Part 60 (2/2)
”Nearly six o'clock. But Your Highness looks so pale! Will you not permit me to put you to bed?”
”Yes, my good Nannie, take me to my bedroom. I cannot walk, my feet are numb.”
”You should lie down at once and try to get warm. You are as cold as ice!” And the maid, really alarmed by the helplessness of her usually haughty mistress, helped the drooping figure to her room.
The countess allowed herself to be undressed without resistance, sitting on the edge of the bed as if paralysed and waiting for the maid to lift her in. ”I thank you,” she said in a more gentle tone than the woman had ever heard from her lips, as the maid voluntarily rubbed the soles of her feet. Her head instantly sank upon the pillows, which bore a large embroidered monogram, surmounted by a coronet. When her feet at last grew warm, she seemed to fall asleep, and the maid left the room.
But Madeleine von Wildenau was not asleep, she was merely exhausted, and, while her body rested, she constantly beheld _one_ image, felt _one_ grief.
The maid had determined not to rouse her mistress, and left her undisturbed.
At last, late in the morning, the weary woman sank into an uneasy slumber, whence she did not wake until the sun was high in the heavens.
When she opened her eyes, she felt as if she was paralysed in every limb, but attributed this to the terrible impressions of the previous day, which would have shaken even the strongest nature.
She rang the bell for the maid and rose. She walked slowly, it is true, and with great effort--but she _did_ walk. After she had been dressed and her breakfast was served she wrote:
”The footman Franz is dismissed for rude treatment of the steward Freyer, and is not to appear in my presence again. The intendant is to settle the matter of wages.
”Countess Wildenau.”
Another servant now brought in a letter on a silver tray.
The countess' hand trembled as she took it--the envelope was one of those commonly used by Freyer, but the writing was not his.
”Is any one waiting for an answer?” she asked in a hollow tone.
”No, Your Highness, it was brought by a Griess woodcutter.”
The countess opened the letter--it was from the maid-servant at the hunting castle, and contained only the news that the steward had left suddenly and the servants did not know what to do.
The countess sat motionless for a moment unable to utter a word.
Everything seemed whirling around her in a dizzy circle, she saw nothing save dimly, as if through a veil, the servant clearing away the breakfast.
”Let old Martin put the horses in the carriage,” she said, hoa.r.s.ely, at last.
How the minutes pa.s.sed before she entered it--how it was possible for her to a.s.sume, in the presence of the maid, the quiet bearing of the mistress of the estate, who ”must see that things were going on right,”
she did not know. Now she sat with compressed lips, holding her breath that she might seem calm in her own eyes. What will she find on the height? Two graves of the past, and the empty abode of a former happiness. She fancied that a dark wing brushed by the carriage window, as if the death angel were flying by with the cup of wormwood of which Freyer had once spoken!
She had a horror of the deserted house, the spectres of solitude and grief, which the vanished man might have left behind. When a house is dead, it must be closed by the last survivor, and this is always a sorrowful task. But if he himself has driven love forth, he will cross the deserted threshold with a lagging step, for the ghost of his own act will stare at him everywhere from the silent rooms.
Evening had closed in, and the shadows of the mountain were already gathering around the house, from whose windows no loving eye greeted her. The carriage stopped. No one came to meet her--everything was lifeless and deserted. Her heart sank as she alighted.
”Martin--drive to the stable and see if you can find the maid servant,”
said the countess in a low tone, as if afraid of rousing some shape of horror. Martin did not utter a word, his good natured face was unusually grave as he drove off around the house in the direction of the stables.
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