Part 16 (1/2)
Such, in short, was the spirit that had begun to fill the narrow and crooked streets of the many little Italian cities.
You know what we mean by the ”bicycle craze” or the ”automobile craze.”
Some one invents a bicycle. People who for hundreds of thousands of years have moved slowly and painfully from one place to another go ”crazy” over the prospect of rolling rapidly and easily over hill and dale. Then a clever mechanic makes the first automobile. No longer is it necessary to pedal and pedal and pedal. You just sit and let little drops of gasoline do the work for you. Then everybody wants an automobile. Everybody talks about Rolls-Royces and Flivvers and carburetors and mileage and oil. Explorers penetrate into the hearts of unknown countries that they may find new supplies of gas. Forests arise in Sumatra and in the Congo to supply us with rubber. Rubber and oil become so valuable that people fight wars for their possession. The whole world is ”automobile mad” and little children can say ”car” before they learn to whisper ”papa” and ”mamma.”
In the fourteenth century, the Italian people went crazy about the newly discovered beauties of the buried world of Rome. Soon their enthusiasm was shared by all the people of western Europe. The finding of an unknown ma.n.u.script became the excuse for a civic holiday. The man who wrote a grammar became as popular as the fellow who nowadays invents a new spark-plug. The humanist, the scholar who devoted his time and his energies to a study of ”h.o.m.o” or mankind (instead of wasting his hours upon fruitless theological investigations), that man was regarded with greater honour and a deeper respect than was ever bestowed upon a hero who had just conquered all the Cannibal Islands.
In the midst of this intellectual upheaval, an event occurred which greatly favoured the study of the ancient philosophers and authors. The Turks were renewing their attacks upon Europe. Constantinople, capital of the last remnant of the original Roman Empire, was hard pressed. In the year 1393 the Emperor, Manuel Paleologue, sent Emmanuel Chrysoloras to western Europe to explain the desperate state of old Byzantium and to ask for aid. This aid never came. The Roman Catholic world was more than willing to see the Greek Catholic world go to the punishment that awaited such wicked heretics. But however indifferent western Europe might be to the fate of the Byzantines, they were greatly interested in the ancient Greeks whose colonists had founded the city on the Bosphorus ten centuries after the Trojan war. They wanted to learn Greek that they might read Aristotle and Homer and Plato. They wanted to learn it very badly, but they had no books and no grammars and no teachers. The magistrates of Florence heard of the visit of Chrysoloras. The people of their city were ”crazy to learn Greek.” Would he please come and teach them? He would, and behold! the first professor of Greek teaching alpha, beta, gamma to hundreds of eager young men, begging their way to the city of the Arno, living in stables and in dingy attics that they night learn how to decline the verb [gr paidenw paideneis paidenei] and enter into the companions.h.i.+p of Sophocles and Homer.
Meanwhile in the universities, the old schoolmen, teaching their ancient theology and their antiquated logic; explaining the hidden mysteries of the old Testament and discussing the strange science of their Greek-Arabic-Spanish-Latin edition of Aristotle, looked on in dismay and horror. Next, they turned angry. This thing was going too far. The young men were deserting the lecture halls of the established universities to go and listen to some wild-eyed ”humanist” with his newfangled notions about a ”reborn civilization.”
They went to the authorities. They complained. But one cannot force an unwilling horse to drink and one cannot make unwilling ears listen to something which does not really interest them. The schoolmen were losing ground rapidly. Here and there they scored a short victory. They combined forces with those fanatics who hated to see other people enjoy a happiness which was foreign to their own souls. In Florence, the centre of the Great Rebirth, a terrible fight was fought between the old order and the new. A Dominican monk, sour of face and bitter in his hatred of beauty, was the leader of the mediaeval rear-guard. He fought a valiant battle. Day after day he thundered his warnings of G.o.d's holy wrath through the wide halls of Santa Maria del Fiore. ”Repent,” he cried, ”repent of your G.o.dlessness, of your joy in things that are not holy!” He began to hear voices and to see flaming swords that flashed through the sky. He preached to the little children that they might not fall into the errors of these ways which were leading their fathers to perdition. He organised companies of boy-scouts, devoted to the service of the great G.o.d whose prophet he claimed to be. In a sudden moment of frenzy, the frightened people promised to do penance for their wicked love of beauty and pleasure. They carried their books and their statues and their paintings to the market place and celebrated a wild ”carnival of the vanities” with holy singing and most unholy dancing, while Savonarola applied his torch to the acc.u.mulated treasures.
But when the ashes cooled down, the people began to realise what they had lost. This terrible fanatic had made them destroy that which they had come to love above all things. They turned against him, Savonarola was thrown into jail. He was tortured. But he refused to repent for anything he had done. He was an honest man. He had tried to live a holy life. He had willingly destroyed those who deliberately refused to share his own point of view. It had been his duty to eradicate evil wherever he found it. A love of heathenish books and heathenish beauty in the eyes of this faithful son of the Church, had been an evil. But he stood alone. He had fought the battle of a time that was dead and gone. The Pope in Rome never moved a finger to save him. On the contrary, he approved of his ”faithful Florentines” when they dragged Savonarola to the gallows, hanged him and burned his body amidst the cheerful howling and yelling of the mob.
It was a sad ending, but quite inevitable. Savonarola would have been a great man in the eleventh century. In the fifteenth century he was merely the leader of a lost cause. For better or worse, the Middle Ages had come to an end when the Pope had turned humanist and when the Vatican became the most important museum of Roman and Greek antiquities.
