Part 10 (1/2)
And she had never thought of George, somehow, as likely to have any strikingly original ideas on the subject of decoration, although she liked him none the less for that.
But it was something that he had had the good sense to take her mother and Flossie into his confidence: she knew she could trust them to preserve him from any serious mistakes.
'You see,' said George, half apologetically, 'I would ever so much rather have waited till you came back, only I couldn't tell when that would be. I really couldn't help myself. You're sure you don't mind about it? If you only knew how I worked over it, rus.h.i.+ng about from one place to another, as soon as I could get away from the office, picking up bits of furniture here and there, standing over those beggars of painters and keeping 'em at it, and working out estimates and seeing foremen and managers and all kinds of chaps! I used to get home dead-tired of an evening; but I didn't mind that: I felt it was all bringing you nearer to me, darling, and that made everything a pleasure!'
There was such honest affection in his look and voice; he had so evidently intended to please her, and had been in such manifest dread of any further separation from her, that she was completely disarmed.
'Dear George,' she said gently, 'I am so sorry you took all the trouble on yourself; it was very, very good of you to care so much, and I know I shall be delighted with the house.'
'Well,' said George, 'I'm not much afraid about that, because I expect our tastes are pretty much the same in most things.'
They were by this time at the house, and George, after a little fumbling with his as yet unfamiliar latchkey, threw open the door with a flourish and said, 'There you are, little woman! Walk in and you'll see what you shall see!'
No sooner was Ella inside the hall than her heart sank: 'Looks neat and nice, doesn't it?' said George cheerfully. 'You'd almost take that paper for real marble, wouldn't you? See how well they've done those veins. I like this yellowish colour better than green, don't you? It looks so cool in summer. That's a good strong hall-lamp--not what you call high art, exactly--but gives a rattling good light, and that's the main thing. Here, I'll light it up for you--confound it! they haven't turned the gas on yet. However, there's too much suns.h.i.+ne for it to show much, if they had. This linoleum is a capital thing: you might scrub as long as you liked and you'd never get _that_ pattern out!'
'No,' Ella agreed, with a tragic little smile, 'it--it looks as if it would last.'
'Last! I should just think so! And here's a hatstand--you could almost swear it was carved wood of some sort, but it's only cast-iron painted; indestructible, you see; they told me that was the latest dodge--wonderful how cheaply they turn them out, isn't it?'
'I thought you said you were helped?'
'Oh, I didn't want any help _here_--this is only the pa.s.sage, you know!'
Yes, it was only the pa.s.sage--and yet she had been picturing such a charming entrance, with a draped arch, a graceful lamp, a fresh bright paper, a small buffet of genuine old oak, and so on. She suppressed a sigh as she pa.s.sed on; after all, so long as the rooms themselves were all right, it did not so very much matter, and she knew that her mother's taste could be trusted.
But on the threshold of the dining-room she stopped aghast. The walls had been distempered a particularly hideous drab; the curtains were mustard yellow; the carpet was a dull brown; the mottled marble mantelpiece, for which she had been intending to subst.i.tute one in walnut wood with tiles, still shone in slabs of petrified brawn; there was a huge mahogany sideboard of a kind she had only seen in old-fas.h.i.+oned hotels.
'Comfortable, eh?' remarked George. 'Lots of wear in those curtains!'
Unhappily there was, as Ella was only too well aware. 'You did _this_ room yourself too, then, George?' she managed to say, without betraying herself by her voice.
'Yes, I chose everything here. You see, Ella, we shall only use this room for meals.'
'Only for meals, yes,' she acquiesced with a shudder; 'but--George, surely you said mother had helped you with the rooms?'
'What! your mother? No, Ella; her notions are rather too grand for me.
It was Jessie and Carrie I meant. Just come and see what they've made of my den.'
Ella followed. The window--which had commanded such a cheerful outlook into one of the pretty gardens, with a pink thorn, a laburnum-tree or two, and some sycamores which still flourish fresh and fair on Campden Hill--was obscured now by some detestable contrivance in transparent paper imitating stained gla.s.s.
'That was the girls' notion,' said George, following the direction of her eyes; 'they fixed it all themselves--it was their present to me.
Pretty of them to think of it, wasn't it? I call it an immense improvement, and, you see, it's stuck on with some patent cement varnish, so it can't rub off. You get the effect better if you stand here--_now_, see how well the colours come out in the sun!'
If only they _would_ come out! But what could she do but stand and admire hypocritically? Her eyes, in spite of herself, seemed drawn to that bright-hued sham intersected by black lines intended to represent leading; of the room itself she only saw vaguely that it was not unworthy of the window.
'Nothing to what they've done with the drawing-room!' said innocent George, beaming; 'come along, darling, you'll scarcely know the place.'
And Ella, reduced to a condition of stony stupor, followed to the drawing-room. She did not know the place, indeed. It was a quaintly-shaped, irregular room, with French windows opening upon the garden on one side and a deep bow-window on another; when she had last seen it, the walls were covered with a paper so pleasing in tone and design that she had almost decided to retain it. That paper was gone, and in its place a gaudy semi-Chinese pattern of unknown birds, flying and perching on sprawling branches laden with impossible flowers. And then the furniture--the 'elegant drawing-room suite' in brilliant plush and s.h.i.+ny satin, the cheap cabinets, and the ready-made black and gilt overmantel, with its panels of swans, hawthorn-blossom, and landscapes sketchily daubed on dead gold--surely it had all been transferred bodily from the stage of some carelessly mounted farcical comedy!
Ella's horrified gaze gradually took in other features--the china monkeys swinging on cords, the porcelain parrots hanging in great bra.s.s rings, huge misshapen terra-cotta jars and pots, dead gra.s.s in bloated drain-pipes, tambourines, beribboned and painted with kittens and robins, enormous wooden _sabots_, gilded j.a.panese fans, a woolly white rug and a bright Kidderminster carpet.