Part 11 (1/2)

MOZART'S PRINc.i.p.aL COMPOSITIONS

OPERAS, ETC.: Bastien und Bastienne. 1768.

La finta Semplice. 1768.

Mitridate, Re di Ponto. 1770.

Ascanio in Alba. 1771.

La finta Giardiniera. 1774.

Il Re Pastore. 1775.

Zaida. 1780.

King Thamos. 1780.

[The three motets, 'Splendente Te Deus,' 'Ne pulvis et cinis,'

and 'Deus Tibi laus et honor,' are adaptations from this work.]

Idomeneo, Re di Creta. 1781.

Die Entfuhrung aus dem Serail. 1782.

Der Schauspieldirector. 1786.

Le Nozze di Figaro. 1786.

Il Don Giovanni. 1787.

Cosi fan tutte. 1790.

Die Zauberflote. 1791.

La Clemenza di t.i.to. 1791.

15 Ma.s.ses (1768-1783) and 1 Requiem (1791).

[The ma.s.ses published by Novello as No. 7 (B-flat), No. 8 (C), No. 9 (G), No. 12 (G), Nos. 13 and 16 (E-flat--one Ma.s.s), and No. 17 (C), are not considered authentic. The same may be said of the Requiem in D minor (No. 18). The celebrated Requiem (also in D minor, Novello, No. 15) was completed by Sussmayer after Mozart's death. The well-known Novello No. 1 (in C) and No. 2 (also in C) were composed in 1779 and 1776.]

4 Litanies.

2 Vespers. 1779 and 1780.

[The 'Laudate Dominum' (in A) of the earlier setting is well known.]

Te Deum in C. 1772.

Motet, Ave verum. 1791.

Cantata, Davidde Penitente. 1785.

41 Arias for different voices.

6 Vocal Trios and 1 Quartet.

41 Symphonies.

[The earliest symphony was in E-flat (1764). Mention may also be made of three in the key of D--the Parisian (1778), the Haffner (1782), and the Prague (1786)--and of his three last and greatest--in E-flat, G minor, and C, the Jupiter--all composed in 1788.]

31 Divertimenti, Serenades, etc.

Masonic Dirge in C minor. 1785.

8 Quintets for strings.

1 Quintet for clarinet and strings. 1789.

26 Quartets for strings. 1770-1790.

[The six quartets dedicated to Haydn were composed in 1782-85.]