Vol 1 Chapter 4 (1/2)

Relasses, Fujiwara puts them in his fore pocket and pulls out the usual tools

First, a rubber-band

To tie his hair, of course

Next, a short tube monocle

It nifies the details so you can see the essentials

Furthererprints on the client’s treasures

This is the full outfit of an appraiser

After he was done, he lied out a dyed chamois cloth to set it on top of, and the workshop is set up

“Now, please have a look”

Fujiwara re Soarer the sheath, placing the draord on the workbench

First, Fujiwara traced the sword sloith his index finger so that he could explore toward the gutter

Fujiwara reached a carved seal where the body of the sword rises andIt was an eleic froician uses

He added the effect tothat was concealed visible in addition to the ic he released outside

“This is…”

“This technique is for generating a ic”

After saying this, the sword rang out with a sn looks like a blood vessel as it for They look like an abstract line painting, but also like a ical characters

“This is called a ical circuit”

Some scholars say it’s like a ical effects, such as the coear that intertwined this blade

A poet has also said it to be a complete form of poetry, with every word play packed in

But the contract’s reseician or appraiser would contract, such as Fujiwara

After all, withis free It’s a contract

The principle is that the contract is a conversation with the world by the intervention of the “Language” by a spell, gesture, or curse, and we get approval with the currency of ical phenomenon