Part 8 (1/2)

”Rest a.s.sured, Miss Warner, that you won't have another opportunity to save Lucy. Consider yourself blacklisted.”

Gina stared at Jacobsen's back as he walked away. She felt arms guide her into a p.r.o.ne position and slip a pillow beneath her head. There has to be a way, There has to be a way, she thought as sleep overcame her. she thought as sleep overcame her.

The next day Gina woke in her own bed. She didn't remember how she'd gotten there, but figured that Jacobsen had had some of his goons bring her home. Lucy's painting hung on the wall opposite her bed, except now the mirror in the picture sported a new purple frame. She slid from underneath the covers and winced. Her body ached everywhere and her skin burned from mild frost-bite. She walked across the bedroom on bruised feet and looked at the painting. A fine layer of dust covered the surface.

Gina felt ashamed. Why hadn't she taken better care of Lucy's art? Had she become that complacent about Lucy's death? Pressing her lips into a line, she lifted the canvas from its nail. As she gently brushed the dust away with an old t-s.h.i.+rt, a folded piece of notebook paper tumbled from behind it.

Gina inspected the back. There was a little flap in the corner that the paper must have been tucked into. How had she not noticed that before?

Too stunned after Lucy died to see it, I guess.

She gently propped the canvas against her dresser and unfolded the paper. Lucy's handwriting leaped from the page.

Gina,Somehow you left a voice mail on my cell phone at the same time you were sleeping on my couch. The message said that you've just gotten to your hotel in L.A. and that the flight was fine. And yet you lay sleeping on my couch. So I thought about that.You came to the apartment with eggs.You cried when you saw me.You volunteered to go to the store when I needed more stuff.As I watch you sleep on my couch I notice a few freckles and a few wrinkles you didn't have yesterday. Plus you've started to go gray. You're older. Well, that doesn't surprise me, you are the older sister. But it all adds up. The you on my couch really is older.My guess is you saved enough money to buy a trip from Timeshares. I can only think of one reason you would do that.I'm going to the store. If I'm meant to see you again, I will.I love you.Lucy Gina sobbed as tears ran down her face. She touched her fingertips to the words. Lucy had known what Gina had been there to do. Yet she'd left the house anyway. But not before writing a note and hiding it someplace where she knew Gina would someday find it.

Sadness filled Gina's heart as she hung the picture. Even so, she knew she wouldn't try to save Lucy again. She missed her sister and always would, but the emptiness that she had felt for five years was gone.

But I'm Not the Only One Chris Pierson

Chris Pierson has written eight novels set in the Dragonlance world, most recently the Taladas trilogy, as well as numerous short stories in a.s.sorted anthologies, Terribly Twisted Tales Terribly Twisted Tales and and Gamer Fantastic Gamer Fantastic being the latest. He works as a senior world designer and resident Tolkien freak for The Lord of the Rings Online at Turbine Games. Born in Canada, Chris has lived in the Boston area long enough to become a Red Sox fan but not long enough to develop the accent. He currently lives in Jamaica Plain, Ma.s.sachusetts, with his wife, Rebekah, and Chloe, the most awesomest baby girl in the world. being the latest. He works as a senior world designer and resident Tolkien freak for The Lord of the Rings Online at Turbine Games. Born in Canada, Chris has lived in the Boston area long enough to become a Red Sox fan but not long enough to develop the accent. He currently lives in Jamaica Plain, Ma.s.sachusetts, with his wife, Rebekah, and Chloe, the most awesomest baby girl in the world.

It's warm for December in New York: weather like two months before. People have been talking about it all day. Smiling at each other, strange for a city that can be so mean, particularly as winter is beginning to bare its teeth. Even at night, people are out without their coats, laughing as they walk, not caring about any of the trouble in their city and the world.

It feels safe.

They come out of the studio together, no longer young but still just as in love as when they first met. It's been a productive evening, polis.h.i.+ng up a new song, one of hers. A good day. The new alb.u.m, the comeback, is selling well, barely a month old, and there's still more new work to be done. After the time he's taken off, he feels more creative, more invigorated than he has since he and the lads called it quits. Ten years gone. A hard decade in a lot of ways, but things are better now than they've been in a long time.

He puts his arm around her as they walk back to the limo, the driver holding open the door, all of them smiling, the sky starry-clear and the breeze warm.

”Where do you want to eat?” she asks.

He shakes his head. ”It's late. Let's go home.”

She nods, and they get into the limo. The driver pulls out, turns the corner, and heads up Sixth Avenue to the Upper West Side. Central Park slides by on the right, couples walking together, savoring this unexpected jewel of late summer in the dying days of fall. She hugs his arm and leans close, her head on his shoulder. He kisses her hair, loving the way she smells, the weight of her against him.

He leans forward as they stop at a red at 71st Street. ”You can let us out at the curb up ahead,” he says. ”We'll walk from there.” Street. ”You can let us out at the curb up ahead,” he says. ”We'll walk from there.”

