Part 30 (1/2)

Mrs. Falconer left the shop without another word, but with an awful suspicion which the last heedless words of the shoemaker had aroused in her bosom. She left him bursting with laughter over his lapstone.

He caught up his fiddle and played The De'il's i' the Women l.u.s.tily and with expression. But he little thought what he had done.

As soon as she reached her own room, she went straight to her bed and disinterred the bonny leddy's coffin. She was gone; and in her stead, horror of horrors! lay in the unhallowed chest that body of divinity known as Boston's Fourfold State. Vexation, anger, disappointment, and grief possessed themselves of the old woman's mind. She ranged the house like the 'questing beast' of the Round Table, but failed in finding the violin before the return of the boys. Not a word did she say all that evening, and their oppressed hearts foreboded ill. They felt that there was thunder in the clouds, a sleeping storm in the air; but how or when it would break they had no idea.

Robert came home to dinner the next day a few minutes before Shargar. As he entered his grandmother's parlour, a strange odour greeted his sense.

A moment more, and he stood rooted with horror, and his hair began to rise on his head. His violin lay on its back on the fire, and a yellow tongue of flame was licking the red lips of a hole in its belly. All its strings were shrivelled up save one, which burst as he gazed. And beside, stern as a Druidess, sat his grandmother in her chair, feeding her eyes with grim satisfaction on the detestable sacrifice. At length the rigidity of Robert's whole being relaxed in an involuntary howl like that of a wild beast, and he turned and rushed from the house in a helpless agony of horror. Where he was going he knew not, only a blind instinct of modesty drove him to hide his pa.s.sion from the eyes of men.

From her window Miss St. John saw him tearing like one demented along the top walk of the captain's garden, and watched for his return. He came far sooner than she expected.

Before he arrived at the factory, Robert began to hear strange sounds in the desolate place. When he reached the upper floor, he found men with axe and hammer destroying the old woodwork, breaking the old jennies, pitching the b.a.l.l.s of lead into baskets, and throwing the spools into crates. Was there nothing but destruction in the world? There, most horrible! his 'bonny leddy' dying of flames, and here, the temple of his refuge torn to pieces by unhallowed hands! What could it mean? Was his grandmother's vengeance here too? But he did not care. He only felt like the dove sent from the ark, that there was no rest for the sole of his foot, that there was no place to hide his head in his agony--that he was naked to the universe; and like a heartless wild thing hunted till its brain is of no more use, he turned and rushed back again upon his track.

At one end was the burning idol, at the other the desecrated temple.

No sooner had he entered the captain's garden than Miss St. John met him.

'What is the matter with you, Robert?' she asked, kindly.

'Oh, mem!' gasped Robert, and burst into a very storm of weeping.

It was long before he could speak. He cowered before Miss St. John as if conscious of an unfriendly presence, and seeking to shelter himself by her tall figure from his grandmother's eyes. For who could tell but at the moment she might be gazing upon him from some window, or even from the blue vault above? There was no escaping her. She was the all-seeing eye personified--the eye of the G.o.d of the theologians of his country, always searching out the evil, and refusing to acknowledge the good. Yet so gentle and faithful was the heart of Robert, that he never thought of her as cruel. He took it for granted that somehow or other she must be right. Only what a terrible thing such righteousness was! He stood and wept before the lady.

Her heart was sore for the despairing boy. She drew him to a little summer-seat. He entered with her, and sat down, weeping still. She did her best to soothe him. At last, sorely interrupted by sobs, he managed to let her know the fate of his 'bonnie leddy.' But when he came to the words, 'She's burnin' in there upo' granny's fire,' he broke out once more with that wild howl of despair, and then, ashamed of himself, ceased weeping altogether, though he could not help the intrusion of certain chokes and sobs upon his otherwise even, though low and sad speech.

Knowing nothing of Mrs. Falconer's character, Miss St. John set her down as a cruel and heartless as well as tyrannical and bigoted old woman, and took the mental position of enmity towards her. In a gush of motherly indignation she kissed Robert on the forehead.

From that chrism he arose a king.

He dried his eyes; not another sob even broke from him; he gave one look, but no word of grat.i.tude, to Miss St. John; bade her good-bye; and walked composedly into his grandmother's parlour, where the neck of the violin yet lay upon the fire only half consumed. The rest had vanished utterly.

'What are they duin' doon at the fact'ry, grannie?' he asked.

'What's wha duin', laddie?' returned his grandmother, curtly.

'They're takin' 't doon.'

'Takin' what doon?' she returned, with raised voice.

'Takin' doon the hoose.'

The old woman rose.

'Robert, ye may hae spite in yer hert for what I hae dune this mornin', but I cud do no ither. An' it's an ill thing to tak sic amen's o' me, as gin I had dune wrang, by garrin' me troo 'at yer grandfather's property was to gang the gait o' 's auld, useless, ill-mainnert scraich o' a fiddle.'

'She was the bonniest fiddle i' the country-side, grannie. And she never gae a scraich in her life 'cep' whan she was han'let in a mainner unbecomin'. But we s' say nae mair aboot her, for she's gane, an' no by a fair strae-deith (death on one's own straw) either. She had nae blude to cry for vengeance; but the snappin' o' her strings an' the crackin'

o' her banes may hae made a cry to gang far eneuch notwithstandin'.'

The old woman seemed for one moment rebuked under her grandson's eloquence. He had made a great stride towards manhood since the morning.

'The fiddle's my ain,' she said, in a defensive tone. 'And sae is the fact'ry,' she added, as if she had not quite rea.s.sured herself concerning it.