Part 1 (2/2)
He showed no inclination to move away. Perhaps he was lonely, a stranger in town. He liked the pubs around here, he told her, Penderel's Oak, the Old Mitre, the Punch Tavern, the Crown & Sugarloaf.
'Seen the displays in the window outside this place?' he asked.
She turned and glanced at the swinging pub sign above the door, seven gold-painted stars arranged in a circle. The wind was rising. In the windows below, legal paraphernalia had been arranged in dusty tableaux.
'Wigs and gowns, dock briefs. All that stuff for defending criminals, nonces and gra.s.ses.' He spoke quickly, almost angrily. She couldn't help wondering if he'd had trouble with the police. 'I used to meet my girlfriend in pubs like this. After she left me I got depressed, thought of topping myself. That's why I keep this.' He dug in his pocket and showed her a slender al-loy capsule, a s.h.i.+ny bullet with his name etched onto the side. 'It's live ammunition. If things get too much I'd use it on my-self, no problem. Only I haven't got a gun.' He'd finished his beer.'Get you another?'
She wanted more gin but demurred, protested, pus.h.i.+ng her stool back by an inch. He seemed dangerous, unpredictable, in the wrong pub. He took her right arm by the elbow and guided it back onto the bar with a smile, but gripped so firmly that she had no choice. She looked around; most of the standing men and women had their backs to her, and were lost in their own conversation. Even the barman was facing away. A tiny, crowded pub, the safest place she could imagine, and yet she suddenly felt trapped.
'I really don't want another drink. In fact I think I have toa”' Was she raising her voice to him? If so, no-one had noticed.
'This is a good place. Nice and busy. I think you should stay. I want you to stay.'
'Then you have to let goa”' But his grip tightened. She reached out with her left hand to attract the attention of the barman but he was moving further away.
'You have to let goa”'
It was ridiculous, she was surrounded by people but the noise of laughter and conversation was drowning her out. The crush of customers made her even more invisible. He was hurting her now. She tried to squirm out of his embrace.
Something stung her face hard. She brought her free hand to her cheek, but there was nothing. It felt like an angry wasp, trapped and maddened in the crowded room. Wasn't it too early in the year for such insects?
And then he released her arm, and she was dropping, away through the beery friends.h.i.+p of the bar, away from the laughter and yeasty warmth of life, into a place of icy, infinite starlight.
Into death.
2.
THE FIRST FAREWELL.
E.
arly Monday in Leicester Square. On a blue-grey morning like this the buildings looked heavier, more real somehow in rain than in sunlight. Drizzle drifted on a chill breeze from the north-east. The sky that smudged the rooftops felt so low you could reach up and touch it.
John May, Senior Detective at the Peculiar Crimes Unit, looked around as he walked. He saw cloud fragments in lakes on broken pavements. Shop shutters rolling up. Squirrels lurking like ticket touts. Pigeons eating pasta. Office workers picking paths through roadworks as carefully as cats crossing stones.
The doorways that once held homeless kids in sleeping bags now contained plastic sacks of empty champagne bottles, a sign of the city's spiralling wealth. Piccadilly Circus was once the hub of the universe, but today only tourists loitered beside the statue of Eros, trying to figure out how to cross the Haymarket without being run over.
Every city has its main attraction, May thought as he negotiated a route through the dining gutter-parrots in the square.
Rome has the Colosseum, Paris the Tour Eiffel, but for Londoners, Leicester Square is now the king. It seems to have wrested the capital's crown away from Piccadilly Circus to become our new focal point.
He skirted a great puddle, avoided a blank-faced boy handing out free newspapers, another offering samples of chocolate cake.
This is the only time of the day that Leicester Square is bearable, he thought. I hate it at night. The sheer number of people standing around, what do they all wait here for? They come simply because it's Leicester Square. There's not even a chance they'll spot Tom Cruise having his photo taken on a girl's cell phone, because everyone knows film premieres only take place on weeknights. There's nothing to see other than a giant picture ofa”who is it this week?a”Johnny Depp outside the Odeon cinema, plus a very small park, the cheap ticket kiosk and those parlours selling carpet-tile pizzas that you could dry-stone a wall with. At least Trafalgar Square has Nelson.
The scene before him was almost devoid of people, and could not reveal the diegesis of so many overlapping lives. The city was shaped by a.s.sembly, proximity and the need for companions.h.i.+p. Lone wolves can live in the hills, but London is for the terminally sociable.
