Part 69 (1/2)
Although our ride has been a long one, our walk back is but short, so let us lose no time.”
In accordance with this recommendation, he caught hold of Dashall's arm, proceeded through the Cathedral, and arrived at Piccadilly without any thing remarkable or particular to record, where we shall for the present leave them to their enjoyments among the able writers with which Tom's bookcase was well stored.
CHAPTER VI
Hail! venerable pile! with awe I tread The sacred mansion of th' ill.u.s.trious dead!
Where rise, o'er forms now mould'ring into dust, The ”storied urn” and ”animated West.”-- Beneath the fretted dome, aspiring high, Here monarchs, heroes, poets, sages, lie!
”Deaf the prais'd ear, and mute the tuneful tongue,”
Here sleeps the bard with those whom erst he sung; And all consigned to one impartial doom, Lo! kings and subjects levelled in the tomb!
IN a perambulation westward, our friends shortly reached the precinct of Westminster Abbey, or the collegiate Church of Saint Peter; the most ancient religious structure in the metropolis.
Divested of fabulous narration, its history is briefly as follows. Its name is obviously derived from its situation, in the west, and from its original destination as the church of a monastery. It was founded by Sebert, king of the East Saxons; was destroyed afterwards by the Danes; was subsequently re-built by king Edgar in 958; the church was again re-built by Edward the Confessor in 1065; and by Pope Nicholas II. it was const.i.tuted a place of inauguration of the English Monarchs. Henry III. re-built it from the ground, and Henry VII. added a magnificent chapel at the east end of it. The monastery was surrendered by the abbot and monks to Henry VIII. who first converted it into a college of secular canons, and afterwards into a cathedral, of which the county of Middles.e.x was the see. His successor, Edward VI. dissolved the see, and restored the college, which was again converted by Mary into an abbey.
That inst.i.tution was dissolved by Elizabeth in 1560; she founded the present establishment, which is a college consisting of a dean, 12 secular canons, and 30 petty canons; to which is attached a school of 40 boys, denominated the Queen's or King's scholars, with a master and usher; and also twelve alms-men, an organist, and choristers.
Its greatest length is 489 feet; the breadth of the west front 66 feet; the length of the cross aisle 189 feet; and the height of the roof 92 feet; the west end is adorned with two towers, which were built by Sir Christopher Wren. The nave and cross aisles are supported by two rows of arches, of Suss.e.x marble, one above the other, each of the pillars of which is a union of one ma.s.sy round pillar, and tour others of a similar form, but slender. These aisles are lofty, and each of the small pillars being extended from the base to the roof, they produce an idea at once sublime and awful. Besides the cross aisle there are two side aisles, which are lower than the nave; and, being in a just proportion, they unite with the other parts of the edifice to produce a harmonious effect. The choir, from which there is an ascent by several steps to a magnificent altar-piece of white marble, is divided from the western part of the great aisle by two iron gates, and is perhaps the most beautiful choir in Europe: its roof was materially injured by fire, occasioned by the carelessness of the plumbers who were repairing it in 1803, but it has since been completely restored, at an expence of upwards of 4000. In this choir is performed the coronation of the Kings and Queens of England.
This succinct account will not prove unacceptable, we hope, to our readers.
The attractive spot at the southern extremity of the cross aisle was now entered by the two friends. ”This,” said Dashall, ”is called Poet's Corner, and never could a place be named with more propriety.”
Tallyho cast an eye of intense observation on these sacred records of departed excellence. Here he found the names of Chaucer, Spenser, Shakespeare, Johnson, Milton, Dryden, Butler, Thomson, Gay, Goldsmith, &c. There also, as though the spot were dedicated to genius of the highest rank, are the tombs of Handel and Garrick. The Squire in his admiration of the British Poets, now gave full scope to the ardency of his feelings, and surrounded by the sculptured images of the bards of former days, he seemed as if environed by a re-animated constellation of genius, and wrapt in the delirium of its inspiritive influence.
~84~~ Westminster Abbey contains a great number of monuments of kings, statesmen, heroes, poets, and persons distinguished by genius, learning, and science; but many of these monuments can be regarded as little better than so many disfigurements of the buildings. Some however are to be spoken of with praise, and the best are the productions of Reubilliac and Bacon.
