Volume I Part 17 (2/2)

The size of my work astonished him, as it does every one who sees it for the first time. He told me that the work had been under discussion, and that he advised me to see Baron de la Brouillerie and Baron Vacher, the secretary of the Dauphin. I told him I wished to return to England to superintend my work there, and he promised I should have the decision to-morrow (hated word!) or the next day. I thought him kind and complaisant. He gave the signal for my departure by bowing, and I lifted my book, as if made of feathers, and pa.s.sed out with swiftness and alacrity. I ordered the cab at once to the Tuileries, and after some trouble found the Cabinet of the Baron de Vacher; there, Lucy, I really waited like a Blue Heron on the edge of a deep lake, the bottom of which the bird cannot find, nor even know whether it may turn out to be good fis.h.i.+ng. Many had their turns before me, but I had my interview. The Baron, a fine young man about twenty-eight, promised me to do all he could, but that his master was allowed so much (how much I do not know), and his expenses swallowed all.

_October 14._ Accompanied Parker while he was painting Redoute's portrait, and during the outlining of that fine head I was looking over the original drawings of the great man; never have I seen drawings more beautifully wrought up, and so true to nature. The washy, slack, imperfect messes of the British artists are _nothing_ in comparison. I remained here three hours, which I enjoyed much.

_October 15._ Not a word from the minister, and the time goes faster than I like, I a.s.sure thee. Could the minister know how painful it is for an individual like me to wait nearly a month for a decision that might just as well have been concluded in one minute, I am sure things would be different.

_October 18._ I have seen two ministers this day, but from both had only promises. But this day has considerably altered my ideas of ministers. I have had a fair opportunity of seeing how much trouble they have, and how necessary it is to be patient with them. I arrived at Baron de la Brouillerie's at half-past eleven. A soldier took my portfolio, that weighs nearly a hundred pounds, and showed me the entrance to a magnificent antechamber. Four gentlemen and a lady were there, and after they had been admitted and dismissed, my name was called. The Baron is about sixty years old; tall, thin, not handsome, red in the face, and stiff in his manners. I opened my book, of which he said he had read much in the papers, and asked me why I had not applied to him before. I told him I had written some weeks ago. This he had forgot, but now remembered, somewhat to his embarra.s.sment. He examined every sheet very closely, said he would speak to the King, and I must send him a written and exact memorandum of everything. He expressed surprise the Duc d'Orleans had taken only one copy. I walked from here to Vicomte Simeon. It was his audience day, and in the antechamber twenty-six were already waiting. My seat was close to the door of his cabinet, and I could not help hearing some words during my penance, which lasted one hour and a half. The Vicomte received every one with the same words, ”Monsieur (or Madame), j'ai l'honneur de vous saluer;” and when each retired, ”Monsieur, je suis votre tres humble serviteur.” Conceive, my Lucy, the situation of this unfortunate being, in his cabinet since eleven, repeating these sentences to upwards of one hundred persons, answering questions on as many different subjects. What brains he must have, and--how long can he keep them? As soon as I entered he said: ”Your business is being attended to, and I give you _my word_ you shall have your answer on Tuesday. Have you seen Barons Vacher and La Brouillerie?” I told him I had, and he wished me success as I retired.