THE AGE OF EXPRESSION
THE PEOPLE BEGAN TO FEEL THE NEED OF GIVING EXPRESSION TO THEIR NEWLY DISCOVERED JOY OF LIVING. THEY EXPRESSED THEIR HAPPINESS IN POETRY AND IN SCULPTURE AND IN ARCHITECTURE AND IN PAINTING AND IN THE BOOKS THEY PRINTED
IN the year 1471 there died a pious old man who had spent seventy-two of his ninety-one years behind the sheltering walls of the cloister of Mount St. Agnes near the good town of Zwolle, the old Dutch Hanseatic city on the river Ysel. He was known as Brother Thomas and because he had been born in the village of Kempen, he was called Thomas a Kempis.
At the age of twelve he had been sent to Deventer, where Gerhard Groot, a brilliant graduate of the universities of Paris, Cologne and Prague, and famous as a wandering preacher, had founded the Society of the Brothers of the Common Life. The good brothers were humble laymen who tried to live the simple life of the early Apostles of Christ while working at their regular jobs as carpenters and house-painters and stone masons. They maintained an excellent school, that deserving boys of poor parents might be taught the wisdom of the Fathers of the church. At this school, little Thomas had learned how to conjugate Latin verbs and how to copy ma.n.u.scripts. Then he had taken his vows, had put his little bundle of books upon his back, had wandered to Zwolle and with a sigh of relief he had closed the door upon a turbulent world which did not attract him.
Thomas lived in an age of turmoil, pestilence and sudden death. In central Europe, in Bohemia, the devoted disciples of Johannus Huss, the friend and follower of John Wycliffe, the English reformer, were avenging with a terrible warfare the death of their beloved leader who had been burned at the stake by order of that same Council of Constance, which had promised him a safe-conduct if he would come to Switzerland and explain his doctrines to the Pope, the Emperor, twenty-three cardinals, thirty-three archbishops and bishops, one hundred and fifty abbots and more than a hundred princes and dukes who had gathered together to reform their church.
In the west, France had been fighting for a hundred years that she might drive the English from her territories and just then was saved from utter defeat by the fortunate appearance of Joan of Arc. And no sooner had this struggle come to an end than France and Burgundy were at each other's throats, engaged upon a struggle of life and death for the supremacy of western Europe.
In the south, a Pope at Rome was calling the curses of Heaven down upon a second Pope who resided at Avignon, in southern France, and who retaliated in kind. In the far east the Turks were destroying the last remnants of the Roman Empire and the Russians had started upon a final crusade to crush the power of their Tartar masters.
But of all this, Brother Thomas in his quiet cell never heard. He had his ma.n.u.scripts and his own thoughts and he was contented. He poured his love of G.o.d into a little volume. He called it the Imitation of Christ.
It has since been translated into more languages than any other book save the Bible. It has been read by quite as many people as ever studied the Holy Scriptures. It has influenced the lives of countless millions.
And it was the work of a man whose highest ideal of existence was expressed in the simple wish that ”he might quietly spend his days sitting in a little corner with a little book.”
Good Brother Thomas represented the purest ideals of the Middle Ages.
Surrounded on all sides by the forces of the victorious Renaissance, with the humanists loudly proclaiming the coming of modern times, the Middle Ages gathered strength for a last sally. Monasteries were reformed. Monks gave up the habits of riches and vice. Simple, straightforward and honest men, by the example of their blameless and devout lives, tried to bring the people back to the ways of righteousness and humble resignation to the will of G.o.d. But all to no avail. The new world rushed past these good people. The days of quiet meditation were gone. The great era of ”expression” had begun.
Here and now let me say that I am sorry that I must use so many ”big words.” I wish that I could write this history in words of one syllable.
But it cannot be done. You cannot write a text-book of geometry without reference to a hypotenuse and triangles and a rectangular parallelopiped. You simply have to learn what those words mean or do without mathematics. In history (and in all life) you will eventually be obliged to learn the meaning of many strange words of Latin and Greek origin. Why not do it now?
When I say that the Renaissance was an era of expression, I mean this: People were no longer contented to be the audience and sit still while the emperor and the pope told them what to do and what to think. They wanted to be actors upon the stage of life. They insisted upon giving ”expression” to their own individual ideas. If a man happened to be interested in statesmans.h.i.+p like the Florentine historian, Niccolo Macchiavelli, then he ”expressed” himself in his books which revealed his own idea of a successful state and an efficient ruler. If on the other hand he had a liking for painting, he ”expressed” his love for beautiful lines and lovely colours in the pictures which have made the names of Giotto, Fra Angelico, Rafael and a thousand others household words wherever people have learned to care for those things which express a true and lasting beauty.
If this love for colour and line happened to be combined with an interest in mechanics and hydraulics, the result was a Leonardo da Vinci, who painted his pictures, experimented with his balloons and flying machines, drained the marshes of the Lombardian plains and ”expressed” his joy and interest in all things between Heaven and Earth in prose, in painting, in sculpture and in curiously conceived engines.
When a man of gigantic strength, like Michael Angelo, found the brush and the palette too soft for his strong hands, he turned to sculpture and to architecture, and hacked the most terrific creatures out of heavy blocks of marble and drew the plans for the church of St. Peter, the most concrete ”expression” of the glories of the triumphant church. And so it went.
All Italy (and very soon all of Europe) was filled with men and women who lived that they might add their mite to the sum total of our acc.u.mulated treasures of knowledge and beauty and wisdom. In Germany, in the city of Mainz, Johann zum Gansefleisch, commonly known as Johann Gutenberg, had just invented a new method of copying books. He had studied the old woodcuts and had perfected a system by which individual letters of soft lead could be placed in such a way that they formed words and whole pages. It is true, he soon lost all his money in a law-suit which had to do with the original invention of the press. He died in poverty, but the ”expression” of his particular inventive genius lived after him.