The curiosities of Westminster Abbey consist chiefly of twelve chapels, the princ.i.p.al of which were visited by Dashall and his cousin; but to the chapel of Henry VII. their chief attention was directed. This chapel is contiguous to the eastern extremity of the church, and opens into it: it is dedicated to the Virgin Mary, and is one of the finest specimens of Gothic antiquity in the world. On its site formerly stood a chapel dedicated to the Virgin Mary, and also a tavern, distinguished by the sign of the White Rose: Henry resolving to erect a superb mausoleum for himself and his family, pulled down the old chapel and tavern, and on the 11th of February in the year 1503, the first stone of the new structure was laid by Abbot Islip, at the King's command. It cost 14,000, an immense sum for that period, particularly considering the rapacious temper of the king. The exterior of the chapel is distinguished by the richness and variety of its form, occasioned chiefly by 14 towers, elegantly proportioned to the body of the edifice, and projecting in different angles from the outer-most wall: the inside is approached by the area at the back of the chapels of Edward the Confessor and Henry v. The floor of this chapel is elevated above that of the area, and the ascent is by a flight of marble steps: the entrance is ornamented with a handsome gothic portico of stone, within which are three large gates of gilt bra.s.s, of curious open workmans.h.i.+p, every pannel being enriched with a rose and a portcullis alternately. The chapel consists of the nave and two small aisles: the centre is 99 feet in length, 66 in breadth, and 54 in height, terminating at the east in a curve, and having five deep recesses of a similar form: the entrance to these recesses is by open arches, and they add greatly to the relief and beauty of the building: it is not improbable that they were originally so many smaller chapels, destined to various uses. The side aisles are in a just proportion to the centre, with which they communicate by four arches, turned on gothic pillars; each of them is relieved by four recesses, a window, with minute and curious ~85~~divisions, running the whole height of each recess. The upper part of the nave has four windows on each side, and ten in the eastern extremity, five above and five below. The whole of the roof of the chapel, including the side aisles and the curve at the end, is of wrought stone, in the gothic style, and of exquisite beauty. An altar-tomb erected by Henry, at the cost of 1000, to receive his last remains, stands in the centre of the chapel.
It is of basaltic stone, ornamented and surrounded with a magnificent railing of gilt bra.s.s. This monument was constructed by Peter Torregiano, a Florentine artist, and possesses extraordinary merit. Six devices in bas-relief, and four statues, all of gilt bra.s.s, adorn the tomb.
In addition to these venerable antiquities, which all deserve to be seen, a variety of figures in wax, and in cases with glazed doors, are shewn as curiosities to the stranger; but they ought to be removed, as disgraceful to the grandeur and solemnity of the other parts of the scene, and as a satire on the national taste, which can scarcely be excused, when such things are exhibited in a room for children's amus.e.m.e.nt.
Every lover of the arts must lament that this beautiful relic of gothic taste is falling rapidly to decay; notwithstanding, within the last twenty-four years, the Dean and Chapter of Westminster have expended the sum of 28,749 in general repairs of the abbey. Parliament, however, has at last granted the requisite aid, and the sum of 20,000 has been voted to commence the repairs, which are now going on. It has been estimated that the necessary repairs of Henry the VIIth's chapel will cost about 14,800 and the ornamental repairs about 10,400.
The prospect from the western tower of the abbey is more beautiful and picturesque, though less extensive, than that from St. Paul's. The west end of the town and its environs, the Banquetting-house at Whitehall, St. James's park, the gardens of the Queen's palace, the extremity of Piccadilly and Hyde-park, with the Serpentine River, and the distant groves of Kensington Gardens, present a varied and magnificent view towards the west. On the other hand, the bridges of Westminster, Waterloo, and Blackfriars, with the broad expanse of the Thames, and Somerset-house on its banks, and St. Paul's towering pile, together with the light Gothic steeple of St. Dunstan's in the East, present a most n.o.ble and ~86~~ interesting prospect. From this tower the exterior form of St. Paul's, when the sun falls upon it, is distinctly seen, and here its exquisite beauty will be more fully comprehended than in any part of the city, for a sufficient area to take in the entire outline is not to be found there.
This prolixity of description will not, we presume, be considered by our readers, as a tedious digression from the main subject.--_Real Life in London_ cannot be better elucidated, than by uniting incident with appropriate anecdote, and amidst the perambulations of our respectable a.s.sociates, which led them to the ancient and interesting edifice of Westminster Abbey, it necessarily followed that we should ill.u.s.trate the subject, by a brief, yet accurate and interesting account of the antiquity, et cetera, of the object under consideration.
Having gratified their wishes by a cursory inspection of what their guides were pleased to denominate ”Curiosities,” our two heroes were on the eve of departure from the Abbey, when Bob begged that the guide would repeat the terms of admission to view these repositories of mortality.
”The tombs,” said the conductor, ”at the east end of the church, with the chapel of Henry VIIth, the price of admission to view these, sir, is six-pence; the models three-pence; the tombs at the northern part of the cross aisle three-pence; and the west end and tower of the abbey six-pence.”
Tallyho expressed his surprise that the house of G.o.d and the depository of the dead, should be so shamefully a.s.signed over to the influence of Mammon, and a price of admission as into a place of public amus.e.m.e.nt, exacted by those to whose mercenary government the ancient structure of Westminster Abbey had devolved. ”Was it thus, always,” asked he, ”from the time of Henry IIId?” To this enquiry, the guide replied merely by a shrug of his shoulders, rather indicative of contempt than otherways, and to a further question of ”Who is the receiver general of these exactions, and to what purpose are they applied?” he preserved a sullen taciturnity.
From the south aisle of the abbey there are two entrances into the cloisters, which are entire, and consist of four arched walks on the sides of an open quadrangle. There are many monuments in these walks, but four of them, beneath which are the remains of four of the abbots ~87~~of Westminster, at the east end of the south walk, are all which merit particular attention.--
Amongst the ancient records deposited here, the two friends were gratified with a sight of those of the Court of Star-chamber, and of the original Domesday-book, which is still as legible as the first hour it was written.
Against the south-west part of the west front of the abbey, is the north front of the Jerusalem chamber, remarkable for being the place where king Henry IV. breathed his last.{1}