_October 19._ About twelve walked to the plains d'Issy to see the review of the troops by the King in person. It is about eight miles from that portion of Paris where I was, and I walked it with extreme swiftness, say five and a half miles per hour. The plain is on the south bank of the Seine, and almost level. Some thousands of soldiers were already ranged in long lines, handsomely dressed, and armed as if about to be in action. I made for the top of a high wall, which I reached at the risk of breaking my neck, and there, like an Eagle on a rock, I surveyed all around me. The carriage of the Duc d'Orleans came first at full gallop, all the men in crimson liveries, and the music struck up like the thunder of war. Then the King, all his men in white liveries, came driving at full speed, and followed by other grandees. The King and these gentry descended from their carriages and mounted fine horses, which were in readiness for them; they were immediately surrounded by a brilliant staff, and the review began, the d.u.c.h.esses d'Orleans and de Berry having now arrived in open carriages; from my perch I saw all. The Swiss troops began, and the manoeuvres were finely gone through; three times I was within twenty-five yards of the King and his staff, and, as a Kentuckian would say, ”could have closed his eye with a rifle bullet.” He is a man of small stature, pale, not at all handsome, and rode so bent over his horse that his appearance was neither kingly nor prepossessing. He wore a three-cornered hat, trimmed with white feathers, and had a broad blue sash from the left shoulder under his right arm. The Duc d'Orleans looked uncommonly well in a hussar uniform, and is a fine rider; he sat his horse like a Turk. The staff was too gaudy; I like not so much gold and silver. None of the ladies were connections of Venus, except most distantly; few Frenchwomen are handsome. The review over, the King and his train rode off. I saw a lady in a carriage point at me on the wall; she doubtless took me for a large black Crow. The music was uncommonly fine, especially that by the band belonging to the Cuira.s.siers, which was largely composed of trumpets of various kinds, and aroused my warlike feelings. The King and staff being now posted at some little distance, a new movement began, the cannon roared, the horses galloped madly, the men were enveloped in clouds of dust and smoke; this was a sham battle. No place of retreat was here, no cover of dark woods, no deep swamp; there would have been no escape here.

This was no battle of New Orleans, nor Tippecanoe. I came down from my perch, leaving behind me about thirty thousand idlers like myself, and the soldiers, who must have been hot and dusty enough.

_October 20._ Nothing to do, and tired of sight-seeing. Four subscriptions in seven weeks. Slow work indeed. I took a long walk, and watched the Stock Pigeons or Cushats in the trees of Le Jardin des Tuileries, where they roost in considerable numbers, arriving about sunset. They settle at first on the highest trees, and driest, naked branches, then gradually lower themselves, approach the trunks of the trees, and thickest parts, remain for the night, leave at day-break, and fly northerly. Blackbirds do the same, and are always extremely noisy before dark; a few Rooks are seen, and two or three Magpies. In the Jardin, and in the walks of the Palais-Royal, the common Sparrow is prodigiously plenty, very tame, fed by ladies and children, killed or missed with blow-guns by mischievous boys. The Mountain Finch pa.s.ses in scattered numbers over Paris at this season, going northerly, and is caught in nets. Now, my love, wouldst thou not believe me once more in the woods, hard at it? Alas! I wish I was; what precious time I am wasting in Europe.

_October 21._ Redoute told me the young d.u.c.h.esse d'Orleans had subscribed, and I would receive a letter to that effect. Cuvier sent me one hundred printed copies of his _Proces verbal_.

_October 22._ The second day of promise is over, and not a word from either of the ministers. Now, do those good gentlemen expect me to remain in Paris all my life? They are mistaken. Sat.u.r.day I pack; on Tuesday morning farewell to Paris. Redoute sent me three volumes of his beautiful roses, which thou wilt so enjoy, and a compliment which is beyond all truth, so I will not repeat it.

_October 26._ I received a letter from Baron de la Brouillerie announcing that the King had subscribed to my work for his private library. I was visited by the secretary of the Duc d'Orleans, who sat with me some time, a clever and entertaining man with whom I felt quite at ease. He told me that I might now expect the subscriptions of most of the royal family, because none of them liked to be outdone or surpa.s.sed by any of the others.[171] Good G.o.d! what a spirit is this; what a world we live in! I also received a M. Pitois, who came to look at my book, with a view to becoming my agent here; Baron Cuvier recommended him strongly, and I have concluded a bargain with him. He thinks he can procure a good number of names. His manners are plain, and I hope he will prove an honest man. He had hardly gone, when I received a letter from M. Simeon, telling me the Minister of the Interior would take six copies for various French towns and universities, and he regretted it was not twelve. So did I, but I am well contented. I have now thirteen subscribers in Paris; I have been here two months, and have expended forty pounds. My adieux will now be made, and I shall be _en route_ for London before long.