The driver glances back. ”Are you sure, sir? It's no trouble for me to pull into the courtyard.”

”Don't bother. It's a beautiful night.”

Shrugging, the driver pulls over outside the Dakota, near the iron-gated archway of the grand old building. Home. She kisses him, and they get out, head toward the building. He says h.e.l.lo to Jose, the doorman, who has opened the limo door.

”Lovely evening, sir,” Jose replies.

She goes through the archway first, and someone calls out to her from the shadows, says h.e.l.lo. She walks by, not breaking pace, not answering, and for a moment he has a strange feeling, a premonition maybe, but it's gone just as fast. He follows her into the darkness, toward the lobby. Sean's upstairs, in bed by now-the boy's five, and it's almost eleven at night-and he just wants to see his beautiful boy, wants to watch him sleep. That and make love with his wife, of course.

Out of the corner of his eye, he sees someone in the shadows, the same one who called out to her. The face is familiar, and he knows where from. He signed the new alb.u.m for this man earlier that evening, when they left for the Record Plant. There'd been several autograph-seekers and at least one photographer, but this one stood out in his memory. He got that cold feeling again, but made himself keep going toward the front door, Jay the security guy waiting inside to buzz them in.

The man in the shadows calls his name.

Cold all over now, he begins to turn.

Something hits him hard from behind. He hears two quick pops- pops-some part of his brain tells him it is gunfire, but it doesn't sound nearly as loud as he'd imagined-and gla.s.s breaking. She whips around, screaming. Jose is yelling too, and then he's on the ground, and the breath's knocked out of him and he can't draw another, and there's a lot of pain.

”I'm shot,” he gasps.

”No,” says a voice in his ear. ”You're not. Not this time.”

He realizes then that the thing that hit him was a man, another lurker who must have sprung out of the darkness and tackled him like an American footballer, right before the gunshots started. The pain and breathlessness aren't from bullets in his chest, but because this big man is lying on top of him, covering him with his body. Protecting him. ”Who are you?” he grunts.

”A fan,” says the voice in his ear. ”For forty years, ever since I was a boy. It's an honor to meet you, Mr. Lennon.”

John has just enough time to think: that doesn't make sense. I'm I'm only forty. Then blue lightning flashes and his mouth floods with acid and his stomach drops ten miles into the earth and all of it-the Dakota, the madman with the gun, Jose, Jay, Yoko-it all disappears. only forty. Then blue lightning flashes and his mouth floods with acid and his stomach drops ten miles into the earth and all of it-the Dakota, the madman with the gun, Jose, Jay, Yoko-it all disappears.

And then, and then, and then . . .

He's indoors now, lying facedown on white tiles. The man's still on top of him, crus.h.i.+ng him flat: he must weigh sixteen stone, at least. After a moment, though, the weight eases off, and John pushes himself up off the floor to look around. Gunfire still echoes in his ears, as does Yoko's screaming, but there's no one else in the room. Just him and the man who tackled him, and what looks like equipment from a science fiction film, perhaps the dreary one Kubrick made or that new one about the alien ripping everyone apart. Only this stuff looks like it's real, not props on a movie set.

Also, there's a s.h.i.+mmer in the air, like you see over New York asphalt in the dead of August, but the air is cool and smells like a thunderstorm. He rubs his eyes, but it doesn't go away.

”b.l.o.o.d.y h.e.l.l,” he says, and turns to face his . . . what? a.s.sailant? Savior?

He's a big man, tall and broad-shouldered, a bit of white in his black beard, a bit of skin showing through the hair on his head. Black s.h.i.+rt, blue jeans. There's a trickle of blood in the corner of his mouth, but he's smiling as wide as a man can smile without hurting himself.

”I did it!” he says. ”I got you out of there! Up yours, Chapman, you a.s.shole!”

John stares at the man, confused. He's about to ask a question when the lone door out of the room they're in opens and in step three men. Two are dressed head-to-toe in black, with bulky vests and helmets and unpleasant-looking rifles at the ready. The third wears a suit that looks like he's slept in it for a week, and in his hand there's a s.h.i.+ny silver badge.

It isn't an NYPD badge, but John's sure he's police. The men with the rifles aim the guns at the big man, who freezes, suddenly frightened.

”David Stephen Walker,” says the man with the badge. Not a question. ”You are under arrest for attempted timeline sabotage and pre-mortem abduction, in contravention of Article Six of the Temporal Interference Act. You are also in breach of your Timeshares contract, and your operating license has been revoked.”

The big man, Walker, beams like he's been told he just won the lotto. ”I don't care,” he says. ”Do what you want with me, it doesn't matter. Do you know what I've done? I've just saved John Lennon!”

The policeman rolls his eyes. ”Big deal,” he says. ”You're the third this month.”

Walker blinks, turning pale.

”What?”

”You heard me,” says the cop. ”You guys think you're so so original. Come on. You original. Come on. You really really thought you were the first?” thought you were the first?”

There is a silence. Walker seems to deflate. He can't think of anything to say.