his thumb. Was about to head in for luncheon when his portfolio snagged his attention. With a glance back towards the house, he pulled the secret sketches from within. He'd been working at them on and off for a fortnight now, ever since he'd come across Cousin Eliza's fairy tales among Rose's things. Though they were written for children, magical stories of bravery and morality, they had made their way beneath his skin. The characters had seeped inside his mind and come alive, their simple wisdom a balm for his swirling mind, his ugly adult troubles. He had found himself in moments of distraction scribbling lines that had turned themselves into a crone at a spinning wheel, the Fairy Queen with her long thick plait, the Princess bird trapped in her golden cage.