Part 52 (2/2)

Except laughter? That suggestion was Savelle's. But it was not successful, though he defended himself with his own peculiar fervor. It appealed to the intense emotionalism of the man, that idea of the ultimate expression of humanity being laughter. He took up its defense as recklessly as his school of economics, and with something of the same breadth of vision and indefinite reasoning. Laughter was, he claimed, beyond the narrow limits of the question discussed, that very thing, the ultimate expression of humanity. Man was distinctively not, as he has been defined, the unfeathered biped, not the tool-using animal; he was the animal who laughs, and in proof he instanced the great poet. When he wished to imbue men with his own immense pessimism that the wrath of the Zeus was not the mysterious working of nature but the malignity of men, he made that terrible phrase, the most terrible ever spoken, ”The laughter of the G.o.ds.”

”Think of it yourselves,” he demanded. ”Put it into your own words. The laughter of G.o.d!” He was standing up then in the heat of his pleading.

”What that's divine is left then? He can only be a man, a fearful superman.”

But they beat down the orator with instances of gurgling brooks and hyenas. He strove Homerically with his attackers, thundering his defense of his vision until old Isham had to come up to the table and look at them all with his faded blue eyes and precocious face of seventy years.

But though he failed of conviction his argument did just what he said; it put the question outside the ”narrow limits” Norvel had laid it in.

Savelle always did that with every question. After he had spoken the phrase they all remembered was his-the ultimate expression of humanity.

It was by such phrases, such ideas, Isham's lived, as a place to which talk-hungry people learned to go.

Old Sampson, who always listened to Savelle, though he deplored his tendency ”to wander in his talk,” away from the moon and kindred subjects, took a new lease of life from that night. At last a day had come when people really liked to talk about the moon, or Mars, which was almost as good. He became a mental manufacturer of objects of origin so exclusively human that once they were conveyed to Mars, once that difficulty overcome, would produce instant understanding. Almost nightly he would turn up with a new one, and invariably some one would overthrow his hopes by suggesting a _natural_, in distinction to his _human_, phenomenon. He would always feebly defend his invention, and then fall silent-apparently intent upon a new one.

It was Philbin, the novelist, whose hobby was ”Weltpolitik,” and who revelled in prophecies those days of a European cataclysm, who put him, as it were, finally out of this particular misery.

”It seems to me,” complained Twinkle, in his plaintive voice, blinking almost tearfully at the table-cloth, ”as if nature imitates everything.”

”Twinkle,” said Philbin, who was sitting next to him, ”lend me your ears. I want 'to whisper into their furry depths.' Have you ever thought of going yourself?”

Twinkle, lifting his eyes to the other's face, blinked and shook his head.

Savelle was the only man who did not laugh. He never laughed either at Sampson or Philbin. ”Don't you see,” he cried sharply, in his eager idea-driven way, ”don't you see what the man has discovered? Your ears will need cropping soon. '_Nature imitates everything!_' That is, he has found, he has perceived, he is establis.h.i.+ng by his own experiments that man, after all his effort and his boasting, after all his science and learning, which has made a joke of the teaching of Jesus and the poetry of Milton, that this _creature_ itself has in turn _created_ nothing.

That man, after all, has only, can only, imitate nature.”

He let fall his fist on the table, looking around at his listeners. He always had listeners at Isham's, and perhaps nowhere else in New York.

For the moment he had forgotten his tiff with Philbin, had forgotten Philbin himself, and was all for rus.h.i.+ng ahead on his idea-driven course to some unimaginable distance. But Philbin's vanity never forgot slights. It was not the words-he gave and took sharper every day of his life-but the manner in which he was thrown aside as an unnoticeable obstruction in the other's path of thought, the rush past him of the faster mind that mortified him. He knew Savelle, knew him better than any one in the room did, for that was his business, and he knew how fast he was going and how sharp he would fall, and then, like a mischievous little boy, with his foot, he stuck out his tongue and tripped him.

”That's contrary to every teaching of Christ you ever raved about,” he said quickly.

Savelle did come down with rather a crash. Even his defenders admitted that much. But then he had been going very fast. Moreover, he was a man who habitually used too many words. He used too many to Philbin-a great deal too many. Philbin's faults were almost all on the outside, and even through the casual communion of Isham's he had made them pretty plain to every man there. He was vain, slightly arrogant, over-given to sneering.

Savelle, in his defense of his position, managed to comment briefly upon each quality, and he put into the personalities the same vigor that he used to defend his theory of the universe. At the very best he showed a lamentable lack of proportion. At the worst he was vulgarly offensive.

That is the danger of such talk as men plunged into at Isham's; it lacks proportion. Personalities and universalities get all mixed up, and sometimes it takes long patience and a good deal of humor to straighten out the tangle. Philbin and Savelle were in just such a tangle over little Norvel's query. And neither of them had patience and Savelle had no grain of humor. If he had, he could not have come down from a discussion of his theory of the universe to criticism of Philbin's personality. The matter was quite hopeless. The tangle only grew tighter until there was only one way of ending it. Philbin took it. He was a little man, and very nervous, and when he stood up his finger-tips just touched the table, and he was trembling so they played a tattoo on the table-cloth. Then he bowed and went out.

He had behaved the better of the two, but every one was glad to see him go-except old Sampson, to whom anything like ill-feeling gave genuine pain. He liked a placid world in which one could babble in amity about the moon. But to the rest Philbin was a bore. His Weltpolitik was uninteresting. His European cataclysm was a tale told by an idiot, full enough of learning, but signifying little or nothing. One could imagine baseball games on Mars, and make the matter realistic; but Philbin's imaginings dealt in palpable absurdities. Even at Isham's talk had limitations. Philbin had been a war correspondent in the Balkans, and they thought it had upset his mind.

Savelle affected to ignore his going away, and went on with his expounding of Twinkle Sampson's discovery-so he was pleased to call it.

He ridiculed Philbin's criticism more fiercely than before. He, Sampson, had given a marvellously stimulating example, Savelle said, of what religious thought meant, that it was not in man to create, only in G.o.d.

All that was human was imitation, even as man himself was G.o.d's image.

In truth, Philbin's attack had stimulated him, and he talked that night better than he had ever talked. He felt that he had come off a second best in the encounter, and he determined to wipe out the remembrance from the memory of his hearers. Poor old Twinkle, hearing himself eulogized for the first time in his life, probably, sat in silence, winking almost tearfully, too amazed to be pleased.

And always after he made a point of emphasizing this theory of his-or of Sampson's-as he called it. It became the rival in this talk of Christian economics. He did so without argument, for Philbin did not come back. A Futurist painter, who had found out Isham's purely by accident, gradually took his place. At Isham's places were always taken gradually.

To make up for it they were generally taken for a very long time.

Philbin's was the first defection, in fact, since Twinkle's low-toned monologues about the moon, with old Isham for the only listener, in the corner by the fireplace, had started it all eleven years ago. Philbin, too, had never been in very good standing; his trick of sarcasm hurt too many sensibilities. And then he was agnostic in everything, and Isham's collectively believed in almost everything. Every man of them, except the Futurist painter who took his place and had scarcely known him, had some little hurt somewhere to remember him by, and so, of course, wanted to forget him.

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