_London, November 4._ I travelled from Paris to Boulogne with two nuns, that might as well be struck off the calendar of animated beings. They stirred not, they spoke not, they saw not; they replied neither by word nor gesture to the few remarks I made. In the woods of America I have never been in such silence; for in the most retired places I have had the gentle murmuring streamlet, or the sound of the Woodp.e.c.k.e.r tapping, or the sweet melodious strains of that lovely recluse, my greatest favorite, the Wood Thrush. The great poverty of the country struck me everywhere; the peasantry are beggarly and ignorant, few know the name of the _Departement_ in which they live; their hovels are dirty and uncomfortable, and appear wretched indeed after Paris. In Paris alone can the refinements of society, education, and the fine arts be found. To Paris, or to the large cities, the country gentleman must go, or have nothing; how unlike the beautiful country homes of the English. I doubt not the ”New Monthly” would cry out: ”Here is Audubon again, in all his extravagance.” This may be true, but I write as I think I see, and that is enough to render me contented with my words. The pa.s.sage from Calais was short, and I was free from my usual seasickness, and London was soon reached, where I have been busy with many letters, many friends, and my work. I have presented a copy of my birds to the Linnaean Society, and sold a little picture for ten guineas. And now I must to work on the pictures that have been ordered in France.

_November 7._ To-day is of some account, as Mr. Havell has taken the drawings that are to form the eleventh number of my work. It will be the first number for the year 1829. I have as yet had no answer from the Linnaean Society, but thou knowest how impatient my poor nature always is.

_November 10._ I have been painting as much as the short days will allow, but it is very hard for me to do so, as my Southern const.i.tution suffers so keenly from the cold that I am freezing on the side farthest from the fire at this very instant. I have finished the two pictures for the Duc d'Orleans; that of the Grouse I regret much to part with, without a copy; however, I may at some future time group another still more naturally.

_November 15._ We have had such dismal fog in this London that I could scarcely see to write at twelve o'clock; however, I did write nearly all day. It has been extremely cold besides, and in the streets in the middle of the day I saw men carrying torches, so dark it was.

_November 17._ I antic.i.p.ated this day sending all my copies for Paris, but am sadly disappointed. One of the colorers employed brought a number so shamefully done that I would not think of forwarding it. It has gone to be washed, hot pressed, and done over again. Depend upon it, my work will not fail for the want of my own very particular attention.

_December 23._ After so long neglecting thee, my dear book, it would be difficult to enter a connected account of my time, but I will trace the prominent parts of the lapse. Painting every day, and I may well add constantly, has been the main occupation. I have (what I call) finished my two large pictures of the Eagle and the Lamb, and the Dog and the Pheasants, and now, as usual, can scarce bear to look at either. My friends the Swainsons have often been to see me, and good Bentley came and lived with me for a month as a brother would. I parted from him yesterday with pain and regret. Several artists have called upon me, and have given me _false praises_, as I have heard afterwards, and I hope they will keep aloof. It is charity to speak the truth to a man who knows the poverty of his talents and wishes to improve; it is villanous to mislead him, by praising him to his face, and laughing at his work as they go down the stairs of his house. I have, however, applied to one whom I _know_ to be candid, and who has promised to see them, and to give his opinion with truth and simplicity; this is no other, my Lucy, than the president of the Royal Academy, Sir Thomas Lawrence. The steady work and want of exercise has reduced me almost to a skeleton; I have not allowed myself the time even to go to the Zoological Gardens.

