Part 4 (1/2)

[5] It is a fact that this stupendous work was completed in twenty-four days!

[6] In the ma.n.u.script score preserved at Buckingham Palace the symphony is marked 'Pifa,' a shortening of the Italian word 'Pifferare,' to play on the fife.

HANDEL'S PRINc.i.p.aL COMPOSITIONS

8 ORATORIOS, etc.

La Resurrezione (1708); two Pa.s.sions (1704 and 1716); Acis and Galatea (1720); Esther (1720); Deborah (1733); Athalia (1733); Alexander's Feast (1736); Saul (1738); Israel in Egypt (1738); Ode for St. Cecilia's Day (1739); L'Allegro, il Penseroso, ed il Moderato (1740); The Messiah (1741); Samson (1741); Joseph (1743); Semele (1743); Belshazzar (1744); Hercules (1744); Occasional Oratorio (1746); Judas Maccabaeus (1746); Alexander Balus (1747); Joshua (1747); Solomon (1748); Susanna (1748); Theodora (1749); The Choice of Hercules (1750); Jephtha (1751); The Triumph of Time and Truth (1757).

Utrecht Te Deum and Jubilate. 1713.

12 Chandos Anthems. 1718-1720.

2 Chandos Te Deums. 1718-1720.

4 Coronation Anthems (Let thy Hand be Strengthened, My Heart is inditing, The King shall Rejoice, and Zadok the Priest). 1727.

Funeral Anthem (The Ways of Zion do Mourn). 1737.

Dettingen Te Deum. 1743.

40 OPERAS, mostly remembered only by a single aria. The following may be named: Almira (1705); Rodrigo (1707); Agrippina (1709); Rinaldo (1711); Radamisto (1720); Muzio Scaevola (Act III. only--1721); Ottone (1722); Scipione (1726); Admeto (1726); Ezio (1732); Serse (1738).

Water Music. 1715.

17 Suites de Pieces for the clavecin.

40 Concertos for various instruments.

HAYDN

HAYDN

The Cathedral of St. Stephen, standing in the central square of Vienna, looked grey and cheerless in the misty atmosphere of a November evening. Evensong had just concluded, the wors.h.i.+ppers had dispersed, and the great square itself was silent and deserted, save for one or two hurrying pedestrians crossing it on their homeward way.

One of these, however, formed an exception to the rest, for he seemed to be in no hurry to leave the square. On reaching the further side he hesitated, glanced up at the clock, and then, turning about, paced listlessly up and down, as if uncertain whether to go or remain. Not even the rain, which now began to fall in that silent, hopeless fas.h.i.+on which predicts a thoroughly wet evening, appeared to a.s.sist the wanderer in coming to a decision. He was a mere stripling, short of stature, shabbily clothed, and with a keen look on his pale face that betokened a want of food and rest.

The square was dimly lighted by lamps stationed at wide intervals, and the shadows cast by the great building effectually concealed the form of the youth as he entered them in the course of his restless walk.

It was evident that he was in a state of acute distress, and equally evident that this spot held some peculiar attraction for him, for now and again he cast a glance at the church walls, or lingered beside the closed door which was used by the members of the choir. Presently, as he was pa.s.sing, the door opened, emitting a stream of yellow light across the wet pavement, and a number of youths sallied forth, talking and laughing together as they came. At the sound of the creaking hinges the dest.i.tute boy shrank back into the shadow, as if he were afraid of being recognised--which, indeed, was the case. Nevertheless, on catching a glimpse of one young face, as the figure of its owner almost brushed against him, he could not refrain from exclaiming under his breath, 'Michael!'

So low was the tone in which the name was uttered, that, although the chorister's face, with the light from the doorway falling upon it, was turned for a second in the speaker's direction, the boy failed to grasp the meaning of the sound, and hurried on with his companions; and with a deep sigh the poor wanderer turned away.

At that moment a young man who was crossing the square from the opposite side paused to turn up the collar of his coat. In so doing he became aware that a pair of eyes was regarding him with a sorrowful, appealing gaze from the depths of the shadows. In another moment he had advanced to the youth's side and laid his hand upon his shoulder.

'Joseph! can it be you? Man, how wet you are!' The outcast s.h.i.+vered under the friendly touch. 'What are you doing? Where have you been living?' continued the questioner, drawing the youth into the light of a lamp, and regarding his pale, tired face with astonishment.

[Ill.u.s.tration: HAYDN.

From photo RISCHGITZ.]

'Nothing--nowhere. I am starving, that is all,' was the reply.

'Starving--you! This is Reutter's handiwork,' said the other angrily.