May caught sight of himself in a shop window. On any other day, he would have been pleased to note how neatly he fitted his elegant suit. He had remained fit and attractive de-spite his advancing years. His hair had greyed, but his jaw and waist were impressively firm, his colouring healthy, his energy level consistently high. All the more reason to be angry, he thought, but today he had good reason to be ill-tempered. He had just come to the realisation that he might very well be dying.
He tried not to think about the sinister manila envelope in his briefcase, about the X rays, the Leicester Square Clinic's referral letter, and what this meant to his future. For once he just wanted to enjoy London and think of nothing in particular, but the city wasn't letting him.
I remember when the square was different. Bigger and leafier, with cars slowly circling it and thousands of starlings fluttering darkly in the trees, that busker in a fez doing a sand-dance for coins outside the Empire. Look at the state of the place now. Kids need a purpose for coming here other than getting their iPods nicked. What will the next tawdry attraction be, I wonder, celebrity mud-wrestling or the National Museum of p.o.r.n? At least I won't be here to witness the indignities thrust upon it. I'll be long gone. I used to drink mild and bitter in The Hand & Racquet with Arthur, then take a Guinness in the Green Man & French Horn over in St Martin's Lane. I wonder if we'll ever do that again? I always thought he would go first, but what if it's me? What on earth will Arthur do then?
Bryant & May. Their names went together like Hector and Lysander, like Burke & Hare, unimaginable in separation. May still felt young although he was far from it. He still looked good and felt fit, but his partner in crime detection, Arthur Bryant, was growing old before his eyes. Arthur had all his critical faculties, far more than most, but the physical demands of the job were wearing him down. May wondered whether to hide his news from his partner for fear of upsetting him.
Despite his dark thoughts, May was still at his happiest here, walking to work through the city on a rainy February morning. Being near the idealistic young was enough to pro-vide him with the energy to survive. He tried to imagine how visitors felt, seeing these sights for the first time. Every year more nationalities, more languages, and the ones who stayed on became Londoners. It was an appealingly egalitarian notion. More than anything, he would miss all of this. Culinary terms were appropriate for the metropolis; it was a steaming stew, a broth, a great melting pot, momentarily levelling the richest and poorest as they rubbed shoulders on the streets.
Striding between the National Portrait Gallery and St Martin in-the-Fields, he briefly stopped to reread the wording beneath the white stone statue of Dame Edith Cavell, the British nurse who faced a German firing squad for helping hundreds of soldiers escape from Belgium to the Netherlands. The inscription said:'Patriotism is not enough. I must have no hatred or bitterness for anyone.' If there's a more respectful creed by which to live, May thought, I can't imagine what it is.
He put the blame squarely on London and the strange effect it had on people. If he hadn't come here as a young man and met Bryant, he would never have been infected with his partner's pa.s.sion for the place. He wouldn't have stayed here all these years, unravelling the crimes deemed too abstract and bizarre to occupy the time of regular police forces. And even now, knowing that it might all come to an end, he could not entertain the thought of leaving.
Curiosity finally got the better of him, and he stopped in the middle of the pavement to take out the envelope and tear it open. He could feel the letter inside, but did he have the nerve to read it?
A good innings, some would say. Let the young have a go now. Time to turn the world over to them. To h.e.l.l with it. With a catch in his heart, he pulled out the single sheet of paper and unfolded it, scanning the two brief paragraphs.
A tumor attached to the wall of his heart, a recommendation for immediate surgery, a serious risk owing to past cardio-vascular problems that had created a weakness possibly leading to embolisms.
He took a deep breath and exhaled slowly. Worse than he had expected, or better? Did he need to start planning for the inevitable? Should he tell anyone at the unit, or would it get back to Arthur?
You can't go, old bean, Bryant would say when he found out, and find out he would because he always did. Not without me. I'm coming with you. You're not going off to have the biggest adventure of all on your own. He'd mean it, too. For all his appearance of frailty Bryant was an extremely tough old man; he'd just recovered from wrestling a killer in a snowdrift, and all he'd suffered was a slight chest cold. But he wouldn't want to be left behind. You couldn't have one without the other, two old friends as comfortable as cardigans.
d.a.m.n you, London, this is all your fault, May thought, shoving the letter into his pocket and striding off through the bl.u.s.tering rain toward the Charing Cross Road.
3.
END TIMES.
<script>