Part 16 (1/2)

A Great Man Arnold Bennett 65830K 2022-07-22

'Oh,' replied Henry in the grand manner, 'I can read it to-morrow morning.

He said to himself that he was not going to get excited about a mere interview, though it was his first interview. During the past few days the world had apparently wakened up to his existence. Even the men at the office had got wind of his achievement, and Sir George had been obliged to notice it. At Powells everyone pretended that this was the same old Henry Knight who arrived so punctually each day, and yet everyone knew secretly that it was not the same old Henry Knight.

Everyone, including Henry, felt--and could not dismiss the feeling--that Henry was conferring a favour on the office by working as usual. There seemed to be something provisional, something unreal, something uncanny, in the continuance of his position there. And Sir George, when he demanded his services to take down letters in shorthand, had the air of saying apologetically: 'Of course, I know you're only here for fun; but, since you are here, we may as well carry out the joke in a practical manner.' Similar phenomena occurred at Dawes Road. Sarah's awe of Henry, always great, was enormously increased. His mother went about in a state of not being quite sure whether she had the right to be his mother, whether she was not taking a mean advantage of him in remaining his mother. Aunt Annie did not give herself away, but on her face might be read a continuous, proud, gentle surprise that Henry should eat as usual, drink as usual, talk simply as usual, and generally behave as though he was not one of the finest geniuses in England.

Further, Mr. Onions Winter had written to ask whether Henry was proceeding with a new book, and how pleased he was at the prospective privilege of publis.h.i.+ng it. Nine other publishers had written to inform him that they would esteem it a favour if he would give them the refusal of his next work. Messrs. Antonio, the eminent photographers of Regent Street, had written offering to take his portrait gratis, and asking him to deign to fix an appointment for a seance. The editor of _Which is Which_, a biographical annual of inconceivable utility, had written for intimate details of his age, weight, pastimes, works, ideals, and diet.

The proprietary committee of the Park Club in St. James's Square had written to suggest that he might join the club without the formality of paying an entrance fee. The editor of a popular magazine had asked him to contribute his views to a 'symposium' about the proper method of spending quarter-day. Twenty-five charitable inst.i.tutions had invited subscriptions from him. Three press-cutting agencies had sent him cuttings of reviews of _Love in Babylon_, and the reviews grew kinder and more laudatory every day. Lastly, Mr. Onions Winter was advertising the thirty-first thousand of that work.

It was not to be expected that the recipient of all these overtures, the courted and sought-for author of _Love in Babylon_, should disarrange the tenor of his existence in order to read an interview with himself in a ladies' penny paper. And Henry repeated, as he sat in the midst of the zinc circle, that he would peruse Flossie Brighteye's article on Sunday morning at breakfast. Then he began thinking about Flossie's tight-fitting bodice, and wondered what she had written. Then he murmured: 'Oh, nonsense! I'll read it to-morrow. Plenty soon enough.'

Then he stopped suddenly and causelessly while applying the towel to the small of his back, and stood for several moments in a state of fixity, staring at a particular spot on the wall-paper. And soon he dearly perceived that he had been too hasty in refusing Aunt Annie's suggestion. However, he had made his bed, and so he must lie on it, both figuratively and factually....

The next thing was that he found himself, instead of putting on his pyjamas, putting on his day-clothes. He seemed to be doing this while wis.h.i.+ng not to do it. He did not possess a dressing-gown--Sat.u.r.day-nighters and backbones seldom do. Hence he was compelled to dress himself completely, save that he a.s.sumed a silk m.u.f.fler instead of a collar and necktie, and omitted the usual stockings between his slippers and his feet. In another minute he unostentatiously entered the dining-room.

'Nay,' his mother was saying, 'I can't read it.' Tears of joyous pride had rendered her spectacles worse than useless. 'Here, Annie, read it aloud.'

Henry smiled, and he tried to make his smile carry so much meaning, of pleasant indifference, careless amus.e.m.e.nt, and benevolent joy in the joy of others, that it ended by being merely foolish.

And Aunt Annie began:

'”It is not too much to say that Mr. Henry Knight, the author of _Love in Babylon_, the initial volume of the already world-famous Satin Library, is the most-talked-of writer in London at the present moment.

I shall therefore make no apology for offering to my readers an account of an interview which the young and gifted novelist was kind enough to give to me the other evening. Mr. Knight is a legal luminary well known in Lincoln's Inn Fields, the right-hand man of Sir George Powell, the celebrated lawyer. I found him in his formidable room seated at a----”'

'What does she mean by ”formidable,” Henry? 'I don't think that's quite nice,' said Mrs. Knight.

'No, it isn't,' said Aunt Annie. 'But perhaps she means it frightened her.'

'That's it,' said Henry. 'It was Sir George's room, you know.'

'She doesn't _look_ as if she would be easily frightened,' said Aunt Annie. 'However--”seated at a large table littered with legal doc.u.ments.

He was evidently immersed in business, but he was so good as to place himself at my disposal for a few minutes. Mr. Knight is twenty-three years of age. His father was a silk-mercer in Oxford Street, and laid the foundation of the fortunes of the house now known as Duck and Peabody Limited.”'

'That's very well put,' said Mrs. Knight.

'Yes, isn't it?' said Aunt Annie, and continued in her precise, even tones:

'”'What first gave you the idea of writing, Mr. Knight?' I inquired, plunging at once _in medias res_. Mr. Knight hesitated a few seconds, and then answered: 'I scarcely know. I owe a great deal to my late father. My father, although first and foremost a business man, was devoted to literature. He held that Shakspere, besides being our greatest poet, was the greatest moral teacher that England has ever produced. I was brought up on Shakspere,' said Mr. Knight, smiling. 'My father often sent communications to the leading London papers on subjects of topical interest, and one of my most precious possessions is a collection of these which he himself put into an alb.u.m.'”'

Mrs. Knight removed her spectacles and wiped her eyes.

'”'With regard to _Love in Babylon_, the idea came to me--I cannot explain how. And I wrote it while I was recovering from a severe illness----'”'

'I didn't say ”severe,”' Henry interjected. 'She's got that wrong.'

'But it _was_ severe, dear,' said Aunt Annie, and once more continued: '”'I should never have written it had it not been for the sympathy and encouragement of my dear mother----'”'

At this point Mrs. Knight sobbed aloud, and waved her hand deprecatingly.

'Nay, nay!' she managed to stammer at length. 'Read no more. I can't stand it. I'll try to read it myself to-morrow morning while you're at chapel and all's quiet.'