_December 26._ I dined yesterday (another Christmas day away from my dear country) at a Mr. G.o.ddard's; our company was formed of Americans, princ.i.p.ally sea-captains. During my absence Sir Thomas Lawrence came to see my paintings, which were shown to him by Mr. Havell, who reported as follows. On seeing the Eagle and Lamb he said, ”That is a fine picture.” He examined it closely, and was shown that of the Pheasants, which I call ”_Sauve qui peut_.” He approached it, looked at it sideways, up and down, and put his face close to the canvas, had it moved from one situation to two others in different lights, but gave no opinion. The Otter came next, and he said that the ”animal”

was very fine, and told Havell he would come again to see them in a few days. I paid him my respects the next morning, and thought him kinder than usual. He said he would certainly come to make a choice for me of one to be exhibited at Somerset House, and would speak to the Council about it.

The remaining three months before Audubon sailed for America, April 1, 1829, were pa.s.sed in preparations for his absence from his book, and many pages of his fine, close writing are filled with memoranda for Mr. Havell, Mr. J. G. Children, and Mr. Pitois. Audubon writes: ”I have made up my mind to go to America, and with much labor and some trouble have made ready. My business is as well arranged for as possible; I have given the agency of my work to my excellent friend Children, of the British Museum, who kindly offered to see to it during my absence. I have collected some money, paid all my debts, and taken my pa.s.sage in the packet-s.h.i.+p 'Columbia,' Captain Delano. I chose the s.h.i.+p on account of her name, and paid thirty pounds for my pa.s.sage. I am about to leave this smoky city for Portsmouth, and shall sail on April 1.” The voyage was uneventful, and America was reached on May 1. Almost immediately began the search for new birds, and those not delineated already, for the continuation and completion of the ”Birds of America.”

[Ill.u.s.tration: EAGLE AND LAMB. PAINTED BY AUDUBON, LONDON, 1828. IN THE POSSESSION OF THE FAMILY.]

FOOTNOTES:

[65] This sounds involved, but is copied verbatim.

[66] Mr. Wm. Rathbone, of the firm of Rathbone Bros. & Co., to whom Audubon had a letter from Mr. Vincent Nolte. To Messrs. Wm. and Richard Rathbone, and their father Wm. Rathbone, Sr., Audubon was more deeply indebted than to any other of his many kind friends in England.

Their hospitality was only equalled by their constant and valuable a.s.sistance in preparing for the publication of the ”Birds,” and when this was an a.s.sured fact, they were unresting in their efforts to aid Audubon in procuring subscribers. It is with pleasure that Audubon's descendants to-day acknowledge this indebtedness to the ”family Rathbone,” which is ever held in grateful remembrance.

[67] William Roscoe, historical, botanical, and miscellaneous writer, 1753-1831.

[68] In a charming letter written to me by Mr. Richard R. Rathbone, son of this gentleman, dated Glan y Menai, Anglesey, May 14, 1897, he says: ”To us there was a halo of romance about Mr. Audubon, artist, naturalist, quondam backwoodsman, and the author of that splendid work which I used to see on a table constructed to hold the copy belonging to my Uncle William, opening with hinges so as to raise the bird portraits as if on a desk. But still more I remember his amiable character, though tinged with melancholy by past sufferings; and his beautiful, expressive face, kept alive in my memory by his autograph crayon sketch thereof, in profile, with the words written at foot, 'Audubon at Green Bank. _Almost_ happy, 9th September, 1826.' Mr.

Audubon painted for my father, as a gift, an Otter (in oils) caught by the fore-foot in a steel trap, and after vainly gnawing at the foot to release himself, throwing up his head, probably with a yell of agony, and displaying his wide-open jaws dripping with blood. This picture hung on our walls for years, until my mother could no longer bear the horror of it, and persuaded my father to part with it. We also had a full-length, life-sized portrait of the American Turkey, striding through the forest. Both pictures went to a public collection in Liverpool. I have also a colored sketch by Mr. Audubon of a Robin Redbreast, shot by him at Green Bank, which I saw him pin with long pins into a bit of board to fix it into position for the instruction of my mother.”

[69] At Green Bank.

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